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typical mild "Sachsonian" humor and illustrated with a wealth of examples and evidence. I doubt whether any other of us ethnomusicologists would have been capable of writing such a comprehensive study: S~chs had at his fingertips a phenomenal amount of factual information. Sometimes, under his wise guidance, complicated propositions become surprisingly simple. The reader will be as fascinated as I was by the originality of some of his conelusions, captivated by his penetrating com- parisons, and charmed by his rich and expressive language. After having lived with this book for aperiod of some months, I realize a1l themore what the death of Curt Sachs means to the musicological world. "The Wellsprings of Music" forms a worthy elose to that long series of publications his boundless energy and unsurpassed knowledge have given uso I feel greatly indebted to Dr. Eric Werner, New York, for his decisive encouragement towards the publication of this work and for the active interest he took in it. I want also to express my gratitude to the musicologist Miss Marijke Charbon, The Hague, for having made an Index of N ames and for some useful suggestions. Amsterdam, 15th February 1960 JAAP KUNST My dear friend Jaap Kunst did not live to see this book in print. I wish to express my deep gratitude to him, whose dedi- cated help and unfailing and devoted interest made its publi- cation possible.

Since the appearance of the third edition of 'Ethnomusicology', still more titles have come to my knowledge, all issued before September 1958. The reader will find them in this Supplement. I have used this opportunity to add some more synopses of training possibilities for ethnomusicologists, together with an additional selective list of recordings issued, as far as I know, in 1958. Finally I may express my gratitude to Messrs. Nijhoff who gave me the opportunity to improve my endeavor to give a practically exhaustive survey of what has been published in the field of ethnomusicology up to August 31, 1958. Amsterdam, December 14, 1959. J.K. v CONTENTS Preface . . . . . . . . . . . . . . . . . . . . . . . . . v Training possibilitics for cthnomusicologists. . . . . . . . . . I Selection of L.P.-records of authentie ethnie musie issued in I958 . 5 Bibliography. . . 8 Illustrations 65-72. . . . . . . . . . . . . . . . . . . . 25 . Index of subjects. . . . . . . . . . . . . . . . . . . . 27 . Index of peoples and regions the music of which has been studied andjor recorded. . . . . . . . . . . 30 Index of authors, collectors and musicians . . . . . . . . . . 34 Index of periodieals. . . . . . . . . . . . . . . . . . . 39 .

This booklet hardly needs a preface; the contents, I think, speak for themselves. It contains a short and carefully brought up to date resume of all that I, as a private University Lecturer in Amsterdam, have tried to teach my pupils. It is intended as a general introduction to ethno-musicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for self tuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J.K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam, under the title 'Musicologica'. I have taken care to add many particulars from non-European sources, with the result that now the book is no longer so Europe-centric as it was.