As early as 1934 Charlotte Perriand began to reflect on the architectural aspects of leisure activities for all, but it was with Les Arcs, her greatest work, that she completed her reflection on the art of living in the mountains. Alongside the developer Roger Godino, Charlotte Perriand displayed all the facets of her immense talent: design, urban planning, but also bioclimatic architecture, of which she was a pioneer. She had to deal with financial and time constraints in order to design most of the Arc 1600 and 1800. Thanks to her perseverance and growing inventiveness, her integration of architecture into the sites, her innovative and human approach to traffic, and the life she breathes into the resort, especially on the rooftops, she has made it a friendly place, in harmony with the environment. Thus, she designs the interior architecture of more than 4,500 homes, 25,000 beds, for an annual flow of more than one million people. Her wish to combine the art of living in the mountains with housing for the greatest number of people has been largely realised. Text in French.

As early as 1934 Charlotte Perriand began to reflect on the architectural aspects of leisure activities for all, but it was with Les Arcs, her greatest work, that she completed her reflection on the art of living in the mountains. Alongside the developer Roger Godino, Charlotte Perriand displayed all the facets of her immense talent: design, urban planning, but also bioclimatic architecture, of which she was a pioneer. She had to deal with financial and time constraints in order to design most of the Arc 1600 and 1800. Thanks to her perseverance and growing inventiveness, her integration of architecture into the sites, her innovative and human approach to traffic, and the life she breathes into the resort, especially on the rooftops, she has made it a friendly place, in harmony with the environment. Thus, she designs the interior architecture of more than 4,500 homes, 25,000 beds, for an annual flow of more than one million people. Her wish to combine the art of living in the mountains with housing for the greatest number of people has been largely realised.

Charlotte Perriand (1903-99) is undoubtedly one of the most significant figures in 20th-century interior design. She was one of the pioneers in introducing the metal tube as building material for furniture, paving the way for machine age aesthetic in interiors in the 1920s and 1930s. Together with Le Corbusier and Pierre Jeanneret she created a number of iconic classics, such as the chaise-longue LC4, the armchair LC2, or the sling chair LC1. This second part of the new three-volume monograph on Perriand covers the period 1940-55 with her extensive stays in Japan 1942-42 and 1953-55, and with her designs for the reconstruction in France after WW II. It also investigates extensively her collaboration with Jean Prouve 1952-55. Moreover, the new volume looks at her work together with with Jeanneret and again also Le Corbusier during the 1950s, and it documents Perriand's involvement and role in founding the Useful Forms movement in 1949. The book features again an abundance of images and documents, mostly in colour and many of them previously unpublished. Charlotte Perriand: Complete Works is the authoritative source on this key figure of 20th-century interior design for scholars, dealers, and collectors. Each of the three lavishly illustrated volumes is completed by annotations, index, and bibliography.

This stunning book presents Charlotte Perriand's photographic achievement in its entirety, offering new and valuable insights into the work of this important designer. Charlotte Perriand (1903-1999) was one of the most innovative furniture and interior designers of the twentieth century, long renowned for the tubular-steel chairs she created with le Corbusier. Her career spanned nearly seventy-five years and included work in her native France as well as in Africa, South America, Asia, and Europe, and today her designs are highly collectable. Recently, several hundred photographic negatives were uncovered in her archives, revealing for the first time the scope of her work as a photographer. In the late 1920s, French interior and furniture designer Charlotte Perriand was at the cusp of her career, just beginning her work as an architect, designer, town planner, and political militant. Starting in 1927, she turned to photography, which was to play a pivotal role in her development as a designer through the pioneering years of the modern movement. Her photographic venture ended in Japan in 1941, when the hope of a better world was shattered by World War II. For Charlotte Perriand, photography was a machine for thinking, taking notes, and stirring emotions, but it was also an instrument of political engagement. Today, her photographs are a revelation, offering unseen glimpses into her creative process and intellectual development. Her photographs express the important themes and questions explored by modern artists of the day, and are part of the vast stream of avant-garde movements in which painters, architects, and photographers - and sometimes all three combined - worked together in a common spirit.

The concluding fourth volume of this definitive monograph on Charlotte Perriand (1903-1999) covers the last three decades of her long career. At the core is the Les Arcs skiing resort in the French Alps, where Perriand played a key role in the project development. A pioneer of bioclimatic architecture, she oversaw the architectural and urban design of Arc 1600 and Arc 1800 and created the interiors and entire outfitting down to cutlery and china for the more than 4,500 apartments. Les Arcs, an extraordinary undertaking both in sheer size and the extent of Perriand's contribution, marks the culmination of her research on alpine housing in unison with nature. The book also features a number of projects - housing and art spaces - between Paris and Tokyo, in which she aimed once more to push the borders of a specific modern, cultivated way of living. It also offers a comprehensive appraisal of seven decades' work that manifests the creative force and vision of this extraordinary woman, one of the most eminent protagonists of modern architecture and design. Also available: Charlotte Perriand Volume 1, 1903-1940 ISBN 9783858817464 Charlotte Perriand Volume 2, 1940-1955 ISBN 9783858817471 Charlotte Perriand Volume 3, 1956-1968 ISBN 9783858817488

Charlotte Perriand is one of the foremost figures in twentieth-century interior design. Together with her collaborators Pierre Jeanneret and Le Corbusier, she created many pieces of furniture we now consider classics, including the instantly recognisable LC4 chaise. Her pioneering work with metal was particularly instrumental in paving the way for the machine-age aesthetic popular throughout the 1920s and '30s. The third volume in a four-part series, this lavish book covers the years between 1956 and 1968. During this period, Perriand established a relationship with the Galerie Steph Simon, which exhibited and published some of her most iconic work, as well as that of renowned contemporaries Serge Mouille, Georges Jouve, and Jean Prouve. Perriand also completed several high-profile projects throughout the 1960s, most of which have been published here for the first time. These include comprehensive designs for Air France's offices around the world and the renovation of the Palais des Nations, where many of her designs for furniture and the assembly halls she decorated remain in use and relatively unchanged to this day. This new volume also documents her intimate, yet little known, links to Brazil. Covering key moments in Perriand's personal life, as well as the iconic styles she developed, this third volume in the series comes complete with annotations and a bibliography for further research.