From the renowned Beat writer, Kerouac's colorful and meandering search for his family history, now reissued following his centenary celebrationSatori in Paris is the semi-autobiographical tale of Jack Kerouac's trip to France in search of his heritage. Beginning in Paris and moving west to Brittany, Kerouac traces the paths of his ancestors and explores his own understanding of the Buddhism that came to define his beliefs. From his familiar milieu of strangers and all-night conversations in seedy bars, to a pivotal cab ride in which he experiences Buddhism's satori--a feeling of sudden understanding--Kerouac's affecting and revolutionary writing transports the reader. Published at the height of his fame and showcasing his mature talent, Satori in Paris is a lyrical, rollicking tale of philosophy, identity, and the power and strangeness of travel.

From the most famous of the Beat writers, the semi-autobiographical novel of growing up between dreams and nightmares in early twentieth century Massachusetts, now reissued following Kerouac's centenary celebrationA haunting novel of deeply felt adolescence, Dr. Sax is the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac's own birthplace, the dingy factory town of Lowell, Massachusetts. There, Dr. Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack's fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom that he once described as "the greatest book I ever wrote, or that I will write."

One of the renowned Beat writer's most formally inventive books, Mexico City Blues is Jack Kerouac's essential work of lyric verse, now reissued following his centenary celebrationWritten between 1954 and 1957, and published originally by Grove Press in 1959, Mexico City Blues is Kerouac's most important verse work. It incorporates all the elements of his theory of spontaneous composition and his interest in Buddhism. Memories, fantasies, dreams, and surrealistic free association are lyrically combined in the loose format inspired by jazz and the blues. Written while Kerouac was living in Mexico City, and with references to William S. Burroughs, Gregory Corso, and Bill Garver, this exciting book in Kerouac's oeuvre is an original and moving epic of sound, rhythm, and religion.

"Something will happen to me on Desolation Peak...I can feel it." In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, CA, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment. He wrote in his journal that he planned "to concentrate on emptiness of self, other selves, living beings, and universal self." In letters to friends he proclaimed, "Something will happen to me on Desolation Peak...I can feel it." Kerouac's experience on Desolation Peak forms the climax of his novel The Dharma Bums and has also been depicted in part 1 of Desolation Angels and a chapter in his nonfiction book Lonesome Traveler. None of these versions offers a full, true picture, however; and for that reason, Desolation Peak is essential reading. What separates Kerouac from all other writers is the depth that he went in exploring his own consciousness, and what will prove his most enduring legacy is the record he left of that exploration, revealing the psyche of a sensitive, tortured artist grappling with himself in the mid-20th Century. The highlight of Desolation Peak is the journal he kept, starkly revealing the depth of his poverty, the extremity of his mood swings, and the ongoing arguments with himself over the future direction of his life, his writing, and faith. Along with the journal, he worked on a series of projects, including "Ozone Park," another installment of the Duluoz Legend beginning in 1943, after his discharge from the Navy; "The Martin Family," an intended sequel to The Town and the City, and "Desolation Adventure," a series of sketches that became part 1 of Desolation Angels,. In writing it, Kerouac was re-committing himself to his more experimental, then-unpublishable style, declaring in the journal that "the form of the future is no-form." Also included in Collected Writings is "The Diamondcutter of Perfect Knowing," Kerouac's "transliteration" of the Diamond Sutra, his "Desolation Blues" and "Desolation Pops" poems, and assorted prose sketches and dreams.

On the Road chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience. Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make On the Road an inspirational work of lasting importance.

Kerouac’s classic novel of freedom and longing defined what it meant to be “Beat” and has inspired every generation since its initial publication more than forty years ago.

Truth and Beautiful Meaningful Lies is a collection of memorable quotes from one of the most quoted writers in American literature. One of the most celebrated writers in American literature, Jack Kerouac helped an entire generation of post-WWII Americans explore a purpose beyond the standard narrative values, spiritual ideologies, and economic materialism that was rampant throughout pre-war America. Alongside prominent beat writers like Allen Ginsberg and William S. Burroughs, Kerouac crafted a magnum opus that would later be connected to counterculture movements throughout the 1960s. His extensive collection of novels, short stories, poetry, journals, letters, and other writings are often littered with long-winded reflections, observations, proclamations, and other mad ramblings about life, love, loss, loneliness, and the search for a new American identity. Constantly pivoting from a recluse searching “...once and for all what is the meaning of all this existence and suffering and going to and fro in vain,� to a seasoned road-warrior exploring the country and sifting through the profound philosophies of Zen Buddhism, Taoism, and the meaning of Dharma, Kerouac’s spontaneous style of prose generates a kind of unpolished wisdom that leaves a lasting impression long after reading. The insights and quotes assembled in this book have been woven into a patchwork of reoccurring themes found throughout Kerouac’s writings, such as adventure, life, self-reflection, and spirituality are heavily featured, but more niche quotes around topics like cats, coffee, music, and sports can also be found. This collection pulls from prominent novels such as Big Sur, Desolation Angels, The Dharma Bums, On the Road: The Original Scroll, The Subterraneans, Tristessa, Vanity of Duluoz, and Visions of Cody, as well as some of his selected short stories, poems, letters, and journals. Whether you’re new to Kerouac, searching for inspiration in his words, or are a self-proclaimed “mad one� looking to make sense of it all, this quote book will undoubtedly serve as a go-to reference for the discerning Kerouac reader.

This newly-revised edition-originally published in 1973-of the haiku Jack Kerouac, Albert Saijo, and Lew Welch jotted down on the road from San Francisco to New York in 1959, are dense, earthy incarnations of life on the road: "A coral colored Cadillac/ in Texas/ Threw gravel all over us, / our beat jeep/ -Our windshield is nicked/ but our eyes/ are/ CLEAR..." Albert recounts their November trip in Lew's Jeepster, making the big city scene, visiting Jack's home in Northport on Long Island, and the long drive back west. The book also includes letters to Kerouac from Lew Welch in Reno.

With the publication of On the Road in 1957, Jack Kerouac became at once the spokesman and hero of the Beat Generation. Along with such visionaries as William S. Burroughs, Neal Cassady, and Allen Ginsberg, Kerouac changed the face of American literature, igniting a counterculture revolution that even now, decades later, burns brighter than ever in Desolation Angels.
In one of the major cinematic events of 2012, Jack Kerouac's legendary Beat classic, "On the Road," finally hits the big screen. Directed by Walter Salles ("The Motorcycle Diaries"; "Paris, Je T'Aime") and with a cast of some of Hollywood's biggest young stars, including Kristen Stewart (The Twilight Saga), Sam Riley, Garrett Hedlund, Kirsten Dunst, Amy Adams ("Julie & Julia," "The Fighter"), Tom Sturridge, and Viggo Mortensen (the Lord of the Rings trilogy, "The Road"), the film will attract new fans who will be inspired by Kerouac's revolutionary writing.

The town is Galloway in Massachusetts, birthplace of the five sons and three daughters of the Martin family in the early 1900s. The city is New York, the vast and heaving melting pot which lures them all in search of futures and identity. Nearly a decade before the publication of On the Road, the story of the Martins' epic transformation in The Town and the City marked the first true literary impact of the founding father of the Beat Generation. Inspired by grief over his father's death, and his own determination to write the Great American Novel, The Town and the City is an essential prelude to Jack Kerouac's later classics.

'I read On the Road in maybe 1959. It changed my life like it changed everyone else's' Bob Dylan Sal Paradise, a young innocent, joins his hero, the mystical traveller Dean Moriarty, on a breathless, exuberant ride back and forth across the United States. Their hedonistic search for release or fulfilment through drink, sex, drugs and jazz becomes an exploration of personal freedom, a test of the limits of the American dream. A brilliant blend of fiction and autobiography, Jack Kerouac's exhilarating novel swings to the rhythms of 1950s underground America, racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion. One of the most influential and important novels of the 20th century, this is the book that launched the Beat Generation and remains the bible of that literary movement.

"On the Road" chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience. Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make "On the Road" an inspirational work of lasting importance.
Kerouac's classic novel of freedom and longing defined what it meant to be "Beat" and has inspired every generation since its initial publication more than fifty years ago.

The legendary novel whose true events inspired the film KILL YOUR DARLINGS
In the summer of 1944, a shocking murder rocked the fledgling Beats. William S. Burroughs and Jack Kerouac, both still unknown, we inspired by the crime to collaborate on a novel, a hard-boiled tale of bohemian New York during World War II, full of drugs and art, obsession and brutality, with scenes and characters drawn from their own lives. Finally published after more than sixty years, this is a captivating read, and incomparable literary artifact, and a window into the lives and art of two of the twentieth century's most influential writers.

In this compelling first novel, Kerouac draws on his New England mill-town boyhood to create the world of George and Marguerite Martin and their eight children, each endowed with an energy and a vision of life.

Penguin publishes forty-five of the nation’s top 100 favourite titles. If you haven’t read them yet, then now’s your chance to enjoy some of the nation’s favourite reads in our special 3-for-2 offer.

Choose any three titles from The Big Read promotion and get the cheapest one FREE.

Please note: Your shopping basket will show the list price of each item with a subtotal and your discount will be applied at the checkout.

On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.

'See my hand up-tipped, learn the secret of my human heart...' Soaring, freewheeling snapshots of life on the road across America, from the Beat writer who inspired a generation. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

The raucous, exuberant, often wildly funny account of a journey through America and Mexico, Jack Kerouac's "On the Road" instantly defined a generation upon its publication in 1957: it was, in the words of a "New York Times" reviewer, "the clearest and most important utterance yet made by the generation Kerouac himself named years ago as 'beat.'" Written in the mode of ecstatic improvisation that Allen Ginsberg described as "spontaneous bop prosody," Kerouac's novel remains electrifying in its thirst for experience and its defiant rebuke of American conformity. In his portrayal of the fervent relationship between the writer Sal Paradise and his outrageous, exasperating, and inimitable friend Dean Moriarty, Kerouac created one of the great friendships in American literature; and his rendering of the cities and highways and wildernesses that his characters restlessly explore are a hallucinatory travelogue of a nation he both mourns and celebrates. Now, to celebrate the fiftieth anniversary of Kerouac's landmark novel, The Library of America collects On the Road together with four other autobiographical "road books" published in the late 1950s and early 1960s. "The Dharma Bums" (1958), at once an exploration of Buddhist spirituality and an account of the Bay Area poetry scene, is notable for its thinly veiled portraits of Kerouac's acquaintances, including Ginsberg, Gary Snyder, and Kenneth Rexroth. "The Subterraneans" (1958) recounts a love affair set amid the bars and bohemian haunts of San Francisco. "Tristessa" (1960) is a melancholy novella describing a relationship with a prostitute in Mexico City. Lonesome Traveler (1960) collects travel essays that evoke journeys in Mexico andEurope, and concludes with an elegiac lament for the lost world of the American hobo. Also included in "Road Novels" are selections from Kerouac's journal, which provide a fascinating perspective on his early impressions of material eventually incorporated into "On the Road,"

Jack Kerouac's Great American Novel, now in a delightful new Clothbound Classics edition On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns and drugs, with Sal Paradise and his hero Dean Moriarty, traveller and mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, and it goes racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion.

Jack Kerouac called Doctor Sax, the enigmatic figure who haunted his boyhood imagination, 'my ghost, personal angel, private shadow, secret lover'. In this extraordinary autobiographical account of growing up in Lowell, Massachussetts, told through his fictional alter ego Jack Duluoz, he mingles real people and events with fantastical figures to capture the accents, scents, sights and texture of his childhood: playing among the river weeds and railroad tracks, going to church, witnessing life and death on the street corners. Written when he was staying with William Burroughs in Mexico in 1952, Doctor Sax was Kerouac's favourite of all his books: a dark, vivid and magical evocation of a boy's vibrant inner life.

Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin's iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today. On the Road Jack Kerouac's masterpiece of the Beat era was first published in 1957 and continues to provide a vital portrait of a generation adrift, as well as inspiration for travelers, dreamers, and artists in every generation that has followed.

The legendary 1951 scroll draft of "On the Road," published as Kerouac originally composed it
IN THREE WEEKS in April of 1951, Jack Kerouac wrote his first full draft of "On the Road"atyped as a single-spaced paragraph on eight long sheets of tracing paper, which he later taped together to form a 120-foot scroll. A major literary event when it was published in Viking hardcover in 2007, this is the uncut version of an American classicarougher, wilder, and more provocative than the official work that appeared, heavily edited, in 1957. This version, capturing a moment in creative history, represents the first full expression of Kerouacas revolutionary aesthetic.

On the Road by Jack Kerouac is the exhilarating novel that defined the Beat Generation and is a 2012 major motion picture starring Kristen Stewart, Kirsten Dunst and Sam Riley, beautifully repackaged as part of the Penguin Essentials range. 'What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow.' Sal Paradise, young and innocent, joins the slightly crazed Dean Moriarty on a breathless, exuberant ride back and forth across the United States. Their hedonistic search for release or fulfilment through drink, sex, drugs and jazz becomes an exploration of personal freedom, a test of the limits of the American Dream. A brilliant blend of fiction and autobiography, Jack Kerouac's exhilarating novel defined the new 'Beat' generation and became the bible of the counter culture. 'On the Road sold a trillion Levis and a million espresso machines, and also sent countless kids on the road. The alienation, the restlessness, the dissatisfaction were already there waiting when Kerouac pointed out the road' William Burroughs 'Pop writing at its best. It changed the way I saw the world, making me yearn for fresh experience' Hanif Kureishi, Independent on Sunday Jack Kerouac was born in Lowell, Massachusetts, in 1922. Educated by Jesuit brothers in Lowell, he decided to become a writer at age seventeen and developed his own writing style, which he called 'spontaneous prose'. He used this technique to record the life of the American 'traveler' and the experiences of the Beat Generation, most memorably in On the Road and also in The Subterraneans and The Dharma Bums. His other works include Big Sur, Desolation Angels, Lonesome Traveler, Visions of Gerard, Tristessa, and a book of poetry called Mexico City Blues. Jack Kerouac died in 1969.

"What I'm beginning to discover now is something beyond the novel and beyond the arbitrary confines of the story. . . . I'm making myself seek to find the wild form, that can grow with my wild heart . . . because now I know MY HEART DOES GROW." --Jack Kerouac, in a letter to John Clellon Holmes

Written in 1951-52, Visions of Cody was an underground legend by the time it was finally published in 1972. Writing in a radical, experimental form ("the New Journalism fifteen years early," as Dennis McNally noted in Desolate Angel), Kerouac created the ultimate account of his voyages with Neal Cassady during the late forties, which he captured in different form in On the Road. Here are the members of the Beat Generatoin as they were in the years before any label had been affixed to them. Here is the postwar America that Kerouac knew so well and celebrated so magnificently. His ecstatic sense of superabundant reality is informed by the knowledge of mortality: "I'm writing this book because we're all going to die. . . . My heart broke in the general despair and opened up inward to the Lord, I made a supplication in this dream."

"The most sincere and holy writing I know of our age." --Allen Ginsberg