This volume of interviews and recollections offers a wide view of E.M. Forster's character as observed and remembered by college associates, close friends, chance acquaintances and fellow writers. These 46 pieces, some published for the first time, variously reveal facets of his private and public personalities: Forster the subtle analyst of middle-class England, the spokesman for liberal causes and humane values, the Cambridge insider and the committed friend. Included is a chronology of the main events in Forster's life. The editor of this volume, J.H. Stape, is the author of "E.M. Forster: A Chronology" and co-author of "Angus Wilson: A Bibliography, 1947-87".

This compact novel, completed in 1900, as with so many of the great novels of the time, is at its baseline a book of the sea. An English boy in a simple town has dreams bigger than the outdoors and embarks at an early age into the sailor's life. The waters he travels reward him with the ability to explore the human spirit, while Joseph Conrad launches the story into both an exercise of his technical prowess and a delicately crafted picture of a character who reaches the status of a literary hero.

The five stories brought together in Tales of Unrest (1898) mark a turning point in the writer's career. Conrad's first short story collection evidences a writer firmly in control of his new craft staking a claim to diverse cultural and fictional territories. The introduction situates the writing of these stories in Conrad's career and discusses their sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places, and indicate influences. Two maps and six illustrations enrich the explanatory matter. The essay on the text lays out the history of the work's composition and publication, details interventions by Conrad's typists, compositors and editors, and explains editorial policy. This edition, established through modern textual scholarship, presents Conrad's stories and his preface to the collection in forms more authoritative than any so far printed.

This volume includes Conrad's stories 'Youth'; 'The Secret Sharer'; 'The Lagoon'; 'An Outpost of Progress'; 'Il Conde'; 'The Duel'. The intention is a range of settings - we move from the sea to the colonial world, the Far East and Africa to England and then the Continent.

Joseph Conrad's centrality to modern literature is well established. The New Cambridge Companion to Joseph Conrad provides essential guidance to varied developments in the field of Conrad studies since the publication of The Cambridge Companion to Joseph Conrad (1996). The volume's thirteen chapters offer diverse perspectives on emergent areas of interest, including canon formation, postcolonialism, gender, critical reception and adaptation. Likewise, chapters on Conrad's autobiographical writings, Heart of Darkness and 'The Secret Sharer', consider recent trends in both literary and cultural studies. A chronology and an updated guide to further reading serve to provide essential orientation to a large and complex field. This volume is the ideal starting point for students new to Conrad's work as well as for scholars wishing to keep abreast of current issues.

Joseph Conrad's centrality to modern literature is well established. The New Cambridge Companion to Joseph Conrad provides essential guidance to varied developments in the field of Conrad studies since the publication of The Cambridge Companion to Joseph Conrad (1996). The volume's thirteen chapters offer diverse perspectives on emergent areas of interest, including canon formation, postcolonialism, gender, critical reception and adaptation. Likewise, chapters on Conrad's autobiographical writings, Heart of Darkness and 'The Secret Sharer', consider recent trends in both literary and cultural studies. A chronology and an updated guide to further reading serve to provide essential orientation to a large and complex field. This volume is the ideal starting point for students new to Conrad's work as well as for scholars wishing to keep abreast of current issues.

Since its first appearance in Blackwood's Edinburgh Magazine in 1899 and 1900, Lord Jim (1900) has been acclaimed as a modernist masterwork. Its narrative innovations and psychological complexity make it one of the most influential fictions written in the twentieth century and it has challenged and stimulated generations of readers as well as writers on and of fiction. This edition, established through modern textual scholarship, presents Conrad's novel and its preface in a form more authoritative than any so far printed. The Introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places and indicate Conrad's main influences. Glossaries, maps and illustrations are provided for further context, as well as a new transcription of 'Tuan Jim: A Sketch', a partial draft of the novel, and appearing in print for the first time, Conrad's contract for the book.

Bringing together work composed from 1890 to 1924, the nineteen pieces collected in the posthumously published Last Essays (1926) serve as a primer to Conrad's wide interests and to the varieties of his style. This edition, supported by an extensive textual apparatus, brings together various prose pieces, including reminiscences, reviews, essays on the sea and politics, as well as several miscellaneous items, including his 'Congo Diary' and the other notebook he kept in Africa in 1890. The introduction situates these writings in Conrad's career, offers new perspectives on Conrad in the marketplace and as a writer of occasional prose and traces the contemporary reception of the volume. The notes explain literary and historical references, identify real-life places and indicate Conrad's main sources. Early drafts and notes for several essays are published here for the first time, making this authoritative critical edition a major contribution to Conrad studies.

Serialized in Ford Madox Ford's English Review in 1908-9, A Personal Record (1912) both documents and fictionalizes Conrad's early life and the opening stages of his careers as a writer and as a seaman. It is also an artistic and political manifesto. This volume provides the most accurate and scholarly edition available. Mistakes introduced by typists and earlier publishers have been corrected to present the text as Conrad intended it. The introduction traces Conrad's sources and gives the history of writing and reception. The essay on the text and the apparatus set out the textual history. The notes explain literary and historical references, identify places, and gloss foreign terms. Four maps and a genealogical table supplement this explanatory material. This edition of A Personal Record, established through modern textual scholarship, presents Conrad's reminiscences and the volume's two prefaces in forms more authoritative than any so far printed.

Twenty-six essays in Notes on Life and Letters (1921) present a kaleidoscopic view of Joseph Conrad's literary views and interest in the events of his day, including the Titanic disaster and First World War. The introduction traces the pre-publication history of the essays, and the book's reception, offering new perspectives on the work's relationship to Conrad's other writings.