Praise for Jacqueline Roy & The Gosling Girl: ‘[The Gosling Girl] interrogates the context of a child's crime and simplistic notions of evil by society and the media. It fosters understanding & empathy and draws us deep inside the protagonist's psychology’ Bernardine Evaristo ‘This intriguing procedural is above all a portrait of two damaged women and a moving demonstration of how race and class have affected their lives' The Times and The Sunday Times Crime Club 'This is a beautifully written, insightful and thought-provoking novel. Michelle's story drew me in immediately, and while it's heartbreaking in places, it's uplifting in others. Jacqueline Roy writes with deep compassion and empathy, and I have a feeling this wonderfully compelling novel will stay with me for a long time' Susan Elliot Wright, author of All You Ever Wanted 'A thoughtful, slow-burn exploration of how damaged children damage, The Gosling Girl asks whether some children are born evil - and shows emphatically that an abusive childhood is to blame. I felt increasing sympathy for Michelle Cameron, in all her manifestations. At times, disturbing, poignant, and thought-provoking' Sarah Vaughan, author of Anatomy of a Scandal and Reputation ‘It was refreshing to read a thriller that wasn’t full of twists, though I kept waiting for them, as I’ve been conditioned to expect them. This well-plotted story follows Michelle, who’s recently been released from prison. Does someone who’s committed an awful crime deserve to start again?’ Prima ‘Written with compassion, and an exceptional sense of identity by Roy — born to a Jamaican father and a British mother — it is both striking and powerful’  Daily Mail ‘(a)…provocative tale of institutional racism, and how the marginalised fight back’ Stylist Magazine ‘A powerful look at institutionalised racism and the after-effects of a childhood crime' S Magazine ‘The Gosling Girl is one of the most moving thrillers I’ve read for some time' Observer  

'A tour de force of engaged storytelling. With heart-wrenching pathos, The Gosling Girl delineates the bleak aftermath for all concerned when one child kills another' Peter Kalu Monster? Murderer? Child? Victim? Michelle Cameron's name is associated with the most abhorrent of crimes. A child who lured a younger child away from her parents and to her death, she is known as the black girl who murdered a little white girl; evil incarnate according to the media. As the book opens, she has done her time, and has been released as a young woman with a new identity to start her life again. When another shocking death occurs, Michelle is the first in the frame. Brought into the police station to answer questions around a suspicious death, it is only a matter of time until the press find out who she is now and where she lives and set about destroying her all over again. Natalie Tyler is the officer brought in to investigate the murder. A black detective constable, she has been ostracised from her family and often feels she is in the wrong job. But when she meets Michelle, she feels a complicated need to protect her, whatever she might have done. The Gosling Girl is a moving, powerful account of systemic, institutional and internalised racism, and of how the marginalised fight back. It delves into the psychological after-effects of a crime committed in childhood, exploring intersections between race and class as Michelle's story is co-opted and controlled by those around her. Jacqueline writes with a cool restraint and The Gosling Girl is a raw and powerful novel that will stay with the reader long after they have turned the last page. Praise For Jacqueline Roy and The Fat Lady Sings: 'This is a novel of daring - enjoyable, surprising and original' Bernardine Evaristo 'A strong and humane work of fiction' Jackie Kay 'A striking commentary' Scotsman 'A strong, humorous and moving piece of fiction . . . such is the life injected into the characters that by the end of the novel there remains that reluctance to part with people you have come to love' calabash 'Unflinchingly told . . . harrowing but also shockingly funny' Big Issue 'A joy' Pride

'[The Gosling Girl] interrogates the context of a child's crime and simplistic notions of evil by society and the media. It fosters understanding & empathy and draws us deep inside the protagonist's psychology' Bernardine Evaristo Monster? Murderer? Child? Victim? Michelle Cameron's name is associated with the most abhorrent of crimes. A child who lured a younger child away from her parents and to her death, she is known as the black girl who murdered a little white girl; evil incarnate according to the media. As the book opens, she has done her time, and has been released as a young woman with a new identity to start her life again. When another shocking death occurs, Michelle is the first in the frame. Brought into the police station to answer questions around a suspicious death, it is only a matter of time until the press find out who she is now and where she lives and set about destroying her all over again. Natalie Tyler is the officer brought in to investigate the murder. A black detective constable, she has been ostracised from her family and often feels she is in the wrong job. But when she meets Michelle, she feels a complicated need to protect her, whatever she might have done. The Gosling Girl is a moving, powerful account of systemic, institutional and internalised racism, and of how the marginalised fight back. It delves into the psychological after-effects of a crime committed in childhood, exploring intersections between race and class as Michelle's story is co-opted and controlled by those around her. Jacqueline writes with a cool restraint and The Gosling Girl is a raw and powerful novel that will stay with the reader long after they have turned the last page. Praise For Jacqueline Roy and The Fat Lady Sings: 'This is a novel of daring - enjoyable, surprising and original' Bernardine Evaristo 'A strong and humane work of fiction' Jackie Kay 'A striking commentary' Scotsman 'A strong, humorous and moving piece of fiction . . . such is the life injected into the characters that by the end of the novel there remains that reluctance to part with people you have come to love' calabash 'Unflinchingly told . . . harrowing but also shockingly funny' Big Issue 'A joy' Pride

A groundbreaking novel exploring the intersection between race, class and mental health in the UK 'A strong and humane work of fiction' Jackie Kay 'That is the glory of being a mental patient. Nothing is impossible.' It is the 1990s, and Gloria is living in a London psychiatric ward. She is unapologetically loud, audacious and eternally on the brink of bursting into song. After several months of uninterrupted routine, she is joined by another young black woman - Merle - who is full of silences and fear. Unable to confide in their doctors, they agree to journal their pasts. Whispered into tape recorders and scrawled ferociously at night, the remarkable stories of their lives are revealed. In this tender, deeply-moving depiction of mental health, Roy creates a striking portrait of two women finding strength in their shared vulnerability, as they navigate a system that fails to protect them. Life-affirming and fearlessly hopeful, this is an unforgettable story. 'This is a novel of daring - enjoyable, surprising and original.' Bernardine Evaristo 'A striking commentary' Scotsman 'A strong, humorous and moving piece of fiction . . . such is the life injected into the characters that by the end of the novel there remains that reluctance to part with people you have come to love' calabash 'A joy' Pride 'Unflinchingly told . . . harrowing but also shockingly funny' Big Issue