This collection of essays challenges preconceptions about Marlowe by tackling major aspects of his dramaturgy, his use of magic, the homoeroticism of the plays, his female characters, twentieth-century performances of his plays, and the radical nature of his narrative poem Hero and Leander. Taking nothing on trust, the authors review what is known about Marlowe's life and plays, conditions in Elizabethan theater, and his reputation among his contemporaries and among late-twentieth-century critics. Together they contribute to the critical effort to construct a fuller understanding of the poet and playwright.

This collection of essays displays a number of different approaches to the most significant early eighteenth-century periodicals. The range is considerable: the critique of ideology and polemical strategy, the political history of the press, the rhetoric of the genre, and the material circumstances of periodical production all find a place. The periodical profoundly shaped the English reading public's ways of perceiving the social and political institutions of their own age.

Although the emergence of the English novel is generally regarded as an eighteenth-century phenomenon, this is the first book to be published professing to cover the 'eighteenth-century English novel' in its entirety. This Handbook surveys the development of the English novel during the 'long' eighteenth century-in other words, from the later seventeenth century right through to the first three decades of the nineteenth century when, with the publication of the novels of Jane Austen and Walter Scott, 'the novel' finally gained critical acceptance and assumed the position of cultural hegemony it enjoyed for over a century. By situating the novels of the period which are still read today against the background of the hundreds published between 1660 and 1830, this Handbook not only covers those 'masters and mistresses' of early prose fiction-such as Defoe, Richardson, Fielding, Sterne, Burney, Scott and Austen-who are still acknowledged to be seminal figures in the emergence and development of the English novel, but also the significant number of recently-rediscovered novelists who were popular in their own day. At the same time, its comprehensive coverage of cultural contexts not considered by any existing study, but which are central to the emergence of the novel, such as the book trade and the mechanics of book production, copyright and censorship, the growth of the reading public, the economics of culture both in London and in the provinces, and the re-printing of popular fiction after 1774, offers unique insight into the making of the English novel.

Existing accounts of Fielding's political ideas are insufficiently aware of the structure of politics in the first half of the eighteenth century, and of the ways in which Whig political ideology developed following the Revolution of 1688. This political biography explains and illustrates what 'being a Whig' meant to Fielding.

Existing accounts of Fielding's political ideas are insufficiently aware of the structure of politics in the first half of the eighteenth century, and of the ways in which Whig political ideology developed following the Revolution of 1688. This political biography explains and illustrates what 'being a Whig' meant to Fielding.

Includes ten volumes, which are suitable for Defoe scholars and academics of eighteenth-century history, religion and literature. This set offers readers texts and a wealth of editorial matter, including introductions, explanatory notes and a consolidated index to the ten volumes.

Includes ten volumes, which are suitable for Defoe scholars and academics of eighteenth-century history, religion and literature. This set offers readers texts and a wealth of editorial matter, including introductions, explanatory notes and a consolidated index to the ten volumes.

Includes ten volumes, which are suitable for Defoe scholars and academics of eighteenth-century history, religion and literature. This set offers readers texts and a wealth of editorial matter, including introductions, explanatory notes and a consolidated index to the ten volumes.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection of essays displays a number of different approaches to the most significant early eighteenth-century periodicals. The range is considerable: the critique of ideology and polemical strategy, the political history of the press, the rhetoric of the genre, and the material circumstances of periodical production all find a place. The periodical profoundly shaped the English reading public's ways of perceiving the social and political institutions of their own age.

Includes ten volumes, which are suitable for Defoe scholars and academics of eighteenth-century history, religion and literature. This set offers readers texts and a wealth of editorial matter, including introductions, explanatory notes and a consolidated index to the ten volumes.

Includes ten volumes, which are suitable for Defoe scholars and academics of eighteenth-century history, religion and literature. This set offers readers texts and a wealth of editorial matter, including introductions, explanatory notes and a consolidated index to the ten volumes.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.

Includes ten volumes, which are suitable for Defoe scholars and academics of eighteenth-century history, religion and literature. This set offers readers texts and a wealth of editorial matter, including introductions, explanatory notes and a consolidated index to the ten volumes.

The Oxford Handbook of Daniel Defoe is the most comprehensive overview available of the author's life, times, writings, and reception. Daniel Defoe (1660-1731) is a major author in world literature, renowned for a succession of novels including Robinson Crusoe, Moll Flanders, and A Journal of the Plague Year, but more famous in his lifetime as a poet, journalist, and political agent. Across his vast oeuvre, which includes books, pamphlets, and periodicals, Defoe commented on virtually every development and issue of his lifetime, a turbulent and transformative period in British and global history. Defoe has proven challenging to position—in some respects he is a traditional and conservative thinker, but in other ways he is a progressive and innovative writer. He therefore benefits from the range of critical appraisals offered in this Handbook. The Handbook ranges from concerns of gender, class, and race to those of politics, religion, and economics. In accessible but learned chapters, contributors explore salient contexts in ways that show how they overlap and intersect, such as in chapters on science, environment, and empire. The Handbook provides both a thorough introduction to Defoe and to early eighteenth-century society, culture, and literature more broadly. Thirty-six chapters by leading literary scholars and historians explore the various genres in which Defoe wrote; the sociocultural contexts that inform his works; his writings on different locales, from the local to the global; and the posthumous reception and creative responses to his works.

Although the emergence of the English novel is generally regarded as an eighteenth-century phenomenon, this is the first book to be published professing to cover the 'eighteenth-century English novel' in its entirety. This Handbook surveys the development of the English novel during the 'long' eighteenth century-in other words, from the later seventeenth century right through to the first three decades of the nineteenth century when, with the publication of the novels of Jane Austen and Walter Scott, 'the novel' finally gained critical acceptance and assumed the position of cultural hegemony it enjoyed for over a century. By situating the novels of the period which are still read today against the background of the hundreds published between 1660 and 1830, this Handbook not only covers those 'masters and mistresses' of early prose fiction-such as Defoe, Richardson, Fielding, Sterne, Burney, Scott and Austen-who are still acknowledged to be seminal figures in the emergence and development of the English novel, but also the significant number of recently-rediscovered novelists who were popular in their own day. At the same time, its comprehensive coverage of cultural contexts not considered by any existing study, but which are central to the emergence of the novel, such as the book trade and the mechanics of book production, copyright and censorship, the growth of the reading public, the economics of culture both in London and in the provinces, and the re-printing of popular fiction after 1774, offers unique insight into the making of the English novel.

In 1695, with the expiry of the licensing act, state censorship of the press ceased. The end of the licensing system coincided almost exactly with the passing of the triennial act, and from the outset there was a discernable connection between electoral activity and the rise of a virulent political press. This study seeks to explain why press regulations were not reimposed to curb the invective of the party writers; and concludes that the principal reason was the development of government propaganda and counter-propaganda agencies under the direction of Robert Harley. Contemporaries were bewildered by the development of a 'fourth estate'; and successive administrations, brought in through ten general elections between 1695 and 1715, were at a loss when it came to dealing with the problems raised by a free press. But during the course of Queen Anne's reign a government policy gradually emerged, and arrangements were made for the publication and dissemination of 'official' propaganda.

From Greene's 'mad and scoffing poet' to Greenblatt's flaunter of his 'society's cherished orthodoxies', Marlowe's putative personality has licensed and informed disparate and often conflicting readings of his writings. This book illustrates and challenges the ways in which the writer has been constructed by the prejudices of readers, critics and directors. Taking nothing on trust, the contributors to this volume review what is known about Marlowe's life, the publication of his plays, conditions in Elizabethan theatre, and his reputation among his contemporaries and late twentieth-century critics. Their essays challenge some preconceptions about Marlowe by tackling major aspects of his dramaturgy, his use of magic, the homoeroticism of the plays, his female characters, twentieth-century performances of his plays, and the radical nature of his narrative poem Hero and Leander. Together they contribute to the critical effort to construct a fuller understanding of the poet and playwright.