Eshinni (1182-1268?), a Buddhist nun and the wife of Shinran (1173-1262), the celebrated founder of the True Pure Land, or Shin, school of Buddhism, was largely unknown until the discovery of a collection of her letters in 1921. In this study, James C. Dobbins, a leading scholar of Pure Land Buddhism, has made creative use of these letters to shed new light on life and religion in medieval Japan. He provides a complete translation of the letters and an explication of them that reveals the character and flavor of early Shin Buddhism. Readers will come away with a new perspective on Pure Land scholarship and a vivid image of Eshinni and the world in which she lived. After situating the ideas and practices of Pure Land Buddhism in the context of the actual living conditions of thirteenth-century Japan, Dobbins examines the portrayal of women in Pure Land Buddhism, the great range of lifestyles found among medieval women and nuns, and how they constructed a meaningful religious life amid negative stereotypes. He goes on to analyze aspects of medieval religion that have been omitted in our modern-day account of Pure Land and tries to reconstruct the religious assumptions of Eshinni and Shinran in their own day. A prevailing theme that runs throughout the book is the need to look beyond idealized images of Buddhism found in doctrine to discover the religion as it was lived and practiced. Scholars and students of Buddhism, Japanese history, women's studies, and religious studies will find much in this engaging work that is thought-provoking and insightful.

The most complete and important book on the early history of Shin Buddhism to appear in English.... No other work in English combines the biography of the founder with such a detailed study of the complex development of Shin Buddhism from its simple beginnings as a small, rural primarily lay Buddhist movement in the 12th century to its rapid growth as a powerful urban religion in the 15th century."" - Choice

Images of the Buddha are everywhere-not just in temples but also in museums and homes and online-but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right-that is, as awakened icons with whom they could interact religiously.Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha's life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of buddhas, bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their "living" quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism-relics, scriptures, inscriptions, portraits of masters, and sacred sites-are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography-whether encountered in temples or museums-will find much in this concise, well-illustrated volume to help them "behold the Buddha.

Eshinni (1182-1268?), a Buddhist nun and the wife of Shinran (1173-1262), the celebrated founder of the True Pure Land, or Shin, school of Buddhism, was largely unknown until the discovery of a collection of her letters in 1921. In this study, James C. Dobbins, a leading scholar of Pure Land Buddhism, has made creative use of these letters to shed new light on life and religion in medieval Japan. He provides a complete translation of the letters and an explication of them that reveals the character and flavor of early Shin Buddhism. Readers will come away with a new perspective on Pure Land scholarship and a vivid image of Eshinni and the world in which she lived. After situating the ideas and practices of Pure Land Buddhism in the context of the actual living conditions of thirteenth-century Japan, Dobbins examines the portrayal of women in Pure Land Buddhism, the great range of lifestyles found among medieval women and nuns, and how they constructed a meaningful religious life amid negative stereotypes. He goes on to analyze aspects of medieval religion that have been omitted in our modern-day account of Pure Land and tries to reconstruct the religious assumptions of Eshinni and Shinran in their own day. A prevailing theme that runs throughout the book is the need to look beyond idealized images of Buddhism found in doctrine to discover the religion as it was lived and practiced. Scholars and students of Buddhism, Japanese history, women's studies, and religious studies will find much in this engaging work that is thought-provoking and insightful.

Daisetsu Teitaro Suzuki is considered a key figure in the introduction of Buddhism to the non-Asian world. Many in the West encountered Buddhism for the very first time through his writings and teaching, and for nearly a century his work and legacy have contributed to the ongoing religious and cultural interchange between Japan and the rest of the world.
Volume 2 of the collected works of D.T. Suzuki brings together his writings on Pure Land Buddhism. Suzuki had a long and abiding interest in this strand of Buddhism, particularly Japanese Shin Buddhism, which he wrote about frequently throughout his life. At the center of the Pure Land tradition is the Buddha Amida and his miraculous, transcendent realm known as the paradise or "land of bliss," where sentient beings should aspire to be born in their next life and where liberation and enlightenment are assured to all. Suzuki, by highlighting certain themes in Pure Land Buddhism and de-emphasizing others, shifted its focus from a future, otherworldly goal to religious experience in the present, wherein one realizes the non-duality between the Buddha and oneself and between the paradise and this world. His cogent, distinctive, and thought-provoking interpretations helped to stimulate new understandings of Pure Land Buddhism quite different from traditional doctrine.