The Dictionary contains 135 biographical-critical essays on contemporary Catholic American poets, dramatists, and fiction writers. Not since Hoehn's "Catholic Authors: Contemporary Biographical Sketches, 1930-1947" has such an inventory of Catholic American writers appeared. The Works By bibliographies contain all of each author's productions be they fiction, poetry, drama or non-fiction. The Works About bibliographies to each essay cite five critical studies or, where none exists, book reviews, plus references to other biographical sources. The Introduction explores the diversity of belief in contemporary Catholic expression. An essay by Professor Genaro Padilla examines the place of Catholicism in the work of Hispanic writers in the United States today. A partial list of the authors contained here reads like a Who's Who of American literary luminaries and includes such writers as John Gregory Dunne, Mary Gordon, Flannery O'Connor, Walker Percy, Don Delillo, Robert Stone, and Maureen Howard.

As a resource for further research on the authors contained, for continued reflection on the various forms of contemporary Catholic American writing, and for renewed scholarly interest in many excellent and often-neglected literary texts, the "Biographical Dictionary of Contemporary Catholic American Writing" deserves a place in most academic and public libraries. Generalists and English teachers and majors will find its perusal fascinating and rewarding.

What did British combatants wear on the western front in the First World War? From the idealized recruitment images to the coarse trousers and ill-fitting tunics, Jane Tynan retraces wartime culture through images and experiences of khaki. Photographs, newspapers, memoirs, war office documents and tailoring ephemera reveal the impact of the war on the tailoring trade. But the story of uniform also involves the wartime knitting projects, the issue of 'Kitchener Blue', Sikhs wearing khaki on the western front, and the punishments given to COs. Military uniforms were designed to make soldiers of civilian men and to rank them according to race and class, but Tynan argues that neat images of men in khaki concealed the reality that clothing an ever-expanding army involved compromise, resistance and improvisation. Uniforms transformed men and war changed British society. This book tells the story of British army clothing during wartime and offers insights into why khaki has endured as the symbol of modern militarism.

Jane Tynan offers new perspectives on the cultural history of the First World War by examining the clothing worn by British combatants on the western front. Khaki emerges as a significant part of war experience, which embodied gender, social class and ethnicity, impacted the tailoring trade and became a touchstone for pacifist resistance.