Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - In the decade from 1870 to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already out-worn, and how old-fashioned the theories that were then so violently defended and attacked Too much logic, too much contention for its own sake, one might say, and too little art. This was the period when Jens Peter Jacobsen began to write, but he stood aside from the conflict, content to be merely artist, a creator of beauty and a seeker after truth, eager to bring into the realm of literature "the eternal laws of nature, its glories, its riddles, its miracles," as he once put it. That is why his work has retained its living colors until to-day, without the least trace of fading.

MARIE GKUBBE A LADY OF THE SEVENTEENTH CENTURY BY J. P. JACOBSEN Jt TRANSLATED FROM THE DANISH BY HANNA ASTRUP LARSEN NEW YORK THE AMERICAN-SCANDINAVIAN FOUNDATION LONDON HUMPHREY MILFORD OXFORD UNIVERSITY PRESS 1917 I 9I 7 ty Ih American-Scandinavian Foundation 25. 2. Updike The JWerrymount Press Boston U. INTRODUCTION T ANGUAGE is like an instrument that requires to be 1 v tuned occasionally. A few times in the course of a century the literary language of a country needs to be tuned afresh for as no generation can be satisfied to think the thoughts of the preceding one, so no group of men in the world of letters can use the language of the school that went before them. With these words Georg Brandes begins his discussion 1 of the influence of J. P. Jacobsen, As Brandes himself was the critic who found new paths, Jacobsen was the creative artist who moulded his native language into a medium fit for modern ideas. At the time when Denmark and Norway had come to a parting of ways intellectually, and the great Norwegians were forming their own rugged style, Jacobsen gave the Danes a language suited to their needs, subtle, pliant, and finely modulated. He found new methods of approach to truth and even a new manner of seeing nature and humanity. In an age that had wearied of generalities, he emphasized the unique and the character istic. To a generation that had ceased to accept anything because it was accepted before, he brought the new power of scientific observation in the domain of the mind and spirit. In order to understand him it is necessary to follow the two currents, the one poetic, the other scientific, that ran through his life. Jens Peter Jacobsen was born in Jutland, in thelittle town of Thisted, on April 7, 1847, an was son a merchant in moderate circumstances. From his mother he inherited a desire to write poetry, which asserted itself while he was yet a boy. His other chief interest was botany, 1 Det moderne Genncmbruds vi INTRODUCTION then a new feature of the school curriculum. He had a fer vent love of all plant-life and enjoyed keenly the fairy-tales of Hans Christian Andersen, in which flowers are endowed with personality. At twenty, Jacobsen wrote in his diary that he did not know whether to choose science or poetry for his life-work, since he felt equally drawn to both. He added If I could bring into the realm of poetry the eter nal laws of nature, its glories, its riddles, its miracles, then I feel that my work would be more than ordinary. He was one of the first in Scandinavia to realize the im portance of Darwin, and translated The Origin of Species and The Descent of Man, besides writing magazine articles elucidating the principles of evolution. Meanwhile he car ried on his botanical research faithfully and, in 1872, won a gold medal in the University at Copenhagen for a thesis on the Danish desmidiactae, a microscopic plant growing in the marshes. In the same year, he made his literary debut with a short story, Mogens, which compelled attention by the daring originality of its style. From that time on, he seems to have had no doubt that his life-work was litera ture, though he became primarily a master of prose and not, as he had dreamed in his boyhood, a writer of verse. In the spring of 1873, e wrote fr m Copenhagen to Edvard Brandes 1 Just think, I get up every morning at eleven and go to the Royal Library, where I read old docu mentsand letters and lies and descriptions of murder, adul tery, corn rates, whoremongery, market prices, gardening, the siege of Copenhagen, divorce proceedings, christenings, estate registers, genealogies, and funeral sermons. All this is to become a wonderful novel to be called Mistress Marie Grubbe, Interiors from the Seventeenth Century. J. P. Jacobsen. Med Forord udgivne af Edvard Brandes. INTRODUCTION vii You remember, she is the one who is mentioned in Hoi bergs Epistles and in The Goose Girl by Andersen, and who was first married to U. F...

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Bd. Neils Lyhne. Mogens Og Andre Noveller; Volume 2 Of Samlede Skrifter; Jens Peter Jacobsen 5 Jens Peter Jacobsen Gyldendal, 1906 Literary Criticism; European; Scandinavian; Literary Criticism / European / Scandinavian

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THERE was in Niels Lyhne's nature a lame reflec-tiveness, child of an instinctive shrinking from decisive action, grandchild of a subconscious sense that he lacked personality. He was always struggling against this reflectiveness, sometimes goading himself by calling it vile names, then again decking it out as a virtue that was a part of his inmost self and was bound up with all his possibilities and powers. But whatever he made of it, and however he looked upon it, he hated it as a secret infirmity, which he might perhaps hide from the world, but never from himself; it was always there to humiliate him whenever he was alone with himself.

Sometimes when she stood at the open window leaning against the casement and looking down into the paved court below, she would feel an overmastering impulse to throw herself down, merely to do it. But in that very second she seemed to have actually made the leap in her imagination and to have felt the cool, incisive tingling that accompanies a jump from a height. She darted back from the window to the inmost corner of the room, shaking with horror, the image of herself lying in her own blood on the hard stones so vivid in her mind that she had to go back to the window again and look down in order to drive it away.

Sometimes when she stood at the open window leaning against the casement and looking down into the paved court below, she would feel an overmastering impulse to throw herself down, merely to do it. But in that very second she seemed to have actually made the leap in her imagination and to have felt the cool, incisive tingling that accompanies a jump from a height. She darted back from the window to the inmost corner of the room, shaking with horror, the image of herself lying in her own blood on the hard stones so vivid in her mind that she had to go back to the window again and look down in order to drive it away.

THERE was in Niels Lyhne's nature a lame reflec-tiveness, child of an instinctive shrinking from decisive action, grandchild of a subconscious sense that he lacked personality. He was always struggling against this reflectiveness, sometimes goading himself by calling it vile names, then again decking it out as a virtue that was a part of his inmost self and was bound up with all his possibilities and powers. But whatever he made of it, and however he looked upon it, he hated it as a secret infirmity, which he might perhaps hide from the world, but never from himself; it was always there to humiliate him whenever he was alone with himself.

Sometimes when she stood at the open window leaning against the casement and looking down into the paved court below, she would feel an overmastering impulse to throw herself down, merely to do it. But in that very second she seemed to have actually made the leap in her imagination and to have felt the cool, incisive tingling that accompanies a jump from a height. She darted back from the window to the inmost corner of the room, shaking with horror, the image of herself lying in her own blood on the hard stones so vivid in her mind that she had to go back to the window again and look down in order to drive it away.

...In the decade from 1870 to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already out-worn, and how old-fashioned the theories that were then so violently defended and attacked! Too much logic, too much contention for its own sake, one might say, and too little art...