Home? Why must there be a place called Home? Why is there, somewhere in each human soul, a void that can be filled only by remembrance of that special place? In "Broadmoor," four aging brothers, seeking answers and guided by memory, take you with them on a journey back to their childhood, back to poverty and hard times, to betrayal and desertion, and to years of back-breaking labor and struggle to survive. As you follow, you will meet a loving but imperfect family, faithful friends, a few men and women of great honor, and a mother whose character and strength and devotion surpasses all. You will laugh and sometimes cry and, in the end, you will find, as the brothers did, that home is where memory begins and ends; the place where, when all is done, a heart can find sanctuary and certitude and safety and peace. And you will find that, for these brothers, home is a place called "Broadmoor."

Why do so many of us enjoy being told frightening stories? What are some of the consequences that result from such exposure? In light of the considerable popularity of horror films over the last three decades, these questions have become the focus of growing attention for many scholars. However, research on audience preferences for, and reactions to, horror films has been performed eclectically by investigators from varied theoretical and methodological backgrounds. As a result, the information has not been effectively integrated. This volume was written to address this problem and to position the study of audience responses to frightening fiction as a significant research topic.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Character Of The National Government Of The So-called Free America Of 1890: America's Moneyed Aristocracy The Recognized Government Of The United States, And The Legalized Masters Of Over Fifty Millions Of White Slaves ... James B. Weaver United States

Home? Why must there be a place called Home? Why is there, somewhere in each human soul, a void that can be filled only by remembrance of that special place? In "Broadmoor," four aging brothers, seeking answers and guided by memory, take you with them on a journey back to their childhood, back to poverty and hard times, to betrayal and desertion, and to years of back-breaking labor and struggle to survive. As you follow, you will meet a loving but imperfect family, faithful friends, a few men and women of great honor, and a mother whose character and strength and devotion surpasses all. You will laugh and sometimes cry and, in the end, you will find, as the brothers did, that home is where memory begins and ends; the place where, when all is done, a heart can find sanctuary and certitude and safety and peace. And you will find that, for these brothers, home is a place called "Broadmoor."

Why do so many of us enjoy being told frightening stories? What are some of the consequences that result from such exposure? In light of the considerable popularity of horror films over the last three decades, these questions have become the focus of growing attention for many scholars. However, research on audience preferences for, and reactions to, horror films has been performed eclectically by investigators from varied theoretical and methodological backgrounds. As a result, the information has not been effectively integrated. This volume was written to address this problem and to position the study of audience responses to frightening fiction as a significant research topic.