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Literature and Ageing (Hardcover)
Elizabeth Barry; As told to Margery Vibe Skagen; Contributions by David Amigoni, Elizabeth Barry, Emily Timms, …
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R1,207
Discovery Miles 12 070
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Ships in 12 - 17 working days
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New approaches to the topics of old age and becoming old depicted
in a range of texts from modern literature. The central focus of
this book is the experience of growing old as represented in
literature from the mid-nineteenth century to the present day: an
experience shaped by changes in longevity, a new science of
senescence, the availability of state pensions, and other phenomena
of recent history. The collection considers the increasing
prominence of stories of ageing, challenging the idea that old age
is an uneventful time outside of the parameters of literary
narrative. Instead, age increasingly is the story. As the older
population swells, political crises are construed as the old
stealing from the young, and the rights of older people are
sacrificed to the economics of care, it becomes ever more important
to think about and question, as literature does, the symbolic
aspects of ageing - the cultural imaginary that determines the way
that society sees old age. The work in this volume explores age
stories in relation to futurity, precarity and climate change. It
brings to light narratives of resistance to colonial imperialism
and reproductive futurism framed in terms of age; and tests the
lived experience of growing old and the challenge it offers to
individualistic conceptions of selfhood, work and care. The
literary works examined - hailing from England, North America,
Japan and the Caribbean, and including texts by Margaret Drabble,
Samuel Beckett and Matthew Thomas - ask how we feel about ageing -
so often the determinant of how we think about it.
Alarmist demography often situates older people as natural
disasters: images of the 'gray flood' and 'silver tsunami' imbue
senescence with the destructive force of climatic proportions. This
Element focuses on the demographic dread arising from the relative
shift in younger and older populations: not of a world lacking
children, but of one catastrophized by the overabundance of the old
and aging. Drawing on examples of science fictional sterility
dystopias, Aging Earth challenges the privilege of youth in
ecocritical thought and practice, especially the heteronormative
urgency to address climate change for the sake of children and
future generations. By decoupling the figurative connection between
futurity and children, senescent environmentalism attunes itself to
the contingency of non-linear and non-teleological futures: drawing
together the delicacy of ecosystems on the brink with the
structural precarity of older people, queers, and people of color.
The rapid onset of dementia after an illness, the development of
gray hair after a traumatic loss, the sudden appearance of a
wrinkle in the brow of a spurned lover. The realist novel uses
these conventions to accelerate the process of aging into a
descriptive moment, writing the passage of years on the body all at
once. Aging, Duration, and the English Novel argues that the formal
disappearance of aging from the novel parallels the ideological
pressure to identify as being young by repressing the process of
growing old. The construction of aging as a shameful event that
should be hidden - to improve one's chances on the job market or
secure a successful marriage - corresponds to the rise of the long
novel, which draws upon the temporality of the body to map progress
and decline onto the plots of nineteenth-century British modernity.
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