Water Relations of Plants and Soils, successor to the seminal 1983 book by Paul Kramer, covers the entire field of water relations using current concepts and consistent terminology. Emphasis is on the interdependence of processes, including rate of water absorption, rate of transpiration, resistance to water flow into roots, soil factors affecting water availability. New trends in the field, such as the consideration of roots (rather than leaves) as the primary sensors of water stress, are examined in detail.
Key Features
* Addresses the role of water in the whole range of plant activities
* Describes molecular mechanisms of water action in the context of whole plants
* Synthesizes recent scientific findings
* Relates current concepts to agriculture and ecology
* Provides a summary of methods

The Songs The Beatles Gave Away' was inspired by the 2009 BBC Radio 2 documentary of the same name on which Colin worked with/for Bob Harris and his wife, Trudie Myerscough-Harris. For his book, Bob and Trudie have kindly given Colin permission to access the interviews they conducted in 2008/9 with Sir Paul McCartney, Sir George Martin, Cilla Black, Mary Hopkin, Jackie Lomax, Billy Hatton and others. Previously only small extracts from these exclusive interviews have ever been available but now, for the first time, these gems are accessed in full. Among the last interviews they gave, Sir George and Cilla spoke candidly about their work and experiences. To read their words is a moving reminder not only of their individual talents but of a period in recent musical history, the impact of which, still resonates to this day. Since making the original Radio 2 documentary Colin has been able to speak to artists who did not contribute directly to the programme such as Billy J. Kramer, Peter Asher, Megan Davies of The Applejacks and John Clay who played with the Black Dyke Mills Brass Band in 1968 when Paul McCartney visited Saltaire, in Yorkshire, to record 'Thingumybob', an instrumental tune, he had written especially for a brass band to play. For extra background detail, and to further contextualise the songwriting of John, Paul and George, Colin has unearthed extensive interviews he conducted with Astrid Kirchherr and Klaus Vormann before he became custodian of the Lennon house in Liverpool in 2004. He has also spoken with eye-witness, and former member of the Plastic Ono Band, Alan White who played on many Apple recording sessions. 'The Songs The Beatles Gave Away' is illustrated with photographs of records culled from Colin's private collection of original 45rpm vinyl singles, together with photographs kindly donated to the project by his friends, some of his own personal photographs as well as many promotional photographs from the period. While encompassing the origins of the Beatles as a group and the emergence of John, Paul, and George as composers, the central focus of 'The Songs The Beatles Gave Away' is on tunes John, Paul and George wrote for other artistes rather than just for The Beatles themselves. As such the stories featured here are not about 'covers' of songs the Beatles had already released. It is about songs The Beatles did not release commercially or even record at all during the active lifetime of the group. Such 'giveaways' were unique and each song and its singer are discussed in detail and side stories and background explored. This is the first time a book focusing on this aspect of The Beatles' legacy has been attempted.

In this autobiography Billy J. Kramer (born William Ashton) tells his rags to riches story, from his working class childhood in Liverpool to the racy world of international pop music. Managed by Brian Epstein, produced by George Martin, and friend, confidante and colleague of the Beatles, Kramer gives a definitive insider's account of the birth of the Liverpool sound and also the "British Invasion" of the USA. But there are dark secrets in the Kramer story. Before he reached his twenties, he was in the grip of drugs and alcohol, and there were constant tensions between him and his backing band, the Dakotas. When the screaming stopped, he reinvented himself as a cabaret performer, and some of his best records were made in the years he was out of the limelight. With a young family, drink and pills made his domestic life, and eventually his professional life, a struggle. In this no-holds-barred account, Kramer brings to life the vibrancy of the sixties. He then reveals how he exorcised his demons and forged a new career in the United States. He assembles his current band, shows a growing mastery of songwriting, and returns to national tours of Britain and the USA, keeping the flame of the Mersey sound alive. The lifetime of experience he brings to his new songs infuses every page of this enthralling read.

Technology continues to evolve and make our lives busier and more complicated, but it can never replace true human connection-our fundamental need to share information, stories, and emotions. Shareology explores the history, science, and art of sharing and its importance to both individuals and brands in the emerging "sharing economy." It is meant for entrepreneurs and marketers who want to make their content more valuable (and shareable), and for individuals who want to understand the power of sharing to grow their personal brand.

First published 1983. Aimed at improving agricultural production by providing a better under* standing of the interaction between crops and the environment, this book presents the latest research findings on the effects of water and temperature stresses on plants in humid temperate regions. It also covers management practices and breeding programs that may reduce crop sensitivity to the vagaries of weather.

First published 1983. Aimed at improving agricultural production by providing a better under* standing of the interaction between crops and the environment, this book presents the latest research findings on the effects of water and temperature stresses on plants in humid temperate regions. It also covers management practices and breeding programs that may reduce crop sensitivity to the vagaries of weather.

Technology continues to evolve and make our lives busier and more complicated, but it can never replace true human connection-our fundamental need to share information, stories, and emotions. Shareology explores the history, science, and art of sharing and its importance to both individuals and brands in the emerging "sharing economy." It is meant for entrepreneurs and marketers who want to make their content more valuable (and shareable), and for individuals who want to understand the power of sharing to grow their personal brand.

The Republic of Rock uncovers the lost story of rock music and citizenship in the sixties counterculture. Tracing the way people in two key places-San Francisco and Vietnam-used rock to make sense of their lives and the world around them, the book helps us to understand more vividly how rock became a medium for participants in the counterculture to think about what it meant to be an American citizen, a world citizen, a citizen-consumer, or a citizen-soldier. The music became a resource for grappling with the nature of democracy in larger systems of American power both domestically and globally. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, from the airwaves of Vietnam to the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love to the country in which the United States waged war were crucial to the making of the sixties counterculture-and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today.

Current Topics in Vector Research is based on the premise that to un derstand the whole, one must first understand the component parts and how they interact. Here in Volume 4, as well as in future volumes, vector, pathogen, and host will be treated both individually and as integral parts of multifaceted transmission systems. It is our intention to present up-to date, coherent syntheses of the latest findings in vector research, suggest promising frontiers for future research, and call attention to possible prac tical applications of our present understandings of pathogen-vector-host interactions. To realize our goals, we invite world-renowned, veteran sci entists as well as neophytes to report on their individual areas of expertise. Where appropriate, authors are encouraged to draw conclusions and pro pose hypotheses that stimulate additional thinking and research or oth erwise further our understanding of vector transmission cycles and how such cycles might be interrupted. It is our hope that readers will agree that we are serving these objectives and creating a milieu for specialists and generalists in vector research to maintain rapport and understanding."

"Living Through Loss" is the first book to identify the many ways in which people experience loss over the course of life and to discuss the interventions most effective at each stage of life. The authors' starting point is that loss comes in many forms and can include not only suffering the death of a person one loves but also giving birth to a child with disabilities, living with chronic illness, or being abused, assaulted, or otherwise traumatized. They approach loss from the perspective of the resilience model, which acknowledges the capacity of people to integrate loss into their lives, and write sensitively about the role of age, race, culture, sexual orientation, gender, and spirituality in a person's response to loss. More than a comprehensive source on loss, the volume is distinguished by the authors' beautiful use of clients' experiences-and their own-thus making their book definitive and indelible.

"Living Through Loss" is the first book to identify the many ways in which people experience loss over the course of life and to discuss the interventions most effective at each stage of life. The authors' starting point is that loss comes in many forms and can include not only suffering the death of a person one loves but also giving birth to a child with disabilities, living with chronic illness, or being abused, assaulted, or otherwise traumatized. They approach loss from the perspective of the resilience model, which acknowledges the capacity of people to integrate loss into their lives, and write sensitively about the role of age, race, culture, sexual orientation, gender, and spirituality in a person's response to loss. More than a comprehensive source on loss, the volume is distinguished by the authors' beautiful use of clients' experiences-and their own-thus making their book definitive and indelible.

Die Wahl des adaquaten bildgebenden Verfahrens zur Kniegelenkdiagnostik erfordert eine enge interdisziplinare Zusammenarbeit zwischen Radiologie und den Fachern Orthopadie und Unfallchirurgie.
Das aus der langjahrigen praktischen Erfahrung der Autoren entstandene Buch ist Schnittstelle zwischen diesen Disziplinen und verbindet deren vielfaltige Teilaspekte zu einer umfassenden Gesamtubersicht auf dem aktuellen Wissensstand.
Das Buch zeichnet sich aus durch eine klare, einheitliche Struktur und eine knappe, ubersichtliche Wissensvermittlung. Neben dem methodischen Schwerpunkt 'MR-Tomographie' werden Sonographie, Computertomographie, Arthrographie, diagnostische Arthroskopie und Szintigraphie dargestellt.
"Moderne Kniegelenkdiagnostik" bietet als interdisziplinare Informationsquelle
- dem Kliniker die Moglichkeit, sich rasch und gezielt uber die verschiedenen Verfahren zu belesen und seine diagnostischen Anforderungen danach auszurichten.
- dem Radiologen das klinische Hintergrundwissen als Orientierungshilfe bei der Erstellung der Befunde und als Entscheidungshilfe bei der Indikationsstellung.

Der Inhalt dieses Lehrbuchkompendiums orientiert sich in der optisch-didaktisch verbesserten 2. Auflage noch enger als bisher an der Ausbildungs- und PrA1/4fungsordnung des Unterrichtsfach "Sportmedizin" an den Physiotherapieschulen. Die Inhaltsschwerpunkte liegen - bewuAt praxisnah - auf der Sportvorbereitung und -prophylaxe, der rationell geplanten therapeutischen Behandlung und der Ersten Hilfe. Das Buch bietet einen GesamtA1/4berblick A1/4ber die speziellen Verletzungsmechanismen bei den einzelnen Breitensportarten. Die sportspezifischen Probleme der groAen Gelenke und der WirbelsAule werden besonders ausfA1/4hrlich dargestellt. In der Neuauflage finden die Leser eine Reihe verbesserter Abbildungen, vAllig A1/4berarbeitete Kapitel zu den Themen "Schulter" und "Knie" und einen ergAnzten Abschnitt A1/4ber die Sportart Golf.

When Billy J. Kramer’s record of Lennon and McCartney’s “Do You Want To Know A Secret?” topped the New Musical Express charts in 1963, he became the first singer in the world to have a number one hit with a Beatles song, apart from the Fab Four themselves. This success propelled the teenage Kramer into the fast lane, and he followed it with another five top twenty singles within the space of two years. In this autobiography Billy J. Kramer (born William Ashton) tells his rags to riches story, from his working class childhood in Liverpool, via a British Rail engineering apprenticeship in the dying days of steam, to the racy world of international pop music. Managed by Brian Epstein, produced by George Martin, engineered by Hurricane Smith, and friend, confidante and colleague of the Beatles, Kramer gives a definitive insider’s account of the birth of the Liverpool sound and also the “British Invasion” of the US. We follow him to the Star Club in Hamburg, to Abbey Road, into the BBC studios, and onto package tours and stage shows with the Beatles, Cilla Black, Gerry and the Pacemakers, Tommy Quickly and other stars of the age. He shares a dressing room with James Brown, and appears alongside other 1960s giants of the American music business. Kramer also brilliantly evokes the world of variety, as he goes behind the scenes with comedian Tommy Cooper, and learns about the stagecraft of artistes from another era. On the surface, Kramer’s career seems like a dream come true, but there are dark secrets in the Kramer story. Even before he’d reached his twenties, he was already in the grip of drugs and alcohol, and there were constant tensions between him and his Mancunian backing band, The Dakotas. When the screaming stopped, he reinvented himself as a cabaret performer, and some of his best records were made during the years he was out of the limelight. He brought up a young family, but the drink and pills made his domestic life, and eventually his professional life, a struggle. In this no-holds-barred account of his life, Kramer evokes the vibrancy of the sixties and reveals how he exorcised his demons and forged a new career in the US. He assembles his current band, shows a growing mastery of songwriting and recording, and returns to national tours, keeping the flame of the Mersey sound alive. The lifetime of experience he brings to his new songs infuses every page of this enthralling read.