Discover the haunting, heartbreaking post-apocalyptic tale of female friendship and intimacy set in a deserted world.

Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, these women have no memory of how they got there, no notion of time, and only vague recollections of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl – the fortieth prisoner – sits alone and outcast in the corner. But soon she will show herself to be the key to the others’ escape and survival in the strange world that awaits them above.

Discover the haunting, heartbreaking post-apocalyptic tale of female friendship and intimacy set in a deserted world. Deep underground, thirty-nine women are kept in isolation in a cage. Above ground, a world awaits. Has it been abandoned? Devastated by a virus? Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. But, as the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. The woman who will never know men. WITH A NEW INTRODUCTION BY SOPHIE MACKINTOSH, MAN BOOKER PRIZE-LONGLISTED AUTHOR OF THE WATER CURE

"A magical novel on the theme of androgyny. Funny, subtle, poignant..." - Nadine Sautel, Magazine litteraire "Jacqueline Harpman drags us into one of those sexual phantasmagorias that are her own secret. She displays incredible confidence in juggling identities and meshing together yearnings and phobias, fantasies and frustrations" - T G, L'Express How would it be to jump into the skin of another? To be both a man and a woman at once? And what would happen if you found yourself attracted to yourself? Beneath a mousy exterior, 35-year-old college lecturer Aline seethes with frustration. Sick of being bullied by her mother and treated like a piece of furniture by Albert, her live-in lover, one day Aline leaps from her own skin into the far more attractive body of Lucien, whom she spots in a cafe at the Gare du Nord. From here this brilliantly imaginative story runs on parallel lines. While Aline sensibly catches the train back to her orderly life, Aline-Lucien - or Orlanda, as her bold new composite self is called in homage to Virginia Woolf - follows, dragging chaos in his wake. Jacqueline Harpman, herself once a psychoanalyst, revels in the confusion, as ego falls for alter ego and mothers, sisters and lovers begin to ask awkward questions in this unusual perceptive comedy of double selves and bisexuality. "Undoubtedly this is a novel to breathe life into characters through the unfettered use of the imagination. It offers a pretext for a great deal of humour and fantasy that stirs up the old myths' - Andre Brincourt, Figaro Winner of the Prix Medicis.