The County Lines phenomenon has become one of the most significant drug market developments in the UK over recent years. This book analyses how it is being responded to by the police in affected provincial areas. Drawing on unique ethnographic fieldwork, it takes readers into police stations and out onto the streets with officers, providing timely insight into the policing of this high profile and challenging drug market context. The book considers the use of new police tactics that have been proposed and familiar methods that officers regularly embarked on. Through a sophisticated theoretical framework it argues that the policing of County Lines can often be considered 'symbolic', with concerns regularly placed on sending out strong messages that appear superficial when closely examined. Alongside this, however, there appears to be a progressive shift towards a more pragmatic drugs policing approach that embraces harm reduction principles.This cutting-edge research speaks to academics in Criminology and Policing, and to practitioners and policy makers.

1. This book brings the large fields of policing and drugs together; two distinct areas rarely studied together. 2. This book also has a market among public health scholars, given the overlapping areas of interest.

1. This book brings the large fields of policing and drugs together; two distinct areas rarely studied together. 2. This book also has a market among public health scholars, given the overlapping areas of interest.

In 1965, when the poet Jack Spicer died at the age of forty, he left behind a trunkful of papers and manuscripts and a few copies of the seven small books he had seen to press. A West Coast poet, his influence spanned the national literary scene of the 1950s and '60s, though in many ways Spicer's innovative writing ran counter to that of his contemporaries in the New York School and the West Coast Beat movement. Now, more than forty years later, Spicer's voice is more compelling, insistent, and timely than ever. During his short but prolific life, Spicer troubled the concepts of translation, voice, and the act of poetic composition itself. My Vocabulary Did This to Me is a landmark publication of this essential poet's life work, and includes poems that have become increasingly hard to find and many published here for the first time.

Indispensable volume of previously unavailable poetry by an American master Be Brave to Things shows legendary San Francisco Renaissance poet Jack Spicer at the top of his form, with his blistering intelligence, painful double-edged wit, and devastating will to truth everywhere on display. Much of the poetry here has never before been published, but the volume also includes much out-of-print or hard to find work, as well as Spicer's three major plays, which have never been collected. Here one finds major unfinished projects, early and alternate versions of well-known Spicer poems, shimmering stand-alone lyrics, and intricate extended "books" and serial poems. This new cache of Spicer material will be indispensable for any student of 20th century American poetry, proffering a trove of primary material for Spicer's growing readership to savor and enjoy. "When your body brushed against me. . ." When your body brushed against me I remembered How we used to catch butterflies in our hands Down in the garden. We were such patient children Following them from flower to flower Waiting and hoping. With our cupped hands we used to catch them And they answered us with a soft tickle For they never stopped flying. In bed I remembered them and cried for The touch of their fast wings, the impatience Of their bright colors I am too old for such games But even tonight, now your body has reminded me of butterflies I lie here awake, pretending.

The House That Jack Built collects for the first time the four historic talks given by controversial poet Jack Spicer just before his early death in 1965. These lively and provocative lectures function as a gloss to Spicer's own poetry, a general discourse on poetics, and a cautionary handbook for young poets. This long-awaited document of Spicer's unorthodox poetic vision, what Robin Blaser has called "the practice of outside," is an authoritative edition of an underground classic.
Peter Gizzi's afterword elucidates some of the fundamental issues of Spicer's poetry and lectures, including the concept of poetic dictation, which Spicer renovates with vocabularies of popular culture: radio, Martians, and baseball; his use of the California landscape as a backdrop for his poems; and his visual imagination in relation to the aesthetics of west-coast funk assemblage. This book delivers a firsthand account of the contrary and turbulent poetics that define Spicer's ongoing contribution to an international avant-garde.

The County Lines phenomenon has become one of the most significant drug market developments in the UK over recent years. This book analyses how it is being responded to by the police in affected provincial areas. Drawing on unique ethnographic fieldwork, it takes readers into police stations and out onto the streets with officers, providing timely insight into the policing of this high profile and challenging drug market context. The book considers the use of new police tactics that have been proposed and familiar methods that officers regularly embarked on. Through a sophisticated theoretical framework it argues that the policing of County Lines can often be considered ‘symbolic’, with concerns regularly placed on sending out strong messages that appear superficial when closely examined. Alongside this, however, there appears to be a progressive shift towards a more pragmatic drugs policing approach that embraces harm reduction principles.This cutting-edge research speaks to academics in Criminology and Policing, and to practitioners and policy makers.