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Clothes take the ordinary human body and fashion it into something
remarkable. Born to the same anatomical legacy, each generation has
used garments to shape itself in the image of its own particular
desires.
Taking different body parts in turn, The Anatomy of Fashion invites
us to view ourselves as we have been in the past. Arguing that
analysis needs to aspire to the proliferation and playfulness of
fashion itself, the chapters both explore a different aesthetic and
examine its wider, and often surprising, implications. In countless
different ways, fashion is caught up in the larger picture of its
chronological moment. Whether in the mechanisms of production, the
politics of consumption, the construction of sexuality or gender,
or the formation and reformation of manners and morals, fashion is
there.
In its provocative conclusion The Anatomy of Fashion turns its
attention to dress practices today. Reassembling the anatomical
parts, the text places the contemporary body in the historical view
and reveals the strangeness that lies at the heart of our own
normality.
Clothing occupies a complex and important position in relation to
human experience. Not just utilitarian, dress gives form to a
society's ideas about the sacred and secular, about exclusion and
inclusion, about age, beauty, sexuality and status. In Dressing the
Elite, the author explores the multiple meanings that garments held
in early modern England. Clothing was used to promote health and
physical well-being, and to manage and structure, life transitions.
It helped individuals create social identities and also to disguise
them. Indeed, so culturally powerful was the manipulation of
appearances that authorities sought its control. Laws regulated
access to the dress styles of the elite, and through less formal
strategies, techniques of disguise were kept as the perquisites of
the powerful. Focusing on the elite, the author argues that
clothing was not just a form of cultural expression but in turn
contributed to societal formation. Clothes shaped the
configurations of the body, affected spaces and interactions
between people and altered the perceptions of the wearers and
viewers. People put on and manipulated their garments, but in turn
dress also exercised a reverse influence. Clothes made not just the
man and the woman, but also the categories of gender itself. Topics
covered include cross-dressing, sumptuary laws, mourning apparel
and individual styles.
Queer Lyrics fills a gap in queer studies: the lyric, as poetic genre, has never been directly addressed by queer theory. Vincent uses formal concerns, difficulty and closure, to discuss innovations specific to queer American poets. He traces a genealogy based on these queer techniques from Whitman, through Crane and Moore, to Ashbery and Spicer. Queer Lyrics considers the place of form in queer theory, while opening new vistas on the poetry of these seminal figures.
Political anthropology has long been among the most vibrant
subdisciplines within anthropology, and work done in this area has
been instrumental in exploring some of the most significant issues
of the late twentieth and early twenty-first centuries, including
(post)colonialism, development and underdevelopment, identity
politics, nationalism/transnationalism, and political violence.
In"The Anthropology of Politics: A Reader in Ethnography, Theory,
and Critique "readers will find a remarkable collection of classic
and contemporary articles on the subject.
Following on from her landmark book on politics and
anthropology, in this volume Joan Vincent provides a sweeping
historical and theoretical introduction to the field. Selected
readings from figures such as E. E. Evans-Pritchard, Edmund Leach,
Victor Turner, Eric Wolf, Benedict Anderson, Talal Asad, Michael
Taussig, Jean and John Comaroff, and Gayatri Chakravorty Spivak are
enriched by Vincent's headnotes and suggestions for further
reading. "The Anthropology of Politics "will prove an indispensable
resource for students, scholars, and instructors alike.
This groundbreaking book edited by Terence Hicks, a quantitative
research professor, and Abul Pitre, a qualitative research
professor, builds upon the usefulness of each research method and
integrates them by providing valuable findings on a diverse group
of college students. This book provides the reader with a mixture
of quantitative and qualitative research studies surrounding nine
chapters on African American, first-generation, undecided, and
non-traditional college students. Drawing from major quantitative
and qualitative theoretical research frameworks found in
multicultural education, Research Studies in Higher Education is a
must-read. The chapter authors provide important recommendations
for university administrators, faculty, and staff in supporting the
academic, personal, and social adjustment of college life for
African American, first-generation, undecided, and non-traditional
college students. The book contributes greatly to the research
literature regarding the role that educational leaders have in
educating multicultural college students.
Annual cotton production exceeds 25 million metric tons and
accounts for more than 40 percent of the textile fiber consumed
worldwide. A key textile fiber for over 5000 years, this complex
carbohydrate is also one of the leading crops to benefit from
genetic engineering. Cotton Fiber Chemistry and Technology offers a
modern examination of cotton chemistry and physics, classification,
production, and applications. The book incorporates new insight,
technological developments, and other considerations. The book
focuses on providing the most up-to-date information on cotton
fiber chemistry and properties. Written by leading authorities in
cotton chemistry and science, the book details fiber biosynthesis,
structure, chemical composition and reactions, physical properties
and includes information on biotech, organic, and colored cotton.
The final chapters examine worldwide production, consumption,
markets, and trends in the cotton industry. They also address
environmental, workplace, and consumer risks from exposure to
processing chemicals and emissions. Tracing the conversion of
cotton fibers from raw materials into marketable products, Cotton
Fiber Chemistry and Technology offers a complete overview of the
science, technology, and economic factors that impact cotton
production and applications today.
This groundbreaking book edited by Terence Hicks, a quantitative
research professor, and Abul Pitre, a qualitative research
professor, builds upon the usefulness of each research method and
integrates them by providing valuable findings on a diverse group
of college students. This book provides the reader with a mixture
of quantitative and qualitative research studies surrounding nine
chapters on African American, first-generation, undecided, and
non-traditional college students. Drawing from major quantitative
and qualitative theoretical research frameworks found in
multicultural education, Research Studies in Higher Education is a
must-read. The chapter authors provide important recommendations
for university administrators, faculty, and staff in supporting the
academic, personal, and social adjustment of college life for
African American, first-generation, undecided, and non-traditional
college students. The book contributes greatly to the research
literature regarding the role that educational leaders have in
educating multicultural college students.
This work, one of the first academic studies of The Sopranos to
include references to the highly regarded show's final episode,
provides a detailed account of lead character Tony Soprano's
psychological journey through all eight seasons of the popular HBO
show's successful run. Discussing the series through a window of
psychological interpretation and social analysis, the author
examines The Sopranos unique representation of modern family
dynamics, organized crime, contemporary American society, and
mental health.Early chapters focus on Tony's influential early life
experiences, as represented by several flashbacks and revealed
through his many therapy sessions. These chapters also reveal the
mental stress that affects Tony as a direct result of his
involvement with organized crime and his ever-fluctuating
relationships with his wife and children. Later chapters focus on
internal conflicts and behavioral symptoms commonly affecting the
populace of Tony's world, as well as on the critical role that
Tony's mental therapy sessions play in his ultimate psychological
journey. The book's final chapters explore the Soprano family as a
unified whole, including an evaluation of each character's
development throughout the series and an analysis of the roles of
symbolism, food, and storytelling in creating The Sopranos
universe.
In 2016, the University of Texas at Austin celebrated two important
milestones: the thirtieth anniversary of the Heman Sweatt Symposium
on Civil Rights and the sixtieth anniversary of the first black
undergraduate students to enter the university. These historic
moments aren't just special; they are relevant to current
conversations and experiences on college campuses across the
country. The story of integration at UT against the backdrop of the
Jim Crow South is complex and momentous-a story that necessitates
understanding and sharing. Likewise, this narrative is inextricably
linked to current conversations about students' negotiations of
identity and place in higher education.
Je me souviens invites post-intermediate students of French to
improve their language skills while exploring the complex history
and culture of Quebec. Drawing on cultural products from the
earliest days of exploration to the present day, Elizabeth Blood
and J.Vincent H. Morrissette curate an array of texts that sample
Quebecois literature, popular culture, art, music, and politics and
frame the texts with pre-reading and post-reading activities,
cultural notes, and historical overview sections. The
interdisciplinary approach challenges students to improve their
French language skills while learning about Quebec. Thematically
organized writings delve into issues central to understanding the
many facets of contemporary Quebecois identity, while prompts
direct students to search for a range of materials online. Je me
souviens is an essential resource for students interested in
understanding the francophone world.
Political anthropology has long been among the most vibrant
subdisciplines within anthropology, and work done in this area has
been instrumental in exploring some of the most significant issues
of the late twentieth and early twenty-first centuries, including
(post)colonialism, development and underdevelopment, identity
politics, nationalism/transnationalism, and political violence.
In"The Anthropology of Politics: A Reader in Ethnography, Theory,
and Critique "readers will find a remarkable collection of classic
and contemporary articles on the subject.
Following on from her landmark book on politics and
anthropology, in this volume Joan Vincent provides a sweeping
historical and theoretical introduction to the field. Selected
readings from figures such as E. E. Evans-Pritchard, Edmund Leach,
Victor Turner, Eric Wolf, Benedict Anderson, Talal Asad, Michael
Taussig, Jean and John Comaroff, and Gayatri Chakravorty Spivak are
enriched by Vincent's headnotes and suggestions for further
reading. "The Anthropology of Politics "will prove an indispensable
resource for students, scholars, and instructors alike.
Bobs, beards, blondes and beyond, Hair takes us on a lavishly
illustrated journey into the world of this remarkable substance and
our complicated and fascinating relationship with it. Taking the
key things we do to it in turn, this book captures its importance
in the past and into the present: to individuals and society, for
health and hygiene, in social and political challenge, in creating
ideals of masculinity and womanliness, in being a vehicle for
gossip, secrets and sex. Using art, film, personal diaries,
newspapers, texts and images, Susan J. Vincent unearths the stories
we have told about hair and why they are important. From ginger
jibes in the seventeenth century to bobbed-hair suicides in the
1920s, from hippies to Roundheads, from bearded women to smooth
metrosexuals, Hair shows the significance of the stuff we nurture,
remove, style and tend. You will never take it for granted again.
Queer Lyrics fills a gap in queer studies: the lyric, as poetic
genre, has never been directly addressed by queer theory. Vincent
uses formal concerns, difficulty and closure, to discuss
innovations specific to queer American poets. He traces a genealogy
based on these queer techniques from Whitman, through Crane and
Moore, to Ashbery and Spicer. Queer Lyrics considers the place of
form in queer theory, while opening new vistas on the poetry of
these seminal figures.
From the late nineteenth century until World War I, a group of
Columbia University students gathered under the mentorship of the
renowned historian William Archibald Dunning (1857--1922). Known as
the Dunning School, these students wrote the first generation of
state studies on the Reconstruction -- volumes that generally
sympathized with white southerners, interpreted radical
Reconstruction as a mean-spirited usurpation of federal power, and
cast the Republican Party as a coalition of carpetbaggers,
freedmen, scalawags, and former Unionists. Edited by the
award-winning historian John David Smith and J. Vincent Lowery, The
Dunning School focuses on this controversial group of historians
and its scholarly output. Despite their methodological limitations
and racial bias, the Dunning historians' writings prefigured the
sources and questions that later historians of the Reconstruction
would utilize and address. Many of their pioneering dissertations
remain important to ongoing debates on the broad meaning of the
Civil War and Reconstruction and the evolution of American
historical scholarship. This groundbreaking collection of original
essays offers a fair and critical assessment of the Dunning School
that focuses on the group's purpose, the strengths and weaknesses
of its constituents, and its legacy. Squaring the past with the
present, this important book also explores the evolution of
historical interpretations over time and illuminates the ways in
which contemporary political, racial, and social questions shape
historical analyses.
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