A demonstration of the range and depth of Conrad's intellectual power through a discussion of the major novels written in the first decade of this century, including Heart of Darkness, Lord Jim, Nostromo and The Secret Agent.

'This is tragedy naked, godless and unredeemed' Kenneth Tynan An embittered Roman general returns from war, having captured the Queen of the Goths and her three sons. Sacrificing the eldest in memory of his own sons killed in battle, he provokes the queen's unending hatred. And when she gains power by her marriage to the new emperor of Rome, she quickly begins to plot a murderous revenge of barely conceivable cruelty, in Shakespeare's first and most savagely bloody tragedy. Used and Recommended by the National Theatre General Editor Stanley Wells Edited by Sonia Massai Introduction by Jacques Berthoud

'To the white men in the waterside business and to the captain of ships he was just Jim - nothing more. He had, of course, another name, but he was anxious that it should not be pronounced.' Lord Jim tells the story of a young, idealistic Englishman - 'as unflinching as a hero in a book' - who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an Eastern port. His life is blighted: an isolated scandal assumes horrifying proportions. An older man, Marlow, befriends Jim, and helps to establish him in Patusan, a remote Malay settlement. There he achieves a kind of peace, but his courage is put to the test once more. Lord Jim is one of the most profound and rewarding psychological novels in English. Set in the context of social change and colonial expansion in late Victorian England, it embodies in Jim the values and the turmoil of a fading empire. In his introduction and notes to this new edition Jacques Berthoud explores the social and cultural dynamics that inform the novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

One of the greatest political novels in any language, Nostromo reenacts the establishment of modern capitalism in a remote South American province locked between the Andes and the Pacific. In the harbor town of Sulaco, a vivid cast of characters is caught up in a civil war to decide whether its fabulously wealthy silver mine, funded by American money but owned by a third-generation English immigrant, can be preserved from the hands of venal politicians. Greed and corruption seep into the lives of everyone, and Nostromo, the principled foreman of the mine, is tested to the limit.
Conrad's evocation of Latin America--its grand landscapes, the ferocity of its politics, and the tenacity of individuals swept up in imperial ambitions--has never been bettered. This edition features a new introduction with fresh historical and interpretative perspectives, as well as detailed explanatory notes which pay special attention to the literary, political, historical, and geographical allusions and implications of the novel. A map, a chronology of the narrative, a glossary of foreign terms, and an appendix reprinting the serial ending all complement what is sure to be the definitive edition of this classic work.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

'The ship, this ship, our ship, the ship we serve, is the moral symbol of our life' - Joseph Conrad Written at the start of the Great War, when his son Borys was at the Western Front, The Shadow-Line is Conrad's supreme effort to open man's eyes to the meaning of war through the stimulus of art. In many ways an autobiographical narrative, this masterpiece of his final period relates the story of a young and inexperienced sea captain whose first command finds him with a ship becalmed in tropical seas and a crew smitten with fever. As he wrestles with his conscience and with the sense of isolation that his position imposes, the captain crosses the 'shadow-line' between youth and adulthood. It is the qualities - both individual and collective - needed to confront the ship's crisis which symbolize the qualities needed by humanity, not only to face evil and destruction, but to come to terms with life.