Originally published in 1992 in conjunction with Kentucky's bicentennial observations and designed for use in the high school classroom, Our Kentucky remains one of the most concise, well-written introductions to the Bluegrass State. While the focus is on history, specialists in other fields contribute chapters that provide a comprehensive description of Kentucky's people and their past, present, and future. This expanded edition brings the scholarship up to date, ensuring the book's continued availability for students and general readers. State historian James C. Klotter, together with a teachers' advisory group, has gathered nineteen authorities on the Commonwealth, each of whom has written a section in his or her area of expertise. The topics range widely, from architecture to women's rights, from Native Americans to Kentucky's future -- and much in between. Well-respected authors from various disciplines -- including geography, history, literature, religion, journalism, education, and political science -- have crafted concise and stimulating chapters that help explain the state's past, present, and future. Designed for use in the Kentucky Studies high school elective course, the book has been praised for covering so many aspects of Kentucky life and for bringing together such a wide array of writers. A special feature is the inclusion of seventeen award-winning essays written by high school students. These brief "sidebars" demonstrate the level of work that can be done by today's young Kentuckians. The combination of essays by students, chapters by experts, and a generous selection of photographs and original documents results in a book that will inform and delight all Kentucky readers.

" Across more than six generations -- beginning before the Revolutionary War -- the Breckinridge family has produced a series of notable leaders. These often controversial men and women included a presidential candidate, a U.S. vice president, cabinet members, generals, women's rights advocates, congressmen, editors, reformers, authors, and church leaders. Along with success, the Breckinridges, like other Americans, faced hardship and war, contended with race, lived through difficult family situations -- including a sex scandal -- and encountered personal and political failure. An articulate, opinionated, and frank family, the Breckinridges have left a detailed record that allows us a vivid recreation of the range of American history and society.

In The Human Tradition in the New South, historian James C. Klotter brings together twelve biographical essays that explore the region's political, economic, and social development since the Civil War. Like all books in this series, these essays chronicle the lives of ordinary Americans whose lives and contributions help to highlight the great transformations that occurred in the South. With profiles ranging from Winnie Davis to Dizzy Dean, from Ralph David Abernathy to Harland Sanders, The Human Tradition in the New South brings to life this dynamic and vibrant region and is an excellent resource for courses in Southern history, race relations, social history, and the American history survey.

Originally established in 1775 the town of Lexington, Kentucky grew quickly into a national cultural center amongst the rolling green hills of the Bluegrass Region. Nicknamed the "Athens of the West," Lexington and the surrounding area became a leader in higher education, visual arts, architecture, and music, and the center of the horse breeding and racing industries. The national impact of the Bluegrass was further confirmed by prominent Kentucky figures such as Henry Clay and John C. Breckinridge. The Idea of the Athens of the West: Central Kentucky in American Culture, 1792-1852, chronicles Lexington's development as one of the most important educational and cultural centers in America during the first half of the nineteenth century. Editors Daniel Rowland and James C. Klotter gather leading scholars to examine the successes and failures of Central Kentuckians from statehood to the death of Henry Clay, in an investigation of the area's cultural and economic development and national influence. The Idea of the Athens of the West is an interdisciplinary study of the evolution of Lexington's status as antebellum Kentucky's cultural metropolis.

When originally published, A New History of Kentucky provided a comprehensive study of the Commonwealth, bringing it to life by revealing the many faces, deep traditions, and historical milestones of the state. With new discoveries and findings, the narrative continues to evolve, and so does the telling of Kentucky's rich history. In this second edition, authors James C. Klotter and Craig Thompson Friend provide significantly revised content with updated material on gender politics, African American history, and cultural history. This wide-ranging volume includes a full overview of the state and its economic, educational, environmental, racial, and religious histories. At its essence, Kentucky's story is about its people -- not just the notable and prominent figures but also lesser-known and sometimes overlooked personalities. The human spirit unfolds through the lives of individuals such as Shawnee peace chief Nonhelema Hokolesqua and suffrage leader Madge Breckinridge, early land promoter John Filson, author Wendell Berry, and Iwo Jima flag--raiser Private Franklin Sousley. They lived on a landscape defined by its topography as much as its political boundaries, from Appalachia in the east to the Jackson Purchase in the west, and from the Walker Line that forms the Commonwealth's southern boundary to the Ohio River that shapes its northern boundary. Along the journey are traces of Kentucky's past -- its literary and musical traditions, its state-level and national political leadership, and its basketball and bourbon. Yet this volume also faces forthrightly the Commonwealth's blemishes -- the displacement of Native Americans, African American enslavement, the legacy of violence, and failures to address poverty and poor health. A New History of Kentucky ranges throughout all parts of the Commonwealth to explore its special meaning to those who have called it home. It is a broadly interpretive, all-encompassing narrative that tells Kentucky's complex, extensive, and ever-changing story.

Memories fade, witnesses pass away, and the stories of how social change took place are often lost. Many of those stories, however, have been preserved thanks to the dozens of civil rights activists across Kentucky who shared their memories in the wide-ranging oral history project from which this volume arose. Through their collective memories and the efforts of a new generation of historians, the stories behind the marches, vigils, court cases, and other struggles to overcome racial discrimination are finally being brought to light. In Freedom on the Border: An Oral History of the Civil Rights Movement in Kentucky, Catherine Fosl and Tracy E. K'Meyer gather the voices of more than one hundred courageous crusaders for civil rights, many of whom have never before spoken publicly about their experiences. These activists hail from all over Kentucky, offering a wide representation of the state's geography and culture while explaining the civil rights movement in their respective communities and in their own words. Grounded in oral history, this book offers new insights into the diverse experiences and ground-level perspectives of the activists. This approach often highlights the contradictions between the experiences of individual activists and commonly held beliefs about the larger movement. Interspersed among the chapters are in-depth profiles of activists such as Kentucky general assemblyman Jesse Crenshaw and Helen Fisher Frye, past president of the Danville NAACP. These activists describe the many challenges that Kentuckians faced during the civil rights movement, such as inequality in public accommodations, education, housing, and politics. By placing the narratives in the social context of state, regional, and national trends, Fosl and K'Meyer demonstrate how contemporary race relations in Kentucky are marked by many of the same barriers that African Americans faced before and during the civil rights movement. From city streets to mountain communities, in areas with black populations large and small, Kentucky's civil rights movement was much more than a series of mass demonstrations, campaigns, and elite-level policy decisions. It was also the sum of countless individual struggles, including the mother who sent her child to an all-white school, the veteran who refused to give up when denied a job, and the volunteer election worker who decided to run for office herself. In vivid detail, Freedom on the Border brings this mosaic of experiences to life and presents a new, compelling picture of a vital and little-understood era in the history of Kentucky and the nation.

" Published by the Kentucky Historical Society and distributed by the University Press of Kentucky This volume is the first comprehensive and in-depth history of Kentucky during the first half of the 20th century. State Historian James C. Klotter examines in depth not only the people and their lives but also the state's economy, educational system, cultural activities, politics, and folkways. He demonstrates how, enduring images and stereotypes developed that have shaped the state's progress throughout the century. In his view, the first half of the century were years of unrealized promises and failed dreams. Yet amid poverty there was plenty; along with educational weaknesses were cultural strengths; beside partisanship there was leadership. "This is an account of what happened in Kentucky and to Kentucky," Klotter writes. "It focuses on the process and the possibility of change, and how the people sought to adjust and to balance the positives of their past with the promises of their future. To know better what happened between 1900 and 1950 requires a study of not only the formal actions taken, but also the irony of actions, the presence of paradoxes, and the quieter things that shaped the state's character, its essence, its heart and its soul." A landmark in historical writing about the state, Kentucky: Portrait in Paradox is complemented by more than one hundred photographs and illustrations.

Read exerpts from the bookThe Teacher's Guide is an essential companion to our 4th grade Kentucky history textbook, Faces of Kentucky. It is free with classroom adoption. Freda C. Klotter is an educational consultant who has over 25 years of classroom teaching experience. James C. Klotter, the state historian of Kentucky and professor of history at Georgetown College, is the author, coauthor, or editor of many books, including Faces of Kentucky.

" Published by the Kentucky Historical Society and Distributed by the University Press of Kentucky This period of Kentucky's history began with the unsettled society following the close of the Civil War, included bloody feuds, and closed with the tragic Goebel assassination. This book is the most thorough and most ambitious study yet made of that significant time, and the authors recapture the drama and color of these exciting, violent, partisan, and important years.Dr. Tapp and Dr. Klotter trace the progress -- or lack of it -- in such fields as agriculture, architecture, commerce, literature and general culture. They present the sporting and social life of both the masses and the elite. The story of the halting progress in education, the efforts of the men and women fighting for reform, the emerging fights for blacks' and womens' rights -- all are examined. Politics captured and held the people's attention, and the changing and transitional political history of the era is presented in depth. Over 70 pictures and maps create the atmosphere and temper of the times. Footnotes, appendixes, an index and a bibliographical essay combine to make this a path-breaking study of a long neglected period in Kentucky history.

Written by Kentuckians for Kentuckians; Timelines from early history to present Discussion questions; Over 250 photographs; 25 Maps; Primary Documents; Teacher's Guide with companion CD For use in the elementary school classroom, Faces of Kentucky is a comprehensive history of Kentucky designed for young students. The state's story comes alive as never before through the images and life stories of the diverse people of the Commonwealth. The product of a collaboration of the state historian of Kentucky and an award-winning teacher (both native Kentuckians), Faces of Kentucky approaches learning as a voyage of discovery. Numerous illustrations, thought-provoking questions, and historical mysteries to be solved seek to challenge young readers and to help them think about their state, themselves, and their future. Freda C. Klotter, an educational programs consultant for the Kentucky Collaborative for Teaching and Learning, taught in elementary school classrooms for more than twenty-three years. James C. Klotter, the state historian of Kentucky and professor of history at Georgetown College, is the author, coauthor, or editor of many books, including The Breckinridges of Kentucky: 1760-1981, History Mysteries, Kentucky: Portrait in Paradox 1900-1950, A New History of Kentucky, Kentucky: Decades of Discord, 1865-1900, Kentucky: Land of Tomorrow, Our Kentucky: A Study of the Bluegrass State, Public Papers of Governor Simeon Willis, 1943-1947, and William Goebel: The Politics of Wrath.

Kentucky is most commonly associated with horses, tobacco fields, bourbon, and coal mines. There is much more to the state, though, than stories of feuding families and Colonel Sanders' famous fried chicken. Kentucky has a rich and often compelling history, and James C. Klotter and Freda C. Klotter introduce readers to an exciting story that spans 12,000 years, looking at the lives of Kentuckians from Native Americans to astronauts. The Klotters examine all aspects of the state's history -- its geography, government, social life, cultural achievements, education, and economy. A Concise History of Kentucky recounts the events of the deadly frontier wars of the state's early history, the divisive Civil War, and the shocking assassination of a governor in 1900. The book tells of Kentucky's leaders from Daniel Boone and Henry Clay to Abraham Lincoln, Mary Breckinridge, and Muhammad Ali. The authors also highlight the lives of Kentuckians, both famous and ordinary, to give a voice to history. The Klotters explore Kentuckians' accomplishments in government, medicine, politics, and the arts. They describe the writing and music that flowered across the state, and they profile the individuals who worked to secure equal rights for women and African Americans. The book explains what it was like to work in the coal mines and explains the daily routine on a nineteenth-century farm. The authors bring Kentucky's story to the twenty-first century and talk about the state's modern economy, where auto manufacturing jobs are replacing traditional agricultural work. A collaboration of the state historian and an experienced educator, A Concise History of Kentucky is the best single resource for Kentuckians new and old who want to learn more about the past, present, and future of the Bluegrass State.

On April 16, 1884, Kentucky Superior Court Judge Richard Reid visited attorney John Jay Cornelisons office to discuss a legal matter. When he arrived, Cornelison accused the unsuspecting Reid of having injured his honor and then struck him repeatedly with a large hickory cane. He pursued Reid onto the street, where he began to lash him with a cowhide whip. That seemingly minor event in the small town of Mount Sterling became front-page news. The press, both local and national, raised questions regarding Reid's response. Would he react as a Christian gentleman, a man of the law, and let the legal system take its course, or would he follow the manly dictates of the code of honor and kill his assailant?

James C. Klotter crafts a detective story, using historical, medical, legal, and psychological clues to piece together answers to the tragedy that followed. This unfolding drama of an individual versus his surrounding culture reveals much about state, regional, and national temperaments in the late nineteenth century and shows the tensions between traditional southern mores and new secular and commercial forces. It also explores the conventions, values, and confusions of the archaic code of honor that ruled the South and Reid's community in particular.

With commanding prose, Klotter draws the reader into the social and judicial world of post -- Civil War Kentucky and into the ageless question of choosing between forgiveness and for-bearance or revenge and retribution.

Kentucky Illustrated brings together a substantial portion of the pictorial scenes published during Kentucky's first century, many of them rare prints reproduced here for the first time since their original publication. From the frontier days of Daniel and Squire Boone to the rise of the railroads that opened the state to visitors who toured its landmarks and bathed in its springs, more than two hundred views offer a picture of Kentucky's growth and civilization. Until the 1890s, Kentucky was sketched in the words of adventurers, travelers, and journalists, but all most Americans knew of the face of Kentucky was the occasional engraving that appeared in popular publications such as Harper's Weekly and Scribner's Monthly. The camera was not widely used and photographs could not yet be reproduced for mass distribution, so each illustration was captured by an artist and translated by an engraver before it reached the imagination of the viewer. Readers will enjoy chapters on the frontier, the Civil War, education and religion, urban and rural life, making a living, the natural world, and roads, rivers, and rails. State historian James C. Klotter provides an overview of Kentucky history that enhances the illustrations, and Joe Nickell's description of early print methods allows readers to appreciate fully the art form as it was practiced in the nineteenth century. Captions include both historical background and information on artists, lithographers, and printers. This handsome collection of rare early views will delight all Kentuckians as well as historians, teachers, librarians, and students.

The turbulent career of William Goebel (1856--1900), which culminated in assassination, marked an end-of-the-century struggle for political control of Kentucky. Although populism had become a strong force in the nation, the Louisville and Nashville Railroad and ex-Confederates still dominated the state and its Democratic party. Touting reforms and attaching the railroad monopoly, Goebel challenged this old order.

A Yankee in a state that fancied itself southern, Goebel had to depend on a strong organization to win votes. As "The Kenton King" he created a new style of politics. To some he was a progressive reformer; to others, a tyrannical machine boss. His drive for power and his enemies' fierce opposition aroused violent political factionalism. Goebel's fateful duel with a rival, his partisan election law, and his ruthless convention tactics led to the bitterly contested gubernatorial election of 1899 that resulted in his murder.

Although the full truth about the murder was never revealed in nearly a decade of trials and the advent of progressive politics was long delayed in Kentucky, Goebel's death did relieve the state's political turmoil and induce some legal reforms. Using new sources and fresh perspectives, James C. Klotter portrays Goebel's tumultuous era and discovers the real man within the obscurity of his conflicting images.

The term "Holocaust survivors" is often associated with Jewish communities in New York City or along Florida's Gold Coast. Traditionally, tales of America's Holocaust survivors, in both individual and cultural histories, have focused on places where people fleeing from Nazi atrocities congregated in large numbers for comfort and community following World War II. Yet not all Jewish refugees chose to settle in heavily populated areas of the United States. In This Is Home Now: Kentucky's Holocaust Survivors Speak, oral historian Arwen Donahue and photographer Rebecca Gayle Howell focus on overlooked stories that unfold in the aftermath of the Holocaust. They present the accounts of Jewish survivors who resettled not in major metropolitan areas but in southern, often rural, communities. Many of the survivors in these smaller communities did not even seek out the few fellow Jewish residents already there. Donahue transcribes the accounts as she heard them, keeping true to the voices of those she interviewed. One of the survivors who shares her tale, Sylvia Green, describes the pain and desolation of her experiences in the Nazi death camps with a voice that reveals both her German-Polish heritage and her subsequent small-town life in Winchester, Kentucky. The Hungarian-born Paul Schlisser has an equally complex voice, a mix of phrases learned in the U.S. Army in Vietnam and regional speech patterns acquired in his adopted home near Fort Knox. Donahue's collection of voices, accompanied by Howell's poignant photographs, identifies each storyteller as an American -- and as a Kentuckian. Like many others of diverse backgrounds before them, Holocaust survivors joined the "melting pot" as a haven from the suffering in their native lands, but they eventually came to regard America as home. Although they speak of atrocities, most often experienced when they were children and unable to fully comprehend the situation, they also emphasize the comfort of acceptance -- not just by Jewish communities but also by a state that has long equated "religion" with Christianity alone. Kentucky is not known for its cultural and religious diversity, yet these stories reveal one of the many ways that the state has become home to a wide spectrum of immigrants -- people who once were strangers but now are its own.

In The Human Tradition in the New South, historian James C. Klotter brings together twelve biographical essays that explore the region's political, economic and social development since the Civil War. Like all books in this series, these essays chronicle the lives of ordinary Americans whose lives and contributions help to highlight the great transformations that occurred in the South. With profiles ranging from Winnie Davis to Dizzy Dean, from Ralph David Abernathy to Harland Sanders, The Human Tradition in the New South brings to life this dynamic and vibrant region and is an excellent resource for courses in Southern history, race relations, social history, and the American history survey.

Milton's poems invariably depict the decisive instant in a story, a moment of crisis that takes place just before the action undergoes a dramatic change of course. Such instants look backward to a past that is about to be superseded or repudiated and forward, at the same time, to a future that will immediately begin to unfold. Martin Evans identifies this moment of transition as "the Miltonic Moment." This provocative new study focuses primarily on three of Milton's best known early poems: "On the Morning of Christ's Nativity," "A Mask Presented at Ludlow Castle (Comus)," and "Lycidas." These texts share a distinctive perceptual and cognitive structure, which Evans defines as characteristically Miltonic, embracing a single moment that is both ending and beginning. The poems communicate a profound sense of intermediacy because they seem to take place between the boundaries that separate events. The works illuniated here, which also include Samson Agonistes and Paradise Regained, are all about transition from one form to another: from paganism to Christianity, from youthful inexperience to moral maturity, and from pastoral retirement to heroic engagement. This transformation is often ideological as well as historical or biographical. Evans shows that the moment of transition is characteristic of all Milton's poetry, and he proposes a new way of reading one of the seminal writers of the seventeenth century. Evans concludes that the narrative reversals in Milton's poetry suggest his constant attempts to bring about an intellectual revolution that, at a time of religious and political change in England, would transform an age.

"The reader gets to play detective in four mysteries from Kentucky's past -- the disappearances of James Harrod and "Honest Dick" Tate, the battlefield death of Indian chief Tecumseh, and the assassination of William Goebel. James Klotter offers clues but leaves the solution to the reader. James Klotter is Kentucky State Historian and professor of History at Georgetown University and is the author of A New History of Kentucky, History Mysteries, Our Kentucky, Kentucky: Land of Tomorrow, Kentucky: Portrait in Paradox, Kentucky: Decades of Discord, William Goebbel, and Faces of Kentucky.

At the end of World War II, many thousands of Jewish Holocaust survivors immigrated to the United States from Europe in search of a new beginning. Most settled in major metropolitan areas, usually in predominantly Jewish communities, where proximity to co-religionists offered a measure of cultural and social support. However, some survivors settled in rural areas throughout the country, including in Kentucky, where they encountered an entirely different set of circumstances. Although much scholarship has been devoted to Holocaust survivors living in urban contexts, little has been written about them in the context of their experiences in rural America. Using excerpts from oral history interviews and documentary portrait photography, author Arwen Donahue and photographer Rebecca Gayle Howell tell the fascinating stories of nine of these survivors in a unique work of history and contemporary art. The book focuses on the survivors' lives after their liberation from Nazi concentration camps, illuminating their reasons for settling in Kentucky, their initial reactions to American culture, and their reflections on integrating into rural American life.

Published by the Kentucky Historical Society and distributed by the University Press of Kentucky The history and beauty of the Bluegrass State come alive in words and pictures, as this volume chronicles the Kentucky experience in all its variety. Rare black-and white historic images combine with more than two hundred modern color photographs to complement a narrative written by some of the commonwealth's most celebrated wordsmiths: Thomas D. Clark, George Ella Lyon, John Ed Pearce, Gerald L. Smith, Michal Smith-Mello, and Michael T. Childress. Photographs by Dan Dry of Louisville, Kentucky. excerpt: Where are you from? ""Kentucky,"" I say. I'm from a place where people still stop for funerals, where they know who your grandmother was, where they tell stories at Corn Island at the state park at the dinner table where they pass on their youngest's outgrown clothes and bring a casserole as soon as someone dies. --George Ella Lyon