This volume examines the policies and initiatives now underway on both sides of the Atlantic to revitalize the poorest urban neighborhoods. With contributors from the US, France, and the UK, the volume explains the range of community building programs and explores critical issues such as the role of partnerships and the importance of race and gender in urban regeneration.

The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen's club with a singular remit - to exhibit members' art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members' social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.

Our poorest urban neighbourhoods experience economic and social difficulties that uniquely affect the lives of those who live there. This volume examines the policies and initiatives now underway on both sides of the Atlantic to revitalize those areas. With contributors from the US, France and the UK the volume explains the nature of specific community building programmes and explores critical issues such as the role of partnerships and the importance of race and gender in urban regeneration.

The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen's club with a singular remit - to exhibit members' art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members' social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.

Politics have always been a part of youth and high school sports. However, in recent years several new dynamics have developed that have increased the pressure on coaches in every sport. As a result, all across America good people are leaving the coaching profession at an enormously high rate. Carl Pierson uses his two decades of coaching and his political science background to offer real world examples and practical advice on eternally troubling topics like picking teams, playing time, powerful parents, booster clubs, and so many other issues that today's youth and high school coaches have to contend with. The Politics of Coaching is nothing short of a playbook to help coaches navigate their way through the perilous, stressful world that has become coaching. To learn more visit www.politicsofcoaching.com "Required reading for every aspiring and current head high school coach in the country." Steve Svendsen-Football Coach Magnolia High School, Texas "Carl says what most people are afraid to say or even admit in the world of coaching. He does a remarkable job in addressing tough situations and answering the difficult questions. When you need help in frustrating situations, you will turn to his book time and again. There will be no unread chapters. I dare you to try and find a book like this out there, it doesn't exist...until now " Debra LaPrath - Girls Head Soccer Coach Maria Carrillo High School, Santa Rosa, California Author - Coaching Girls' Soccer Successfully (Human Kinetics 2009) "Coaches no longer need to be on the defensive. The Politics of Coaching puts coaches in control of relationships with parents, boosters, and administration." Jeff Jennewein-Boys Basketball Coach West Plains High School, Missouri "This book is a great read, especially for a coach who aspires to run their own program. Regardless of the sport, politics are now a part of the game more than ever. Having this book on the shelf is a must if you want to know the ins and outs of dealing with off the field issues that arise on a daily basis. The Politics of Coaching will make you more prepared and a better coach." Steve Warren-Head Football Coach/Athletic Coordinator Abilene High School, Texas

The Federal Writers? Project, part of President Franklin D. Roosevelt?s Works Progress Administration of the 1930s, collected interviews from over 3500 ex-slaves throughout the United States, including 365 former South Carolina slaves. These narratives are an invaluable resource to those interested in resistance by the last generation of South Carolinians held in bondage. This thesis tells us about the separate worlds inhabited by the Palmetto State?s slaves and their owners, and describes, often in the slaves? own words, the resistance precipitated by the friction between these worlds.