The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the 'father' of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of 'Underground' as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Surrealism, Dadaism, Expressionism, and, above all, pop and counterculture. The author discusses these commonalities and distinctions in Czech, Polish, Slovak, Ukrainian, Russian, and German authors, musicians, and filmmakers. She identifies intertextual relations across languages and generations, and situates her findings in a transatlantic context (including the Beat Generation, Susan Sontag, Neil Young) and the historical framework of Romanticism and modernity (including Baudelaire and Brecht). Despite this wide brief, the book never loses sight of its core message: Underground is no arbitrary expression of discontent, but rather the result of a fundamental conflict at the socio-philosophical roots of modernity.

This book explores the history of the Israeli Socialist Organization Matzpen (compass) that splintered off from the Communist Party of Israel in 1962. After the Six Day War of June 1967, Matzpen shook Israeli society, calling for a withdrawal from the recently occupied territories, and placing itself outside the national consensus. Even before the war, the group emphasised the colonial dimension of the conflict between Israeli Jews and Palestinian Arabs, which was irresolvable within the paradigm of the nation-state. Matzpen instead advocated for Israel's de-Zionisation and a socialist revolution in the Middle East in order to both restore the rights of Palestinian Arabs and guarantee the existence of Israeli Jews as a new Hebrew nation. However, in the era after Auschwitz, when the Jewish world stood in almost unanimous solidarity with the Jewish state, Matzpen's radical perspective was at odds with the history and memory of the Holocaust. Against this backdrop, this study places Matzpen's political stance in its historical context and sheds new light on the political culture of Israel.

This book explores the history of the Israeli Socialist Organization - Matzpen (compass) - that splintered off from the Communist Party of Israel in 1962. After the Six Day War of June 1967, Matzpen shook Israeli society, calling for a withdrawal from the recently occupied territories, and placing itself outside the national consensus. Even before the war, the group emphasised the colonial dimension of the conflict between Israeli Jews and Palestinian Arabs, which was irresolvable within the paradigm of the nation-state. Matzpen instead advocated for Israel's de-Zionisation and a socialist revolution in the Middle East in order to both restore the rights of Palestinian Arabs and guarantee the existence of Israeli Jews as a new Hebrew nation. However, in the era after Auschwitz, when the Jewish world stood in almost unanimous solidarity with the Jewish state, Matzpen's radical perspective was at odds with the history and memory of the Holocaust. Against this backdrop, this study places Matzpen's political stance in its historical context and sheds new light on the political culture of Israel.

Born in 1973, Ron Winkler is one of the leading poets of his generation in Germany. "In his poetry he demonstrates in a sometimes hilarious, sometimes unsettling way how an ever greater part of what in the previous century we used to call 'reality' for the sake of convenience, has been expanded and shrunk to a virtual universe in which the tactile and audible are constantly zapped, sampled, filtered and twittered. The consequence is that "on a word level, our thought collapses into fragmented, labyrinthine and ridiculously large-scale concepts". -Ard Posthuma