For seventy years Douglas Haig had been portrayed on the one hand as the ‘Butcher of the Somme’ – inept, insensitive and archaic; and on the other as the ‘Saviour of Britain’ – noble, unselfish and heroic. This polarised, strident and ultimately inconclusive argument had resulted in Haig becoming detached from his own persona; he had become a shallow symbol of a past age to be pilloried or praised. The middle ground in the Haig debate had been as barren as No Man’s Land. There should be no mystery about Haig. Certain from a very early age of his own greatness, he preserved every record of his achievements: diaries, letters, official reports etc. The opinions of his contemporaries are likewise readily available. But until this book the material had not been used to construct a complete and accurate picture. Critics and supporters have raided the historical records for evidence of the demi-god or demon and have ignored that which conflicts with their preconceptions. They have likewise raced through his early life in order to get to the war, in the process ignoring the complex process of his development as a soldier. Analyses of Haig’s command have consequently been as shallow as the prevailing images of the man. After eight years of painstaking and detailed research into previously neglected sources, Gerard De Groot gave us a more complete and balanced picture. This book, originally published in 1988, which will appeal both to the general and the specialised reader, is not simply a critique of Haig’s command in the war, but an exploration into his personality. Close attention to his early life and career reveals him as a creature of his society, a man who mirrored both the virtues and the faults of Edwardian Britain. What emerges is an intense, dedicated, but ultimately flawed servant of his country whose ironic fate it was to grow up in one age and to command in another.

The question of women's role in the military is extremely topical. A Woman and a Soldier covers the experiences of women in the military from the late mediaeval period to the present day. Written in two volumes this comprehensive guide covers a wide range of wars: The Thirty Years War, the French and Indian Wars in Northern America, the Anglo-Boer War, the First and Second World Wars, the Long March in China, and the Vietnam War. There are also thematic chapters, including studies of terrorism and contemporary military service. Taking a multidisciplinary approach: historical, anthropological, and cultural, the book shows the variety of arguments used to support or deny women's military service and the combat taboo. In the process the book challenges preconceived notions about women's integration in the military and builds a picture of the ideological and practical issues surrounding women soldiers.

For seventy years Douglas Haig had been portrayed on the one hand as the 'Butcher of the Somme' - inept, insensitive and archaic; and on the other as the 'Saviour of Britain' - noble, unselfish and heroic. This polarised, strident and ultimately inconclusive argument had resulted in Haig becoming detached from his own persona; he had become a shallow symbol of a past age to be pilloried or praised. The middle ground in the Haig debate had been as barren as No Man's Land. There should be no mystery about Haig. Certain from a very early age of his own greatness, he preserved every record of his achievements: diaries, letters, official reports etc. The opinions of his contemporaries are likewise readily available. But until this book the material had not been used to construct a complete and accurate picture. Critics and supporters have raided the historical records for evidence of the demi-god or demon and have ignored that which conflicts with their preconceptions. They have likewise raced through his early life in order to get to the war, in the process ignoring the complex process of his development as a soldier. Analyses of Haig's command have consequently been as shallow as the prevailing images of the man. After eight years of painstaking and detailed research into previously neglected sources, Gerard De Groot gave us a more complete and balanced picture. This book, originally published in 1988, which will appeal both to the general and the specialised reader, is not simply a critique of Haig's command in the war, but an exploration into his personality. Close attention to his early life and career reveals him as a creature of his society, a man who mirrored both the virtues and the faults of Edwardian Britain. What emerges is an intense, dedicated, but ultimately flawed servant of his country whose ironic fate it was to grow up in one age and to command in another.

This topical new study takes a new look at the causes, course and consequences of student activism across the world since its heyday in the 1960s. It starts with analyses of some of the most familiar - and romanticised - Sixties protests themselves, in the US, France, Germany, Mexico and Great Britain. It then goes on to examine more recent, and hazardous, examples of student activism, particularly in China, Korea and Iran. Throughout, the tone is hard-headed and analytical, rather than celebratory, exploring the similarities and differences across these protests and asking what they achieved. The contributors to the volume are: Ingo Cornils; Gerard J. DeGroot; Sylvia Ellis; Sandra Hollin Flowers; Behrooz Ghamari-Tabrizi; Bertram M. Gordon; J. Angus Johnston; Alan R. Kluver; Donald J. Mabry; Gunter Minnerup; A.D. Moses; Frank Pieke; Julie Reuben; Barbara Tischler; Nella Van Dyke; Clare White; James L. Wood; Eric Zolov.

Bombs are as old as hatred itself. But it was the twentieth century--one hundred years of incredible scientific progress and terrible war--that brought forth the Big One, the Bomb, humanity's most powerful and destructive invention. In "The Bomb: A Life," Gerard DeGroot tells the story of this once unimaginable weapon that--at least since 8: 16 a.m. on August 6, 1945--has haunted our dreams and threatened our existence.

The Bomb has killed hundreds of thousands outright, condemned many more to lingering deaths, and made vast tracts of land unfit for life. For decades it dominated the psyches of millions, becoming a touchstone of popular culture, celebrated or decried in mass political movements, films, songs, and books. DeGroot traces the life of the Bomb from its birth in turn-of-the-century physics labs of Europe to a childhood in the New Mexico desert of the 1940s, from adolescence and early adulthood in Nagasaki and Bikini, Australia and Kazakhstan to maturity in test sites and missile silos around the globe. His book portrays the Bomb's short but significant existence in all its scope, providing us with a portrait of the times and the people--from Oppenheimer to Sakharov, Stalin to Reagan--whose legacy still shapes our world.

The question of women's role in the military is extremely topical. A Woman and a Soldier covers the experiences of women in the military from the late mediaeval period to the present day. Written in two volumes this comprehensive guide covers a wide range of wars: The Thirty Years War, the French and Indian Wars in Northern America, the Anglo-Boer War, the First and Second World Wars, the Long March in China, and the Vietnam War. There are also thematic chapters, including studies of terrorism and contemporary military service. Taking a multidisciplinary approach: historical, anthropological, and cultural, the book shows the variety of arguments used to support or deny women's military service and the combat taboo. In the process the book challenges preconceived notions about women's integration in the military and builds a picture of the ideological and practical issues surrounding women soldiers.

If you remember the Sixties, quipped Robin Williams, you weren t there. That was, of course, an oblique reference to the mind-bending drugs that clouded perception yet time has proven an equally effective hallucinogen. This book revisits the Sixties we forgot or somehow failed to witness. In a kaleidoscopic global tour of the decade, Gerard DeGroot reminds us that the Ballad of the Green Beret outsold Give Peace a Chance, that the Students for a Democratic Society were outnumbered by Young Americans for Freedom, that revolution was always a pipe dream, and that the Sixties belong to Reagan and de Gaulle more than to Kennedy and Dubcek.

"The Sixties Unplugged" shows how opportunity was squandered, and why nostalgia for the decade has obscured sordidness and futility. DeGroot returns us to a time in which idealism, tolerance, and creativity gave way to cynicism, chauvinism, and materialism. He presents the Sixties as a drama acted out on stages around the world, a theater of the absurd in which China s Cultural Revolution proved to be the worst atrocity of the twentieth century, the Six-Day War a disaster for every nation in the Middle East, and a million slaughtered Indonesians martyrs to greed.

"The Sixties Unplugged" restores to an era the prevalent disorder and inconvenient truths that longing, wistfulness, and distance have obscured. In an impressionistic journey through a tumultuous decade, DeGroot offers an object lesson in the distortions nostalgia can create as it strives to impose order on memory and value on mayhem.

This topical new study takes a new look at the causes, course and consequences of student activism across the world since its heyday in the 1960s. It starts with analyses of some of the most familiar - and romanticised - Sixties protests themselves, in the US, France, Germany, Mexico and Great Britain. It then goes on to examine more recent, and hazardous, examples of student activism, particularly in China, Korea and Iran. Throughout, the tone is hard-headed and analytical, rather than celebratory, exploring the similarities and differences across these protests and asking what they achieved. The contributors to the volume are: Ingo Cornils; Gerard J. DeGroot; Sylvia Ellis; Sandra Hollin Flowers; Behrooz Ghamari-Tabrizi; Bertram M. Gordon; J. Angus Johnston; Alan R. Kluver; Donald J. Mabry; Gunter Minnerup; A.D. Moses; Frank Pieke; Julie Reuben; Barbara Tischler; Nella Van Dyke; Clare White; James L. Wood; Eric Zolov.