For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

Don Handelman's groundbreaking work in anthropology is showcased in this collection of his most powerful essays, edited by Matan Shapiro and Jackie Feldman. The book looks at the intellectual and spiritual roots of Handelman's initiation into anthropology; his work on ritual and on "bureaucratic logic"; analyses of cosmology; and innovative essays on Anthropology and Deleuzian thinking. Handelman reconsiders his theory of the forming of form and how this relates to a new theory of the dynamics of time. This will be the definitive collection of articles by one of the most important anthropologists of the late 20th Century.

The Censor, the Editor, and the Text The Catholic Church and the Shaping of the Jewish Canon in the Sixteenth Century Amnon Raz-Krakotzkin. Translated by Jackie Feldman "An important book, one that makes us reflect on past conclusions. . . . Raz-Krakotzkin writes history by emphasizing the nuances and inconsistencies intrinsic to cultural change and acculturation, a method that is not to be superciliously dismissed. If readers follow the author's own careful lead, they will be well rewarded."--"Association for Jewish Studies Review" "In this brilliantly argued book, Amnon Raz-Krakotzkin seeks to explain the role of Catholic censors within two contexts: their place within the church's institutional quest to set boundaries of "permitted knowledge" and to reshape the boundaries of Catholic orthodoxy on the one hand, and their role in reshaping Jewish texts on the other."--"Humanities and Social Sciences Online " "The history of Jewish publishing and reading practices is often ignored by the scholars working on Western scribal and print cultures. This book can help them to understand the multiple connections that existed between Catholic authorities, Christian printers and publishers, convert editors and censors, and Jewish readers during the sixteenth century. Raz-Krakotzkin stresses the role of censorship not only as a repressive institution but also as an agent in the construction of a repertoire of canonical works and in the collective production of the texts themselves."--Roger Chartier In "The Censor, the Editor, and the Text," Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors. Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon. On another level, "The Censor, the Editor, and the Text" explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing--authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature. By bringing together two apparently unrelated issues--the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society--Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other. Amnon Raz-Krakotzkin is Senior Lecturer in History at Ben-Gurion University of the Negev. Jewish Culture and Contexts 2007 328 pages 6 x 9 ISBN 978-0-8122-4011-5 Cloth $69.95s 45.50 World Rights Religion, History Short copy: "The Censor, the Editor, and the Text" examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Raz-Krakotzkin argues that the regulation of Hebrew print provided an avenue for the integration of Hebrew literature into the Christian corpus.

Israeli youth voyages to Poland are one of the most popular and influential forms of transmission of Holocaust memory in Israeli society. Through intensive participant observation, group discussions, student diaries, and questionnaires, the author demonstrates how the State shapes Poland into a living deathscape of Diaspora Jewry. In the course of the voyage, students undergo a rite de passage, in which they are transformed into victims, victorious survivors, and finally witnesses of the witnesses. By viewing, touching, and smelling Holocaust-period ruins and remains, by accompanying the survivors on the sites of their suffering and survival, crying together and performing commemorative ceremonies at the death sites, students from a wide variety of family backgrounds become carriers of Shoah memory. They come to see the State and its defense as the romanticized answer to the Shoah. These voyages are a bureaucratic response to uncertainty and fluidity of identity in an increasingly globalized and fragmented society. This study adds a measured and compassionate ethical voice to ideological debates surrounding educational and cultural forms of encountering the past in contemporary Israel, and raises further questions about the representation of the Holocaust after the demise of the last living witnesses.

Jackie Feldman lectures in Social Anthropology at Ben Gurion University, Beersheba, Israel. His areas of interest are anthropology of religion, collective memory, pilgrimage, and tourism. He has published on Holocaust memory and pilgrimages to the Second Temple and worked as a tour guide for Christian pilgrims to the Holy Land.

Israeli youth voyages to Poland are one of the most popular and influential forms of transmission of Holocaust memory in Israeli society. Through intensive participant observation, group discussions, student diaries, and questionnaires, the author demonstrates how the State shapes Poland into a living deathscape of Diaspora Jewry. In the course of the voyage, students undergo a rite de passage, in which they are transformed into victims, victorious survivors, and finally witnesses of the witnesses. By viewing, touching, and smelling Holocaust-period ruins and remains, by accompanying the survivors on the sites of their suffering and survival, crying together and performing commemorative ceremonies at the death sites, students from a wide variety of family backgrounds become carriers of Shoah memory. They come to see the State and its defense as the romanticized answer to the Shoah. These voyages are a bureaucratic response to uncertainty and fluidity of identity in an increasingly globalized and fragmented society. This study adds a measured and compassionate ethical voice to ideological debates surrounding educational and cultural forms of encountering the past in contemporary Israel, and raises further questions about the representation of the Holocaust after the demise of the last living witnesses.

"Moshe Halbertal's book will be a revelation to anyone interested in religious, philosophical, psychological, or political concealment. It has wide implications for the political craving for transparency, and dazzling insights into depth psychology (such as Freud's) and esoteric tendencies in philosophy (such as Wittgenstein's). The book manifests not only immense learning and virtuosity in reading Jewish texts but also genuine wisdom."--Avishai Margalit, Institute for Advanced Study

"Halbertal's virtuosic exploration of a major dimension of medieval Jewish thought opens new vistas in Jewish philosophy and mysticism."--Moshe Idel, Hebrew University of Jerusalem

"This is the most conceptually penetrating book that I can imagine on concealment and revelation in premodern Jewish thought. An original foray into a subject that has not been well developed, it has the makings of a classic. In particular, the essay on esotericism is rich and substantial. There can be no question of the book's brilliance."--Noah Feldman, author of "Divided by God"

"Original, consistently interesting, and thought-provoking. This book exhibits the author's knack for synthesizing complicated technical material with clarity and verve, and making it accessible to both scholars in adjacent fields and to general readers."--Bernard Septimus, Harvard University

"This book's taxonomy of esoteric knowledge and attempt to establish its importance both as a thing in itself and as an object of study are absolutely fascinating and indeed captivating. The book made an important aspect of medieval Jewish intellectual and spiritual life much less forbidding to me than it had been before, and it should make similarbodies of esoteric knowledge and esoteric movements--like late antique gnosticism and late medieval Christian mysticism--more approachable also."--William Chester Jordan, Princeton University

This special issue of Ethnologia Europaea focuses on tour guides as cultural mediators. It opens with a discussion of tour guiding in the anthropology of tourism by Jackie Feldman and Jonathan Skinner and consideration of how tour guiding should be seen as imaginative and performative practice. This is illustrated by a highly international and comparative collection by leading anthropologists and ethnologists, many of whom have guiding experience themselves: Valerio Simoni on intimacy, informality and sexuality in guiding relations in Cuba; David Picard on modern guiding and traditional values in La Reunion; Jackie Feldman on Jewish-Israelis guiding Christian pilgrims in the Holy Land; Amos Ron and Yotam Lurie on the intimacy and trust in guide -- tourist relations in Israel; Annelou Ypeij, Eva Krah and Floor van der Hout on the impact of gender on guide -- local relations in Peru; Irit Dekel on the manipulation of the past and the present in home museums in Germany; Jonathan Skinner on the imagination and props involved in the re-animation of heritage in a historical fantasy home in the UK. The issue ends with discussion commentaries from Noel Salazar and Erik Cohen that reiterate tour guiding as a particularly temporal and physical mediating pursuit, one which raises critical questions as to the future mechanics of tour guiding and how a performative approach to guiding engages with authenticity and new technologies.

Israel is a place of paradoxes, a small country with a diverse population and complicated social terrain. Studying its culture and social life means confronting a multitude of ethical dilemmas and methodological challenges. The first-person accounts by anthropologists engage contradictions of religion, politics, identity, kinship, racialization, and globalization to reveal fascinating and often vexing dimensions of the Israeli experience. Caught up in pressing existential questions of war and peace, social justice, and national boundaries, the contributors explore the contours of Israeli society as insiders and outsiders, natives and strangers, as well as critics and friends.

Israel is a place of paradoxes, a small country with a diverse population and complicated social terrain. Studying its culture and social life means confronting a multitude of ethical dilemmas and methodological challenges. The first-person accounts by anthropologists engage contradictions of religion, politics, identity, kinship, racialization, and globalization to reveal fascinating and often vexing dimensions of the Israeli experience. Caught up in pressing existential questions of war and peace, social justice, and national boundaries, the contributors explore the contours of Israeli society as insiders and outsiders, natives and strangers, as well as critics and friends.