Born into the theatre, though originally intended for Catholic holy orders, John Philip Kemble (1757 1823) made as great a name for himself on the English stage as his gifted older sister, Sarah Siddons. Known for his mastery of tragic Shakespearian roles, among which Coriolanus was deemed his finest, Kemble also distinguished himself as acting manager at Drury Lane under Sheridan. Described by Sir Walter Scott as 'grave, critical, full and laudably accurate', this extensive two-volume biography was the work of James Boaden (1762 1839), an author well acquainted with the foremost theatrical personalities of his day. Boaden's biographies of Sarah Siddons, Elizabeth Inchbald and Dorothy Jordan have also been reissued in this series, along with his edition of David Garrick's correspondence. Volume 1 of the present work covers Kemble's career through to his first season in charge at Drury Lane in 1788 9. Volume 2 closes with the text of Kemble's will.

Born into the theatre, though originally intended for Catholic holy orders, John Philip Kemble (1757-1823) made as great a name for himself on the English stage as his gifted older sister, Sarah Siddons. Known for his mastery of tragic Shakespearian roles, among which Coriolanus was deemed his finest, Kemble also distinguished himself as acting manager at Drury Lane under Sheridan. Described by Sir Walter Scott as 'grave, critical, full and laudably accurate', this extensive two-volume biography was the work of James Boaden (1762-1839), an author well acquainted with the foremost theatrical personalities of his day. Boaden's biographies of Sarah Siddons, Elizabeth Inchbald and Dorothy Jordan have also been reissued in this series, along with his edition of David Garrick's correspondence. Volume 1 of the present work covers Kemble's career through to his first season in charge at Drury Lane in 1788-9.

Born into the theatre, though originally intended for Catholic holy orders, John Philip Kemble (1757-1823) made as great a name for himself on the English stage as his gifted older sister, Sarah Siddons. Known for his mastery of tragic Shakespearian roles, among which Coriolanus was deemed his finest, Kemble also distinguished himself as acting manager at Drury Lane under Sheridan. Described by Sir Walter Scott as 'grave, critical, full and laudably accurate', this extensive two-volume biography was the work of James Boaden (1762-1839), an author well acquainted with the foremost theatrical personalities of his day. Boaden's biographies of Sarah Siddons, Elizabeth Inchbald and Dorothy Jordan have also been reissued in this series, along with his edition of David Garrick's correspondence. Volume 2 of the present work opens with the season of 1789-90 at Drury Lane and closes with the text of Kemble's will.

Although she overcame a stammer to fulfil her acting ambitions, Elizabeth Simpson (1753-1821), known as Mrs Inchbald after her marriage in 1772, was more acclaimed for her good looks than her performances. Her husband was an actor, and she formed strong friendships with Sarah Siddons and John Philip Kemble, but her greatest impact was as a playwright, novelist, editor and critic. Despite her decision to destroy a four-volume autobiography, her extensive surviving journals and letters allowed James Boaden (1762-1839) to publish this two-volume work in 1833. Having produced biographies of Siddons, Kemble and Dorothy Jordan (which are also reissued in this series), Boaden presents here an informed account of this remarkable woman's personal, theatrical and literary life. Volume 1 covers the period from her birth to 1796 and includes as an appendix The Massacre (1792), a suppressed historical drama about the persecution of Huguenots in 1572.

Although she overcame a stammer to fulfil her acting ambitions, Elizabeth Simpson (1753-1821), known as Mrs Inchbald after her marriage in 1772, was more acclaimed for her good looks than her performances. Her husband was an actor, and she formed strong friendships with Sarah Siddons and John Philip Kemble, but her greatest impact was as a playwright, novelist, editor and critic. Despite her decision to destroy a four-volume autobiography, her extensive surviving journals and letters allowed James Boaden (1762-1839) to publish this two-volume work in 1833. Having produced biographies of Siddons, Kemble and Dorothy Jordan (which are also reissued in this series), Boaden presents here an informed account of this remarkable woman's personal, theatrical and literary life. Volume 2 covers the period from 1796 until her death. It includes as an appendix A Case of Conscience (1800), a play that had not been previously performed or published.

David Garrick (1717-79) is synonymous with the golden age of English theatre. Widely acclaimed as an actor, he went on to become a shrewd theatre manager at Drury Lane. His years in charge of the Theatre Royal ensured its dramatic ascendancy and burnished his own considerable celebrity. These letters, first published in 1831, reveal Garrick's gregarious nature and shed light on his many friendships with leading ladies, fellow actors, contemporary playwrights, and members of high society. His love of Shakespeare's work is also evident, highlighting Garrick's pivotal role in ensuring the plays became established in the national consciousness. This two-volume collection was edited by James Boaden (1762-1839), who published several theatrical biographies (also reissued in this series). Containing correspondence for the period 1736-74, Volume 1 also includes a biographical account that traces the progress of Garrick's theatrical career.

David Garrick (1717-79) is synonymous with the golden age of English theatre. Widely acclaimed as an actor, he went on to become a shrewd theatre manager at Drury Lane. His years in charge of the Theatre Royal ensured its dramatic ascendancy and burnished his own considerable celebrity. These letters, first published in 1831, reveal Garrick's gregarious nature and shed light on his many friendships with leading ladies, fellow actors, contemporary playwrights, and members of high society. His love of Shakespeare's work is also evident, highlighting Garrick's pivotal role in ensuring the plays became established in the national consciousness. This two-volume collection was edited by James Boaden (1762-1839), who published several theatrical biographies (also reissued in this series). Volume 2 contains letters from the final years of Garrick's life, notably his correspondence in French with influential figures in Parisian theatre.

From his funerary monument in Stratford-upon-Avon to the engraving by Droeshout in the First Folio, the depictions of William Shakespeare (1564-1616) have long been the subject of scrutiny. Equally, the mystery surrounding the identity of 'W. H.', the dedicatee of Shakespeare's sonnets, continues to capture the imagination. This volume brings together three works that were originally published separately: two pieces on the portraits and one on the sonnets. A playwright turned theatrical biographer, James Boaden (1762-1839) cultivated a lifelong interest in Shakespeare. His illustrated 1824 analysis of the portraits examines the evidence concerning their authenticity. This is followed by an 1827 investigation by the portrait painter Abraham Wivell (1786-1849), who engages critically with Boaden's findings and those of others. Finally, Boaden's 1837 essay on the sonnets presents the case for naming William Herbert, Earl of Pembroke, as their dedicatee - a claim taken up by many later scholars.

Published in 1827, this two-volume work by the playwright and biographer James Boaden (1762-1839) is a sprightly portrayal of the acclaimed actress Sarah Siddons (1755-1831). Closely collaborating with his subject, Boaden (whose memoir of Dorothy Jordan is also reissued in this series) was able to establish himself as an authoritative biographer, preferred over others for his intellect and wealth of anecdotes from a lifetime spent within the theatrical world. Arguably the greatest tragic actress of her age, Siddons broke new ground in the reactions she provoked in audiences and in the social legitimisation of the English stage. Containing vivid descriptions of performances, this work details the acting style of Siddons and the inner workings of the theatrical community. Volume 1 discusses the idea of biographies of notable women, the history of the theatre and the life and career of Siddons up to her triumphant return to Drury Lane in 1782.

Published in 1827, this two-volume work by the playwright and biographer James Boaden (1762-1839) is a sprightly portrayal of the acclaimed actress Sarah Siddons (1755-1831). Closely collaborating with his subject, Boaden (whose memoir of Dorothy Jordan is also reissued in this series) was able to establish himself as an authoritative biographer, preferred over others for his intellect and wealth of anecdotes from a lifetime spent within the theatrical world. Arguably the greatest tragic actress of her age, Siddons broke new ground in the reactions she provoked in audiences and in the social legitimisation of the English stage. Containing vivid descriptions of performances, this work details the acting style of Siddons and the inner workings of the theatrical community. Volume 2 covers Siddons' most illustrious period, when she established herself as a cultural icon, from royal patronage in the mid-1780s and her celebrated Lady Macbeth, to her retirement in 1812 and occasional subsequent appearances.

The actress Dorothy Jordan (1761 1816), contemporary of Sarah Siddons, was born in London, one of nine children. Her reputation as the greatest comic actress of her time was secured upon joining Sheridan's company at Drury Lane in 1785. Remembered particularly for cross-dressing roles such as Rosalind in As You Like It and Viola in Twelfth Night, she brought great charm and spontaneity to her interpretations. Her life off-stage was equally colourful, and she was for over twenty years the lover of William, Duke of Clarence, with whom she had ten children. This two-volume biography, first published in 1831, was written by her friend James Boaden (1762 1839), a playwright who later turned to theatrical biography. In it, he relates the extraordinary and poignant story of her life from acclaim to obscurity. Volume 1 covers events up to 1798, including her establishment at Drury Lane and her liaison with Clarence.

The actress Dorothy Jordan (1761 1816), contemporary of Sarah Siddons, was born in London, one of nine children. Her reputation as the greatest comic actress of her time was secured upon joining Sheridan's company at Drury Lane in 1785. Remembered particularly for cross-dressing roles such as Rosalind in As You Like It and Viola in Twelfth Night, she brought great charm and spontaneity to her interpretations. Her life off-stage was equally colourful, and she was for over twenty years the lover of William, Duke of Clarence, with whom she had ten children. This two-volume biography, first published in 1831, was written by her friend James Boaden (1762 1839), a playwright who later turned to theatrical biography. In it, he relates the extraordinary and poignant story of her life from acclaim to obscurity. Volume 2 covers her many provincial tours, her enforced separation from Clarence, retirement and self-imposed exile in France.