Only One of Me is a stunning collection of the best-loved children's poems from award-winning poet James Berry, filled with warm and colourful memories of a Caribbean childhood, and featuring a new introduction by much-loved children's poet, John Agard. This new edition of James' definitive collection showcases the very best work from a poet who was instrumental in the British Caribbean poetry movement and who's words are just as relevant now as they were twenty years ago.

The cities of the Pacific Rim are in one of the most dynamic spheres of the global economy. In the twenty first century the focus of global affairs is destined to shift from the West to the East. These cities offer a wide range of different responses to the demands that rapid growth puts on planning and infrastructure : from the laxity that has lead to the urban sprawl of Bangkok to the regulation that is characteristic of Singapore. This book considers the interactive relationships between the operation of the planning system and the role and performance of property development and real estate markets in 14 Pacific Rim cities drawn from both the Eastern and Western perspective. The dynamic underlying these relationships considers the interplay between administrative structures, legislative controls and policy issues examining the role of actors and agencies in the property development and investment process.

The cities of the Pacific Rim are in one of the most dynamic spheres of the global economy. In the twenty first century the focus of global affairs is destined to shift from the West to the East. These cities offer a wide range of different responses to the demands that rapid growth puts on planning and infrastructure : from the laxity that has lead to the urban sprawl of Bangkok to the regulation that is characteristic of Singapore.
This book considers the interactive relationships between the operation of the planning system and the role and performance of property development and real estate markets in 14 Pacific Rim cities drawn from both the Eastern and Western perspective. The dynamic underlying these relationships considers the interplay between administrative structures, legislative controls and policy issues examining the role of actors and agencies in the property development and investment process.

eBook available with sample pages: 0203478215

Some people have dresses for every occasion but Afiya needs only one. Her dress records the memories of her childhood, from roses in bloom to pigeons in flight, from tigers at the zoo to October leaves falling. A joyful celebration of a young girl's childhood, written by the late Coretta Scott King Book Award-winning Jamaican poet James Berry.

"A Story I Am In" is not just James Berry's life in poetry but a book of all the lives he has witnessed or been part of - a story of life itself. He came to Britain in 1948, in the first postwar wave of Jamaican emigration, later becoming one of the first black writers in Britain to achieve wider recognition. Poetry mattered to Berry from an early age, exposed to two main languages: the standard English of Bible and prayerbook heard every Sunday at church, with all its rhythms and sounding patterns; and the tunes of everyday Jamaican language, with its sayings and proverbs, its special dialect words with their African connections, its expression of a roots culture. These experiences gave him that strong and particular Caribbean awareness of language which has nourished his poetry over many years. This major retrospective of his work covers five collections published over four decades, plus a selection from four books of poetry for children. Much of his poetry celebrates the divided world of a lifelong outsider. Growing up in Jamaica, Berry felt as much disturbed by his African background as by the European slave-trade and its aftermath. His poetry shows how 'root agonies' made him view Africa as a thoughtless and neglectful mother, how his years in Britain - most of his adult life - left him worried by past, present and future. Now in his mid-80s, he has sought in his later work to give voice to all the people who came on the first ships from the Caribbean, whose journeys held strange echoes of earlier sea voyages from Africa to the slave plantations.

These poems gives voice to the people who came on the first ships from the Caribbean, whose journeys held strange echoes of earlier sea voyages which had brought ancestors from Africa to the slave plantations. James Berry - from Jamaica - was one of these emigrants, settling in Britain in 1948. His new book explores the different reasons his fellow travellers had for leaving the Caribbean when they rushed to get on the boat. This publication is linked with events marking the 200th anniversary of the abolition of slavery.

A man falls in love, and decides to immortalize his romance in poetry. It's a conceit as old as poetry and storytelling itself, but in Gorgeous Robert James Berry approaches this seemingly dusty form with extraordinary freshness. Each poem in this collection offers a startling burst of color, which delights in the senses and gives immediacy to each scene in this love affair. From the fruit markets of Southeast Asia to the disheveled hills of the British Isles, Berry takes readers through the ups and downs of a relationship over the course of decades, as it experiences lulls and storms, titanic upheavals punctuated by lacunae of charmed happiness. Alongside the poems are a series of images created specially for this book by C. Sabarsky, who applies the luminous colors of the poems to a series of contemplative photographs. Sensitive and direct, Gorgeous is a lyrical compendium of pain and pleasure, the joy and grief of love.

In 1807, at the height of the slave trade, Ajeemah and his son, Atu, are snatched by slave traders from their home in Africa while en route to deliver a dowry to Atu's bride-to-be. Ajeemah and Atu are then taken to Jamaica and sold to neighboring plantations'never to see one another again. "Readers will come away with a new sense of respect for those who maintained their dignity and humanity under the cruelest of circumstances."'SLJ. "Each moment here of the Jamaican-born poet's terse, melodious narrative is laden with emotion. . . . Brilliant, complex, powerfully written."––K.

Notable Children's Book of 1993 (ALA)
1993 Best Books for Young Adults (ALA)
1993 Fanfare Honor List (The Horn Book)
1992 Books for Youth Editors' Choices (BL)
Notable 1992 Children's Trade Books in Social Studies (NCSS/CBC)
Bulletin Blue Ribbons 1992 (C)

1993 Books for the Teen Age (NY Public Library)
Children's Books of 1992 (Library of Congress)
1993 Boston Globe-Horn Book Fiction Award

This is dub poetry: bold and musical, funny and furious. This collection brings together the work of nine inventive and brilliant poets who defined and drove the dub poetry genre. From the Caribbean, Canada and the UK, the poetry in this collection spans forty years, as dub became a powerful cultural and creative force. With roots in the reggae culture of 1970s Kingston, dub poetry uses the vivid expressions of everyday spoken language to describe and challenge the experience of life on the margins. Early dub poetry took on police violence, slums and poverty. Later, as Caribbean migrants arrived in countries like Britain and Canada, dub poets faced new issues: racism, discrimination and hostility. Over four difficult decades, dub gave marginalised people a voice for their anger, defiance and creativity. It was the soundtrack to post-Windrush culture. Serious and humorous, alive and urgent, here is the very best of dub poetry. The poets included in this collection are: Oku Onuora, Mikey Smith, Mutabaruka, Jean 'Binta' Breeze, James Berry, Benjamin Zephaniah, Ahdri Zhina Mandiela, Lillian Allen and Afua Cooper.