Poems by 60 poets involved in The Practice of Poetry course( students, tutors and visiting poets)at the University of Warwick from 2000 to 2010; poems arranged alphabetically, with an introduction by David Morley. Poems by Peter Belgvad, Zoe Brigley, James Brookes, Phil Brown, Peter Carpenter, Swithun Cooper, Jane Holland, Luke Kennard, Anna Lea, Michael McKimm,Glyn Maxwell, David Morley, Jon Morley, Ruth Padel, Fiona Sampson, George Szirtes, George Ttoouli, Simon Turner and others.

The 1990s was the decade in which the Soviet Union collapsed and Francis Fukuyama declared the 'end of history'. Nelson Mandela was released from prison, Google was launched and scientists in Edinburgh cloned a sheep from a single cell. It was also a time in which the president of the United States discussed fellatio on network television and the world's most photographed woman died in a car crash in Paris. Radical pop band The KLF burned a million quid on a Scottish island, while the most-watched programme on TV was Baywatch. Anti-globalisation protestors in France attacked McDonald's restaurants and American survivalists stockpiled guns and tinned food in preparation for Y2K. For those who lived through it, the 1990s glow in the memory with a mixture of proximity and distance, familiarity and strangeness. It is the decade about which we know so much yet understand too little. Taking a kaleidoscopic view of the politics, social history, arts and popular culture of the era, James Brooke-Smith asks - what was the 1990s? A lost golden age of liberal optimism? A time of fin-de-siecle decadence? Or the seedbed for the discontents we face today?

This volume contains newly edited versions of two of Walton's mature works for orchestra: the Partita for Orchestra, written in 1957 and one of ten works commissioned by the Cleveland Orchestra, and the Variations on a Theme by Hindemith, a work of great colour from 1962-3 and taking as its inspiration a theme from his friend Paul Hindemith.

This volume presents newly engraved and edited scores of all Walton's popular film scores, including the various Shakespeare suites and for the first time on sale his music for the film Battle of Britain.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++York University Law School Libraryocm32850470Includes index.London: Shaw, 1888. xxvii, 664 p.; 20 cm.