Language is integral to our social being. But what is the status of those who stand outside of language? The mentally disabled, "wild" children, people with autism and other neurological disorders, as well as animals, infants, angels, and artificial intelligences, have all engaged with language from a position at its borders. In the intricate verbal constructions of modern literature, the 'disarticulate'--those at the edges of language--have, paradoxically, played essential, defining roles. Drawing on the disarticulate figures in modern fictional works such as Billy Budd, The Sound and the Fury, Nightwood, White Noise, and The Echo Maker, among others, James Berger shows in this intellectually bracing study how these characters mark sites at which aesthetic, philosophical, ethical, political, medical, and scientific discourses converge. It is also the place of the greatest ethical tension, as society confronts the needs and desires of "the least of its brothers." Berger argues that the disarticulate is that which is unaccountable in the discourses of modernity and thus stands as an alternative to the prevailing social order. Using literary history and theory, as well as disability and trauma theory, he examines how these disarticulate figures reveal modernity's anxieties in terms of how it constructs its others.

THE 100th YEAR ANNIVERSARY EDITION
The Story of My Life, a remarkable account of overcoming the debilitating challenges of being both deaf and blind, has become an international classic, making Helen Keller one of the most well-known, inspirational figures in history. Originally published in 1903, Keller's fascinating memoir narrates the events of her life up to her third year at Radcliffe College.
Helen Keller's story of struggle and achievement is one of unquenchable hope. From tales of her difficult early days, to details of her relationship with her beloved teacher Anne Sullivan, to her impressions of academic life, Keller's honest, straightforward writing lends insight into an amazing mind. Like the original, this centenary edition of "T"he Story of My Life includes letters Keller wrote to friends throughout her childhood and adolescence that chronicle her intellectual and sensory progression, as well as assistant John Macy's commentary on her interpretations of her surroundings.
In addition to reprinting Keller's long-lost original work, this edition contains excerpts from her little-known, deeply personal memoir "The World We Live In," which give readers a detailed look into an otherwise unimaginable existence, as well as an excerpt from Out of the Dark, a political commentary Keller wrote during her years as a socialist.
Deftly edited and prefaced by scholar James Berger, this comprehensive anniversary edition celebrates a century of readers' enthrallment with one of the most powerful figures in history.

Language is integral to our social being. But what is the status of those who stand outside of language? The mentally disabled, "wild" children, people with autism and other neurological disorders, as well as animals, infants, angels, and artificial intelligences, have all engaged with language from a position at its borders. In the intricate verbal constructions of modern literature, the 'disarticulate'-those at the edges of language-have, paradoxically, played essential, defining roles. Drawing on the disarticulate figures in modern fictional works such as Billy Budd, The Sound and the Fury, Nightwood, White Noise, and The Echo Maker, among others, James Berger shows in this intellectually bracing study how these characters mark sites at which aesthetic, philosophical, ethical, political, medical, and scientific discourses converge. It is also the place of the greatest ethical tension, as society confronts the needs and desires of "the least of its brothers." Berger argues that the disarticulate is that which is unaccountable in the discourses of modernity and thus stands as an alternative to the prevailing social order. Using literary history and theory, as well as disability and trauma theory, he examines how these disarticulate figures reveal modernity's anxieties in terms of how it constructs its others.