A lively defence of the ethics of exemplary narrative, and a detailed account of its forms and functioning in the works of Geoffrey Chaucer and John Gower. Why do medieval writers routinely make use of exemplary rhetoric? How does it work, and what are its ethical and poetical values? And if Chaucer and Gower must be seen as vigorously subverting it, then why do they persist in using it? Borrowing from recent developments in ethical criticism and theory, this book addresses such questions by reconstructing a late medieval rationale for the ethics of exemplary narrative. The author argues that Chaucer's Canterbury Tales and Gower's Confessio Amantis attest to the vitality of a narrative - rather than strictly normative - ethics that has roots in premodern traditions of practical reason and rhetoric. Chaucer and Gower are shown to be inheritors and respecters of an early and unexpected form of ethical pragmatism - which has profound implications for the orthodox history of ethics in the West. Recipient of the 2008 John H. Fisher Award forsignificant contribution to the field of Gower Studies. Dr J. ALLAN MITCHELL teaches in the Department of English, University of Victoria.

"Becoming Human" argues that human identity was articulated and extended across a wide range of textual, visual, and artifactual assemblages from the twelfth to the fifteenth centuries. J. Allan Mitchell shows how the formation of the child expresses a manifold and mutable style of being. To be human is to learn to dwell among a welter of things.

A searching and provocative historical inquiry into human becoming, the book presents a set of idiosyncratic essays on embryology and infancy, play and games, and manners, meals, and other messes. While it makes significant contributions to medieval scholarship on the body, family, and material culture, "Becoming Human" theorizes anew what might be called a medieval ecological imaginary. Mitchell examines a broad array of phenomenal objects--including medical diagrams, toy knights, tableware, conduct texts, dream visions, and scientific instruments--and in the process reanimates distinctly medieval ontologies.

In addressing the emergence of the human in the later Middle Ages, Mitchell identifies areas where humanity remains at risk. In illuminating the past, he shines fresh light on our present.