In "Torn Body, One Soul," four Palestinian writers-sons and daughters of a Palestinian people torn apart-tell their own tales of their predicament, estrangement, and marginalization, their expectations and visions in a new, magnified voice, first to their people, then to their nation, and to a wider English-speaking public.

The seventh book in a series of volumes on Palestinian authors, this collection of short stories, translated and edited by Jamal Assadi, contains works of writers hailing from different regions in Palestine and abroad. Through their stories, authors Gharib Asqalani, Huzama Habayeb, Akram Haniyya, and Mahmoud Shukair depict a faithful picture of the various aspects of life in both Palestine and the Diaspora. Their narratives defy taboos, battle oppression, break open locked gates, and speak their truth.

Ranging from grave to light and humorous to sensual and remarkable, the stories in Torn Body, One Soul come from a diverse core of perspective, gender, and geographic location but provide insight into and a fragrance of a different civilization.

This selection of Ibrahim Malik's short stories and poetry brings together an illustrative compendium of his works, which propose a genuine portrait of the numerous predicaments, concerns, apprehensions, and coercions from which the Arab community inside Israel suffers. To a great extent, these difficulties are currently the lot of many ethnic groups and communities in the Middle East and many other parts of the world. General readers of this work will take pleasure in exploring a different culture, while specialists interested in Arabic literature will find new and bountiful grounds for academic study.

The Story of a People is the sixth in a series of volumes on Palestinian writers who compel into unity the contradictions of being Israeli citizens as well as sons and daughters of the Palestinian people. This volume contains the works of forty poets, and offers a variety of themes, styles, contexts, imagery, tones, and language. The poets, arranged alphabetically, depict a faithful picture of the various aspects of Arab life among what is called, paradoxically, Israeli-Palestinian societies. They present new arenas where opposing factors harmoniously join to struggle for dignity, freedom, and justice. Readers of this volume will encounter serious poems strewn with light and humorous themes and poems of sensual and spiritual love interwoven with poems of the unusual and political. These Israeli- Palestinian poets' distinctive flavor emerges from their ability to challenge norms, fight oppression, and burst open closed doors to tell their own stories - the stories of their plight, alienation, marginalization, and hopes and dreams - in a new magnified voice, first to their community, then to their people and nation, then to their country, and now to the wider English-speaking public.

With the rise of the various intellectual streams in the Western world in the second half of the twentieth century, modern Arab poets recognized the need to promote the Arabic poem. They knew that the road of self exploration and promotion begins in the ancestral legacy. The Road to Self-Revival explores the tendency of modern Arabic poetry to summon Sufi figures, thinking, philosophy, terms, attitudes and practices. Specifically, this volume focuses on the poetry of four Arab modernists: Abdul Wahab al-Bayyati (1926-1999), Ali Ahmad Said known as Adonis (1930-), Salah Abdu-s-Sabur (1931-1981) and Mahmud Darwish (1941-2008). The book traces a number of Sufi figures in the poetry of these poets: Bishr ibnul-Harith Al-Hafi (767-840), Al-Husain Ben Mansur Al-Hallaj (858-922), Farid ed-Din Al-'Attar (1145/46-1221), Muhyi ed-Din bnul-'Arabi (1165-1240) and Jalal ad-Din Mohammad Rumi (1207-1273).

Mustafa Murrar's stories span more than a fifty-year period. Jamal Assadi has translated a selection of these stories to introduce this Palestinian writer to a wider public through the English language. This volume includes serious stories with light and humorous scenes, love stories intermingled with tales of the unusual, and political stories interwoven with love scenes. This book enables Murrar to tell his own stories and the stories of his people - stories of alienation and marginalization but also of hopes and dreams - in a new magnified voice. All readers will savor the aroma of a different culture, while scholars of Arabic literature will be given the chance to tread new fields for academic assessment and critique.

This book discusses works by F. Scott Fitzgerald and Saul Bellow in terms of the conflicts between rhetorical people (actors replete with ever-changing roles, situations, and strategies, and therefore devoid of single roles) and serious people (actors who possess master situations or a referent reality to which they believe everyone can refer), players and doers, artifices and realities, words and the world, and multi-vocal and univocal interpretations. This book claims that Fitzgerald's and Bellow's treatment of the concepts of actors and acting in their novels provides insights into the dynamic potential of the trope as presented by recent critics and reveals how some literary theories need refinement and modification.

This volume seeks to document the development of the Palestinian short story between 1944 and 1967. This particularly significant phase that carried the seeds, from which the short story grew, was greatly influenced by the last years of the British mandate over Palestine in 1944, the establishment of the state of Israel in 1948, and the subsequent changes that impacted Palestinian society in this country until the Arabs' defeat in the Six Day War, 1967. Within the fold of this volume, the reader will find two parts: the first is a general account of the development of the genre of short fiction and the different approaches that characterized it along with a discussion of the language and an examination of the content. The second is an anthology of twenty-five stories published between 1944 and 1967 by Al-Ittihad, an Israeli Arabic-language daily newspaper.

In "Torn Body, One Soul," four Palestinian writers-sons and daughters of a Palestinian people torn apart-tell their own tales of their predicament, estrangement, and marginalization, their expectations and visions in a new, magnified voice, first to their people, then to their nation, and to a wider English-speaking public.

The seventh book in a series of volumes on Palestinian authors, this collection of short stories, translated and edited by Jamal Assadi, contains works of writers hailing from different regions in Palestine and abroad. Through their stories, authors Gharib Asqalani, Huzama Habayeb, Akram Haniyya, and Mahmoud Shukair depict a faithful picture of the various aspects of life in both Palestine and the Diaspora. Their narratives defy taboos, battle oppression, break open locked gates, and speak their truth.

Ranging from grave to light and humorous to sensual and remarkable, the stories in Torn Body, One Soul come from a diverse core of perspective, gender, and geographic location but provide insight into and a fragrance of a different civilization.