Yul Brynner and Trevor Howard star in this action drama set in the 1920s in an India under British rule. After being imprisoned by the United Provinces Police, tribe leader Sultan (Brynner) manages to break out with some of his men in tow and leads them in a revolt in an effort to free themselves from the British regime. When he hears that the remaining prisoners are to be transferred to Delhi, he plans to help them escape but police officer Freddy Young (Howard) has been ordered to capture Sultan, dead or alive.

Laurence Olivier directs and stars in this classic adaptation of Shakespeare's play about the king who led England to victory in the Battle of Agincourt. The film pays tribute to its origins by opening in a version of the Globe Theatre in 17th century London, where Henry (Olivier) takes to the stage along with a variety of nobles to discuss his plans to stake a claim to the French throne. As the range of Henry's ambitions make themselves known, the theatrical artifice gives way to a more naturalised style and follows Henry as he sets sail from Southampton with his army. Inspired by Henry, the invading English hand the French several defeats, culminating in a triumph against far superior numbers at Agincourt. Shot during WWII, the film was designed to raise morale in the ongoing battle against Nazi Germany and earned Olivier an Academy Award for his 'outstanding achievement' in bringing the film to screen.

Classic British war film based on the novel by Pierre Boulle in which a group of POWs are forced to build a bridge in Burma for the Japanese. Colonel Nicholson (Alec Guinness) is the appointed leader of the men interned in the camp. When the Japanese commander, Colonel Saito (Sessue Hayakawa), orders his captives to build a bridge across the river Kwai, Nicholson agrees on the basis that the project will keep his men occupied and give them an opportunity to prove, through the quality of their work, the superiority of British engineering. However, as the bridge progresses and the POWs strive to show their craftsmanship, Nicholson appears to lose sight of the fact that the ultimate object of the bridge is to help the Japanese win the war. The impending arrival of a British commando team, sent to destroy the bridge, looks set to provide a stern test of where the true loyalties of the increasingly obsessive Nicholson lie.