Tristessa is a strange fever-dream of morphine sickness and belly-deep sadness. Or, in the words of Allen Ginsberg: ‘a narrative meditation studying a hen, a rooster, a dove, a cat, a chihuahua dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums’.

From the renowned Beat writer, Kerouac's colorful and meandering search for his family history, now reissued following his centenary celebrationSatori in Paris is the semi-autobiographical tale of Jack Kerouac's trip to France in search of his heritage. Beginning in Paris and moving west to Brittany, Kerouac traces the paths of his ancestors and explores his own understanding of the Buddhism that came to define his beliefs. From his familiar milieu of strangers and all-night conversations in seedy bars, to a pivotal cab ride in which he experiences Buddhism's satori--a feeling of sudden understanding--Kerouac's affecting and revolutionary writing transports the reader. Published at the height of his fame and showcasing his mature talent, Satori in Paris is a lyrical, rollicking tale of philosophy, identity, and the power and strangeness of travel.

One of the renowned Beat writer's most formally inventive books, Mexico City Blues is Jack Kerouac's essential work of lyric verse, now reissued following his centenary celebrationWritten between 1954 and 1957, and published originally by Grove Press in 1959, Mexico City Blues is Kerouac's most important verse work. It incorporates all the elements of his theory of spontaneous composition and his interest in Buddhism. Memories, fantasies, dreams, and surrealistic free association are lyrically combined in the loose format inspired by jazz and the blues. Written while Kerouac was living in Mexico City, and with references to William S. Burroughs, Gregory Corso, and Bill Garver, this exciting book in Kerouac's oeuvre is an original and moving epic of sound, rhythm, and religion.

"Something will happen to me on Desolation Peak...I can feel it." In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, CA, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment. He wrote in his journal that he planned "to concentrate on emptiness of self, other selves, living beings, and universal self." In letters to friends he proclaimed, "Something will happen to me on Desolation Peak...I can feel it." Kerouac's experience on Desolation Peak forms the climax of his novel The Dharma Bums and has also been depicted in part 1 of Desolation Angels and a chapter in his nonfiction book Lonesome Traveler. None of these versions offers a full, true picture, however; and for that reason, Desolation Peak is essential reading. What separates Kerouac from all other writers is the depth that he went in exploring his own consciousness, and what will prove his most enduring legacy is the record he left of that exploration, revealing the psyche of a sensitive, tortured artist grappling with himself in the mid-20th Century. The highlight of Desolation Peak is the journal he kept, starkly revealing the depth of his poverty, the extremity of his mood swings, and the ongoing arguments with himself over the future direction of his life, his writing, and faith. Along with the journal, he worked on a series of projects, including "Ozone Park," another installment of the Duluoz Legend beginning in 1943, after his discharge from the Navy; "The Martin Family," an intended sequel to The Town and the City, and "Desolation Adventure," a series of sketches that became part 1 of Desolation Angels,. In writing it, Kerouac was re-committing himself to his more experimental, then-unpublishable style, declaring in the journal that "the form of the future is no-form." Also included in Collected Writings is "The Diamondcutter of Perfect Knowing," Kerouac's "transliteration" of the Diamond Sutra, his "Desolation Blues" and "Desolation Pops" poems, and assorted prose sketches and dreams.

On the Road chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience. Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make On the Road an inspirational work of lasting importance.

Kerouac’s classic novel of freedom and longing defined what it meant to be “Beat” and has inspired every generation since its initial publication more than forty years ago.

The town is Galloway in Massachusetts, birthplace of the five sons and three daughters of the Martin family in the early 1900s. The city is New York, the vast and heaving melting pot which lures them all in search of futures and identity. Nearly a decade before the publication of On the Road, the story of the Martins' epic transformation in The Town and the City marked the first true literary impact of the founding father of the Beat Generation. Inspired by grief over his father's death, and his own determination to write the Great American Novel, The Town and the City is an essential prelude to Jack Kerouac's later classics.

Truth and Beautiful Meaningful Lies is a collection of memorable quotes from one of the most quoted writers in American literature. One of the most celebrated writers in American literature, Jack Kerouac helped an entire generation of post-WWII Americans explore a purpose beyond the standard narrative values, spiritual ideologies, and economic materialism that was rampant throughout pre-war America. Alongside prominent beat writers like Allen Ginsberg and William S. Burroughs, Kerouac crafted a magnum opus that would later be connected to counterculture movements throughout the 1960s. His extensive collection of novels, short stories, poetry, journals, letters, and other writings are often littered with long-winded reflections, observations, proclamations, and other mad ramblings about life, love, loss, loneliness, and the search for a new American identity. Constantly pivoting from a recluse searching “...once and for all what is the meaning of all this existence and suffering and going to and fro in vain,� to a seasoned road-warrior exploring the country and sifting through the profound philosophies of Zen Buddhism, Taoism, and the meaning of Dharma, Kerouac’s spontaneous style of prose generates a kind of unpolished wisdom that leaves a lasting impression long after reading. The insights and quotes assembled in this book have been woven into a patchwork of reoccurring themes found throughout Kerouac’s writings, such as adventure, life, self-reflection, and spirituality are heavily featured, but more niche quotes around topics like cats, coffee, music, and sports can also be found. This collection pulls from prominent novels such as Big Sur, Desolation Angels, The Dharma Bums, On the Road: The Original Scroll, The Subterraneans, Tristessa, Vanity of Duluoz, and Visions of Cody, as well as some of his selected short stories, poems, letters, and journals. Whether you’re new to Kerouac, searching for inspiration in his words, or are a self-proclaimed “mad one� looking to make sense of it all, this quote book will undoubtedly serve as a go-to reference for the discerning Kerouac reader.

With the publication of On the Road in 1957, Jack Kerouac became at once the spokesman and hero of the Beat Generation. Along with such visionaries as William S. Burroughs, Neal Cassady, and Allen Ginsberg, Kerouac changed the face of American literature, igniting a counterculture revolution that even now, decades later, burns brighter than ever in Desolation Angels.
In one of the major cinematic events of 2012, Jack Kerouac's legendary Beat classic, "On the Road," finally hits the big screen. Directed by Walter Salles ("The Motorcycle Diaries"; "Paris, Je T'Aime") and with a cast of some of Hollywood's biggest young stars, including Kristen Stewart (The Twilight Saga), Sam Riley, Garrett Hedlund, Kirsten Dunst, Amy Adams ("Julie & Julia," "The Fighter"), Tom Sturridge, and Viggo Mortensen (the Lord of the Rings trilogy, "The Road"), the film will attract new fans who will be inspired by Kerouac's revolutionary writing.

From the most famous of the Beat writers and the author of On the Road and The Dharma Bums, Kerouac's intoxicating love story of two young bohemians, now reissued in the centenary year of his birthWritten over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac's early classics, On the Road. Centering around the tempestuous romance and breakup of Leo Percepied and Mardou Fox--two denizens of the 1950s San Francisco underground--The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America's field of vision. Loosely based on Kerouac's own life, and peopled with analogues of real-life friends, including William S. Burroughs, Gregory Corso, Allen Ginsberg, and Neal Cassady, The Subterraneans is a vivid and breathless masterwork of Beat literature.

Book of Dreams is Jack Kerouac's record of his dream life, a parallel autobiography of the soul, the sleeper's On the Road: "I got my weary bones out of bed & through eyes swollen with sleep swiftly scribbled in pencil in my little dream notebook till I had exhausted every rememberable item ..." Awake of asleep, Jack's mind spun the web of relationships that were the substance of almost everything he wrote: "In the book of dreams I just continue the same story but in the dreams I had of the real-life characters I always write about." "Lost love, madness, castration, cats that speak, cats in danger of their lives, people giving birth to cats, grade school classrooms, Mel Torme, Zsa Zsa Gabor, Tolstoy and Genet all make repeated appearances, lending the collection a repetitive, nonprogrammatic logic and exposing an unfamiliar sort of vulnerable beauty in Kerouac's iconic persona." -Publishers Weekly "There is much to lament in the saga of his life, and quite a bit is surprising." -Michael Kammen, Los Angeles Book Review Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).

The original manuscript of this book, written between 1954 and 1965, has been in the safekeeping of City Lights all the years since Kerouac's death in 1969. Reaching beyond the scope of his Mexico City Blues, here are pomes about Mexico and Tangier, Berkeley and the Bowery. Mid-fifties road poems, hymns and songs of God, drug poems, wine poems, dharma poems and Buddhist meditations. Poems to Beat friends, goofball poems, quirky haiku, and a fine, long elegy in "Canuckian Child Patoi Probably Medieval ...an English blues." But more than a quarter of a century after it was written, Pomes of All Sizes today would seem to be more than a sum of it parts, revealing a questing Kerouac grown beyond the popular image of himself as a Beat on the Road. "Here is a treasure, in the mainstream of American Literature ...lovely familiar classic Kerouacism's, nostalgic gathas from 1955 Berkeley cottage days, pure sober tender Kerouac of your yore, pithy exquisite later drunken laments and bitter nuts and verses ...to be appreciated by cognoscenti and literate strangers alike ..." --from the Introduction by Allen Ginsberg "Underlying this volume ...is the drama of Kerouac the mystic, with his urge toward control, at odds with Kerouac the freewheeling Beat and, on a personal level, Kerouac the alcoholic. Yet as Ginsberg observes in his introduction, division--the sense of life as "both real and dream"--is the pervasive "spiritual intelligence" of the Beats. Given that, this is a perhaps ironically representative volume." --Publishers Weekly "Here in Pomes All Sizes you discover the contemplative Kerouac, musing on the quiet meaning of things or thinking of friends in other places, casting his thoughts into "little short lines" and stopping exactly where the first thought stopped. There is delight to be gained here, poetic delight and a fuller picture of the great Kerouac persona which has relentlessly been reduced over the years to the well-known caricature of the graceless drunken beatnik lout. Bullshit! Kerouac, my friends, was full of grace, and a 'great creator of forms that ultimately find expression in mores and what have you.'" --John Sinclair Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, and a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).

"On the Road" chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience. Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make "On the Road" an inspirational work of lasting importance.
Kerouac's classic novel of freedom and longing defined what it meant to be "Beat" and has inspired every generation since its initial publication more than fifty years ago.

'I read On the Road in maybe 1959. It changed my life like it changed everyone else's' Bob Dylan Sal Paradise, a young innocent, joins his hero, the mystical traveller Dean Moriarty, on a breathless, exuberant ride back and forth across the United States. Their hedonistic search for release or fulfilment through drink, sex, drugs and jazz becomes an exploration of personal freedom, a test of the limits of the American dream. A brilliant blend of fiction and autobiography, Jack Kerouac's exhilarating novel swings to the rhythms of 1950s underground America, racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion. One of the most influential and important novels of the 20th century, this is the book that launched the Beat Generation and remains the bible of that literary movement.

From the most famous of the Beat writers, the semi-autobiographical novel of growing up between dreams and nightmares in early twentieth century Massachusetts, now reissued following Kerouac's centenary celebrationA haunting novel of deeply felt adolescence, Dr. Sax is the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac's own birthplace, the dingy factory town of Lowell, Massachusetts. There, Dr. Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack's fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom that he once described as "the greatest book I ever wrote, or that I will write."

'See my hand up-tipped, learn the secret of my human heart...' Soaring, freewheeling snapshots of life on the road across America, from the Beat writer who inspired a generation. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

This newly-revised edition-originally published in 1973-of the haiku Jack Kerouac, Albert Saijo, and Lew Welch jotted down on the road from San Francisco to New York in 1959, are dense, earthy incarnations of life on the road: "A coral colored Cadillac/ in Texas/ Threw gravel all over us, / our beat jeep/ -Our windshield is nicked/ but our eyes/ are/ CLEAR..." Albert recounts their November trip in Lew's Jeepster, making the big city scene, visiting Jack's home in Northport on Long Island, and the long drive back west. The book also includes letters to Kerouac from Lew Welch in Reno.

In these uncollected writings Jack Kerouac portrays himself in his life. He hitches a ride to San Francisco with a blonde, goes on the road with photographer Robert Frank, rides bus through the Northwest and Montana, records the blues of an old Negro hobo, talks about the Beats and how it all began, gives his "Essentials of Spontaneous Prose" and defends his novel The Subterraneans, compares Shakespeare and James Joyce, describes the cafeterias and subways of Manhattan, goes to a ballgame and a prize fight, and reflects on Christmas in New England, on Murnau's Nosferatu, on jazz & bop, and tells us what he's thinking about.Table of Contents

Walking to Eden
Optical Terror
The Impossible Genus
On Returning from Chiapas
Alphabets and Emperors
Optical Pleasure
Haunting by Water
Mapping Paris
The Monstrous and the Marvelous
The Death Cunt of Deep Dell
Sortilege
Books of Nature
A Dream
Manifesto in Voices
Acknowledgments
Bibliography

Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings.In this edition, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac's archives with a generous selection of the rest of his haiku, from both published and unpublished sources. The result is a compact collection of more than five hundred poems that reveal a lesser known but important side of Jack Kerouac's literary legacy.

Published just one year after "On The Road", this is the story of two men enganged in a passionate search for Dharma or truth. Their major adventure is the pursuit of the Zen Way, which takes them climbing into the High Sierras to seek the lesson of solitude.

In its time Jack Kerouac's masterpiece was the bible of the Beat Generation, the essential prose accompaniment to Allen Ginsberg's Howl. While it stunned the public and literary establishment when it was published in 1957, it is now recognized as an American classic. With On the Road, Kerouac discovered his voice and his true subject--the search for a place as an outsider in America.

On the Road swings to the rhythms of fifties underground America, jazz, sex, generosity, chill dawns, and drugs, with Sal Paradise and his hero Dean Moriarty, traveler and mystic, the living epitome of Beat.

"Life is great, and few can put the zest and wonder and sadness and humor of it on paper more interestingly than Kerouac."
--Luther Nichols, San Francisco Examiner

"Just as, more than any other novel of the Twenties, The Sun Also Rises came to be regarded as the testament of the Lost Generation, so it seems certain that On the Road will come to be known as that of the Beat Generation."
--Gilbert Millstein, The New York Times

The legendary 1951 scroll draft of "On the Road," published as Kerouac originally composed it
IN THREE WEEKS in April of 1951, Jack Kerouac wrote his first full draft of "On the Road"atyped as a single-spaced paragraph on eight long sheets of tracing paper, which he later taped together to form a 120-foot scroll. A major literary event when it was published in Viking hardcover in 2007, this is the uncut version of an American classicarougher, wilder, and more provocative than the official work that appeared, heavily edited, in 1957. This version, capturing a moment in creative history, represents the first full expression of Kerouacas revolutionary aesthetic.

In this compelling first novel, Kerouac draws on his New England mill-town boyhood to create the world of George and Marguerite Martin and their eight children, each endowed with an energy and a vision of life.

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On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.

Jack Kerouac's Great American Novel, now in a delightful new Clothbound Classics edition On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.