Faust stories are found across the ages and the arts. From its earliest to most recent expressions, the Faust figure continues to capture our imagination, dealing with problems and themes that are still relevant for a twenty-first century audience. Of the many variations on the Faust-myth, Goethe's remains especially provocative and laden with meaning and is the work most responsible for determining the subsequent character of the Faust archetype. His Faust reflects an individual who asserts, yet wrestles unrelentingly with the futility of faith, the bankruptcy of knowledge, and the loss of meaning. One of the greatest texts of both German and world literature, "Faust, Parts I and II", confronts us with pressing questions about rebellion and suffering, faith and its loss, reality and simulation, order and chaos, weakness and power, technology and human improvement. This monograph offers a new interpretation of Goethe's famous play, emphasising its continuing significance today.

This book documents and investigates the stories we have told and continue to tell about technology-now the dominant feature of our civilization-in fiction, non-fiction, film, and advertising. It answers important questions about the meanings people ascribe to technology, the hopes and fears we express in the different narratives, the effect of those narratives upon us, and the new forms of myth those narratives represent. Narratives of Technology offers an approach grounded in the humanities, adding another perspective to that of social scientists and technologists.

The first cohesive Faust narrative in facsimile form, German transcription, and (first-ever) English translation, plus a history of Faust illustrations and an assessment of Faust's historicity. The Faust legend, which has come down to us most famously in Goethe's tragedy but also in countless other incarnations since the late sixteenth century, was first collected and presented as a cohesive narrative (in manuscript) byChristoph Rosshirt during the 1570s. Rosshirt was also the first to provide illustrations of Faust, hand-colored by Rosshirt himself. This book offers a critical edition of Rosshirt's six tales, including an introductory chapter,a facsimile of the manuscript, a transcription and first-ever English translation on facing pages, as well as a history of Faust illustrations, with Rosshirt's own illustrations and other examples up through Delacroix, the most complete survey of such illustrations to date. A final chapter rounds out the study with an assessment of Rosshirt's significance for the Faust tradition, a review of the evidence for a historical Faust, and a rejection of his historicity (because it is unprovable) in favor of his existence only in his story - a story Rosshirt helped to tell - and in our imaginations that animate that story. J. M. van der Laan is Professor Emeritus of German at Illinois State University.

New essays revealing the enduring significance of the story made famous in the 1587 Faustbuch and providing insights into the forces that gave the sixteenth century its distinct character. The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinctcharacter. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldlyauthorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Gunther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.