Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

St. Augustine's Confessions is heralded as a classic of Western culture. Yet when James Boyd White first tried to read it in translation, it seemed utterly dull. Its ideas struck him as platitudinous and its prose felt drab. It was only when he started to read the text in Latin that he began to see the originality and depth of Augustine's work. In Let in the Light, White invites readers to join him in a close and engaged encounter with the Confessions in which they will come to share his experience of the book's power and profundity by reading at least some of it in Augustine's own language. He offers an accessible guide to reading the text in Latin, line by line-even for those who have never studied the language. Equally attuned to the resonances of individual words and the deeper currents of Augustine's culture, Let in the Light considers how the form and nuances of the Latin text allow greater insight into the work and its author. White shows how to read Augustine's prose with care and imagination, rewarding sustained attention and broader reflection. Let in the Light brings new life to a classic work, guiding readers to experience the immediacy, urgency, and vitality of Augustine's Confessions.

This elegant monograph presents the story of the designer s boutique firm, James Boyd Niven Design. With five chapters divided by theme and geographical location (Urban/Buenos Aires, Rural/Campo, Austral/Patagonia, Hospitality/Montevideo, and Beach Horseback riding/Jose Ignacio, Uruguay), the book features multiple homes illustrating each style through a coherent and amicable aesthetic. The aromas and flavours of these regions are compounded in this book to illustrate the varied South American lifestyles and cultures. A section highlights table settings designed to complement the projects and to tell a story through the five senses. Classic and timeless photographs showcase standout properties, including Boyd Niven s own 12-room house in the Palermo Hollywood area of Buenos Aires, the farmhouses he has completed in Argentina and Uruguay, and the 100-room luxury hotel he recently designed in Montevideo. Boyd Niven s projects embody a chic, contemporary sensibility through the creative reuse of traditional design elements. Lastly, to complement the interiors illustrated throughout the book and position them within a historical and cultural framework, the projects are interwoven with artistic vistas of well-known city blocks, buildings, and landscapes.

Certain questions are basic to the human condition: how we imagine the world, and ourselves and others within it; how we confront the constraints of language and the limits of our own minds; and how we use imagination to give meaning to past experiences and to shape future ones. These are the questions James Boyd White addresses in "The Edge of Meaning", exploring each through its application to great works of Western culture - "Huckleberry Finn", the "Odyssey", and the paintings of Vermeer among them. In doing so, White creates a deeply moving and insightful book and presents an inspiring conception of mind, language and the essence of living.

St. Augustine's Confessions is heralded as a classic of Western culture. Yet when James Boyd White first tried to read it in translation, it seemed utterly dull. Its ideas struck him as platitudinous and its prose felt drab. It was only when he started to read the text in Latin that he began to see the originality and depth of Augustine's work. In Let in the Light, White invites readers to join him in a close and engaged encounter with the Confessions in which they will come to share his experience of the book's power and profundity by reading at least some of it in Augustine's own language. He offers an accessible guide to reading the text in Latin, line by line-even for those who have never studied the language. Equally attuned to the resonances of individual words and the deeper currents of Augustine's culture, Let in the Light considers how the form and nuances of the Latin text allow greater insight into the work and its author. White shows how to read Augustine's prose with care and imagination, rewarding sustained attention and broader reflection. Let in the Light brings new life to a classic work, guiding readers to experience the immediacy, urgency, and vitality of Augustine's Confessions.

To which institutions or social practices should we grant authority? When should we instead assert our own sense of what is right or good or necessary?
In this book, James Boyd White shows how texts by some of our most important thinkers and writers--including Plato, Shakespeare, Dickinson, Mandela, and Lincoln--answer these questions, not in the abstract, but in the way they wrestle with the claims of the world and self in particular historical and cultural contexts. As they define afresh the institutions or practices for which they claim (or resist) authority, they create authorities of their own, in the very modes of thought and expression they employ. They imagine their world anew and transform the languages that give it meaning.
In so doing, White maintains, these works teach us about how to read and judge claims of authority made by others upon us; how to decide to which institutions and practices we should grant authority; and how to create authorities of our own through our thoughts and arguments. Elegant and accessible, this book will appeal to anyone wanting to better understand one of the primary processes of our social and political lives.

White extends his theory of law as constitutive rhetoric, asking how one may criticize the legal culture and the texts within it.
"A fascinating study of the language of the law. . . . This book is to be highly recommended: certainly, for those who find the time to read it, it will broaden the mind, and give lawyers a new insight into their role."--"New Law Journal"

Language is our key to imagining the world, others, and ourselves. Yet sometimes our ways of talking dehumanize others and trivialize human experience. In war other people are imagined as enemies to be killed. The language of race objectifies those it touches, and propaganda disables democracy. Advertising reduces us to consumers, and cliches destroy the life of the imagination.

How are we to assert our humanity and that of others against the forces in the culture and in our own minds that would deny it? What kind of speech should the First Amendment protect? How should judges and justices themselves speak? These questions animate James Boyd White's "Living Speech," a profound examination of the ethics of human expression--in the law and in the rest of life.

Drawing on examples from an unusual range of sources--judicial opinions, children's essays, literature, politics, and the speech-out-of-silence of Quaker worship--White offers a fascinating analysis of the force of our languages. Reminding us that every moment of speech is an occasion for gaining control of what we say and who we are, he shows us that we must practice the art of resisting the forces of inhumanity built into our habits of speech and thought if we are to become more capable of love and justice--in both law and life."

White extends his conception of United States law as a constitutive rhetoric shaping American legal culture that he proposed in When Words Lose Their Meaning, and asks how Americans can and should criticize this culture and the texts it creates. In determining if a judicial opinion is good or bad, he explores the possibility of cultural criticism, the nature of conceptual language, the character of economic and legal discourse, and the appropriate expectations for critical and analytic writing. White employs his unique approach by analyzing individual cases involving the Fourth Amendment of the United States constitution and demonstrates how a judge translates the facts and the legal tradition, creating a text that constructs a political and ethical community with its readers.