First published in Paris in 1955, and originally banned in the United States, J. P. Donleavy's first novel is now recognized the world over as a masterpiece and a modern classic of the highest order. Set in Ireland just after World War II, "The Ginger Man" is J. P. Donleavy's wildly funny, picaresque classic novel of the misadventures of Sebastian Dangerfield, a young American ne'er-do-well studying at Trinity College in Dublin. He barely has time for his studies and avoids bill collectors, makes love to almost anything in a skirt, and tries to survive without having to descend into the bottomless pit of steady work. Dangerfield's appetite for women, liquor, and general roguishness is insatiable--and he satisfies it with endless charm.

The New York Times Book Review called The Beastly Beatitudes of Balthazar B, J. P. Donleavy's hilarious, bittersweet tale of a lost young man's existential odyssey, a triumphant piece of writing, achieved with that total authority, total mastery which shows that a fine writer is fully extended.... In the years before and after World War II, Balthazar B is the world's last shy, elegant young man. Born to riches in Paris and raised by his governess, Balthazar is shipped off to a British boarding school, where he meets the noble but naughty Beefy. The duo matriculate to Trinity College, Dublin, where Balthazar reads zoology and Beefy prepares for holy orders, all the while sharing amorous adventures high and low, until their university careers come to an abrupt and decidedly unholy end. Written with trademark bravado and a healthy dose of sincerity, The Beastly Beatitudes of Balthazar B is vintage Donleavy.

Once the squire of the mansion Andromeda Park and now a mere menial, Darcy Dancer embarks upon a series of adventures across the country and in bohemian Dublin in search of his lost youth. A hilariously comic, poignant novel of a remarkable young man's coming of age.

A Fairy Tale of New York is a funny, lusty, and sad novel of comic genius. Returning from study abroad, Cornelius Christian enters customs with his luggage and his dead wife. His first encounter in New York is with a funeral director, with whom he reluctantly takes employment to pay for the burial expenses. In the course of his duties he meets the beautiful Fanny Sourpuss over her millionaire husband's dead body. However, his over-enthusiastic handling of his first corpse lands him in court. Cornelius Christian wanders through the great sad cathedral that is New York, examining the human condition in all its comic pathos and lonely absurdity. Whether lingering in the Automat drinking from half empty coffee cups and stealing baked beans from the plates of customers who go looking for ketchup, or finding love on a street corner only to end up fighting his way out of a hooker's fists, Cornelius Christian, heroic anti-hero, sings of life's goodness in the wake of disaster.

Feckless, unwashed, charming, penurious Sebastian Balfe Dangerfield, Trinity College Law student, Irish American with an English Accent, maroon in the ould country and dreaming of dollars and ready women, stumbles from the public house to the pawnbrokers, murmuring delusive enticements in the ear of any girl who'll listen, in delirious search of freedom, wealth, and the recognition he feels is his due. Lyrical and ribald, illuminating, poignant and hugely entertaining, The Ginger Man is a work of authentic comic genius.

*Accompanied by unseen photographs from the Donleavy archive *Includes a poignant memoir of Gainor Crist, the man who inspired Sebastian Dangerfield, by his daughter, Mariana *The Lilliput Press will publish Donleavy's 27th book, the novel 'A Letter Marked Personal' in the spring of 2019. Showcasing for the first time 220 of renowned author J.P. Donleavy's most intimate letters, this scrupulously edited collection throws an extraordinary light on the composition, publication and afterlife of The Ginger Man --- the genesis of a masterpiece that went on to sell 60 million copies around the world. Spanning the late 1940s to the early 1980s, the letters chronicle the author's scandalous exchanges between Gainor Crist and Arthur Kenneth Donoghue, his Trinity College friends who inspired the infamous characters Sebastian Dangerfield and Kenneth O'Keefe. As well as providing a comprehensive picture of Donleavy and those closest to him, the book provides a glimpse of the lives of Donleavy, Crist and Donoghue as they venture into the wider world and encounter some of the twentieth century's most influential people along the way. The book features letters to writers Brendan Behan and William Nicholson; actors Richard Harris and Julie Andrews, and Donleavy's publishers Seymour Lawrence and Maurice Giordias amongst others. This unique collection, enriched by images and letter facsimiles, is sure to appeal to a new generation of Donleavy fans and scholars.

Jocelyn Guenevere Marchantiere Jones is an elegant forty-two, living a comfortable life despite being married to a strong, silent man, who is neither strong nor silent, but a bore. One day the bore comes home and announces he's leaving Joy for a bit of "fresh flesh." Joy, ever the lady, divorces in style without groveling or revenge only to find her financial resources quickly dwindling. Alone in her oversized Scarsdale home, depression sets in. Bottle of Polish vodka in hand, she takes a shotgun to the TV, drives her lawnmower round the garden at midnight, and otherwise scandalizes her neighbors. And so she sells her home, moves to a smaller apartment, and settles into a new, frugal lifestyle. However, tighter finances mean she must find thrifty pastimes. Joy couldn't have found a more perfect activity than spending her days exploring the city's fine museums. There is one slight hitch - the facilities of the Met, the Frick, etc., are not up to Joy's standards. Being a lady, Joy always follows one of her grandmother's truisms: "Ladies should only take a pee in clean rest rooms." This leads her into some of Manhattan's most distinguished rest rooms, including one in a funeral home - where she finds her fortunes turned on end.