A new selection of 30 tales to mark the 200 year anniversary of Andersen's birth in 2005. Tiina Nunnally's sparkling translation captures the rawness and immediacy of Andersen's style, for the first time enabling English readers to be as startled and amazed as his original readers were, and revealing the unique inventiveness of Andersen's genius. At a time when children's stories were formal, moral and didactic, Hans Christian Andersen revolutionized the genre, giving an anarchic twist to traditional folklore and creating a huge number of utterly original stories that sprang directly from his imagination. From the exuberant early stories such as 'The Emperor's New Clothes', though poignant masterpieces such as 'The Little Mermaid' and 'The Ugly Duckling', to the darker, more subversive later tales written for adults, the stories included here are endlessly experimental, both humorous and irreverent, sorrowful and strange. This book - beautifully illustrated with a selection of Andersen's amazing paper cut-outs - will bring these magical tales to life for readers of any age.

Hans Christian Andersen was the profoundly imaginative writer and storyteller who revolutionized literature for children. He gave us the now standard versions of some traditional fairy tales-with an anarchic twist-but many of his most famous tales sprang directly from his imagination. The thirty stories here range from exuberant early works such as "The Tinderbox" and "The Emperor's New Clothes" through poignant masterpieces such as "The Little Mermaid" and "The Ugly Duckling," to more subversive later tales such as "The Ice maiden" and "The Wood Nymph."

The first English language biographer to have returned to the original Danish sources, Wullshlager creates a fascinating picture of Andersen as a deeply troubled man, as far from Danny Kaye's all-singing version as it is possible to imagine. Desperately sensitive, sexually confused and socially awkward, Andersen found grace and acceptance through the creation of a distinct and beguiling literary world, becoming, as was once said of Tolkien, 'the creative equivalent of a people'. Wullschlager's achievement is to demonstrate the unity of his troubled life and and the soaring achievement of his work. He appears in this biography more various and more flawed, but also more convincing and more impressive, than ever before.

Published to accompany the exhibition, Leon Kossoff: A London Life, this fully illustrated catalogue examines the paintings and drawings of one of Britain’s most acclaimed living artists. With a catalogue raisonné of Kossoff’s paintings in preparation, this is an apt moment to consider his oeuvre. The publication brings together masterworks from each period of the artist’s career, demonstrating the unwavering rigour, the nuance and the psychological intensity of his output. The exhibition explores the artist’s working practice and his creative environment. The city of his birth, London has played a central role in his career and many cityscapes will be on display – from Willesden Junction to Christ Church, Spitalfields. His friends and family have also contributed to his vision and the exhibition will reflect on the relationship between the artist and his models. Together, these landscape and figure paintings will present an irrefutable argument for Leon Kossoff’s place in the canon of modern master painters. The publication has an introduction by Jackie Wullschlager (chief art critic for The Financial Times) and essays by Andrew Dempsey and Lulu Norman (writer and translator).

Containing an enchanting mix of familiar favourites and hidden gems, the Penguin Classics edition of Hans Christian Andersen's Fairy Tales is translated by Tiina Nunnally and edited with an introduction by Jackie Wullschlager. The first writer to create timeless, universal fairy tales from his own imagination, Hans Christian Andersen conjured up a world of icy queens, match girls and tin soldiers, rewarded virtue and unfulfilled desire. Rich with popular tales such as 'The Emperor's New Clothes' and 'The Ugly Duckling', this revelatory new collection contains many later, darker and rarely collected stories, such as 'Auntie Toothache' and 'The Shadow', in which a man's shadow slyly takes over his life. This sparkling new translation captures the eccentric charm of Andersen's original, colloquial Danish style as never before. The introduction vividly describes his changing style and there are notes on every tale. 'Truly scrumptious, a proper treasury ... Read on with eyes as big as teacups' Guardian 'This translation gives me, for the first time, a real sense of the range and variety of Andersen's style' A.S. Byatt 'There have been some capable versions in English, but Tiina Nunnally's seems to me the best. Jackie Wullschlager's introduction will be of enormous value' Harold Bloom