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In this book, the work of legendary singer-songwriter Joni Mitchell
is explored, emphasizing the way text and music work together to
create an artistic statement in her recorded songs. Few
singer-songwriters have been as influential as Joni Mitchell. Her
song "Both Sides, Now" has been recorded over 640 times, while Bill
and Hillary Clinton credit her "Chelsea Morning" as the inspiration
for their daughter's name. The Words and Music of Joni Mitchell
surveys the entire output of this legendary artist, from her 1968
debut album Song to a SeagulI to her 2007 album Shine. After a
brief overview of Mitchell's career and a chapter that explains
some of the important technical features of the guitar styles upon
which she draws, the book offers an in-depth discussion of every
song Mitchell wrote and recorded. Proceeding chronologically
through Mitchell's albums, author James Bennighof clarifies the
musical content of the songs and the personality behind the music.
Each brief essay describes how important musical features—such as
instrumentation, idiosyncratic guitar tunings, harmonic structure,
form, and elements of melody and rhythm—interact with the text of
the song to create the unforgettable artistic statements for which
Mitchell is celebrated.
Paul Simon is commonly acknowledged to be one of the most
successful singer-songwriters of the pop-rock era. His work has
flourished in the context of Simon and Garfunkel as well as in his
own solo career. Starting with the folk-rock style that marked his
earliest significant success, he has drawn on a wide variety of
influences, including many American traditions and, later, many
international ones as well. He has won multiple Grammy awards in
both the duo and the solo phases of his career. His songwriting has
also provided the impetus for brief forays into film and musical
theatre. After providing a brief biographical overview, this work
examines Simon's songwriting work in depth, providing a critical
discussion of each song as a fusion of text and music so as to help
the reader to identify elements that enhance appreciation. A
particularly valuable contribution in this context is the
discussion of the wide variety of musical elements that contribute
significantly to the value of Simon's work. These include such
easily-understandable issues as verse-chorus structure, melodic
variation, selection of particular instruments and even performers,
variation of musical style within a song, general harmonic
characteristics, relationships among keys, rhythm and pacing of
text, etc. While the book proceeds chronologically through Simon's
recorded output, specific threads are developed throughout, and the
discussion of individual songs takes place in the context of these
threads, both drawing on them and developing them further. The
diversity of Paul Simon's work reflects his very American
background, and no discussion of American music is complete without
accounting for his influence.
for SATB unaccompanied This is a powerful setting of one of the
greatest American blues melodies. The tension in the piece climaxes
in two cumulative waves. A devastatingly effective concert piece in
the hands of accomplished adult groups, it is also technically
accessible to school choirs.
The music rocks gently in this work for SA and piano or guitar,
with optional flute
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