Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

How did the United States move from position of nuclear superiority over the Soviet Union at the beginning of the 1960s to a period of arms control based on nuclear parity the doctrine of mutual assured destruction in 1972? Drawing on declassified records of conversations between three presidents and their most trusted advisors, this book provides a new and fascinating answer to this question. John F. Kennedy, Lyndon Johnson, and Richard Nixon struggled to reconcile their own personal convictions on the nuclear arms race with the very different views of the public and Congress. In doing so they engaged in a double game, hiding their true beliefs behind a facade of strategic language while grappling in private with the complex realities of the nuclear age. The book shows how Kennedy and Johnson consistently worried about the domestic political costs of their actions, pushing ahead with an anti-ballistic missile (ABM) system for the United States for fear of the domestic political consequences of scrapping both the system and the doctrine of strategic superiority on which it was based. By contrast, the abrupt change in U.S. public and congressional opinion in 1969 forced Nixon to give up America's first ABM and the U.S. lead in offensive ballistic missiles through agreements with the Soviet Union, despite his conviction that the U.S. needed a nuclear edge over the USSR to maintain the security of the West. By placing this dynamic at the center of the story, the book provides a completely new overarching interpretation of this pivotal period in the development of U.S. nuclear policy.

Viewed from the perspective of environmental management, this study describes the implications and applications of the precautionary principle - a theory of avoiding risk even when its likelihood seems remote. This principle has been employed in the United Nations Framework Convention on Climate Change and the North Atlantic Convention, yet it is not widely understood. This study examines the history and context of the principle, and its applications to law, governmental policies, business and investment, scientific research and international relations.

James Cameron has blazed a trail through the cinematic landscape with a series of groundbreaking films that have each become deeply embedded in the popular imagination. But while Cameron has created and employed advanced filmmaking technologies to realize his unique vision, his process of creative ideation began with pen, pencil and paints long before he picked up a camera. Inspired by his mother, an artist, Cameron displayed remarkable ability at an early age, filling sketchbooks with illustrations of alien creatures, faraway worlds, and technological wonders. As he grew older, his art became increasingly sophisticated, exploring major themes that would imbue his later work-from the threat of nuclear catastrophe to the dangers inherent in the development of artificial intelligence, to a fascination with ecology that would foreshadow his storied career in science and exploration. Working in the film industry in his early twenties, Cameron supported himself by illustrating theatrical posters and concept art for low-budget films before creating the visionary concept pieces that would help greenlight his first major feature, The Terminator. For the first time, Tech Noir brings together a dazzling and diverse array of personal and commercial art from Cameron's own collection, showing the trajectory of ideas which led to such modern classics as The Terminator, Aliens, Titanic and Avatar. Starting with his earliest sketches through to unrealized projects and to his later work, the book features the filmmaker's personal commentary on his creative and artistic evolution throughout the years. A unique journey into the mind of a singular creative powerhouse, Tech Noir is a true publishing event and the ultimate exploration of one of cinema's most imaginative innovators.

Artist Roger Bansemer gets an unexpected invitation to dive two and a half miles down into the Atlantic to the site of one of the most famous shipwrecks in history. Armed with his artist's eye and insight, he embarks on an expedition on a Russian research ship to the "Titanic. In this compelling journal, Bansemer's writing and stunning visual work bring us into the adventure, relaying the colorful characters on the expedition, the history and past grandeur of the "Titanic, and the aching beauty of the ship's underwater remains. "Titanic, as everyone knows, sank when it hit an iceberg on its maiden voyage in 1912. It was not seen again until the mid-80s when technological advances led to the development of sub-mersibles capable of diving to that depth. Bansemer became the 112th person to dive to the "Titanic, the sixth person under the stern, and the first artist to have painted Titanic on site. This book chronicles his journey in a mixture of paintings, photos, and digitally-painted images. Bansemer's fascination with painting people, especially the salty, nautical types, finds full expression. Meet buddy Lowell and diving partner Ralph; various Russian crewmen including Bird Man Pierre, Pirate Skippy, the cooks, the "cowboy" who "rides" the submersible; "Keldysh Captain Gorbach; and many others. Bansemer captures them all in their most characteristic poses. The star is always the "Titanic, majestic even at the bottom of the sea. Bansemer pays tribute to the many people who went down with her, acknowledging her role as their memorial resting place. This book, Roger Bansemer's written and painted journal of his journey to "Titanic, is also offered in their memory.

Measures for regulating the behaviour of nation states in relation to the global environment have increasingly taken the form of international treaties and conventions. Many have argued that this has proved to be an ineffective way of halting unsustainable development, for the provisions of these agreements are either too weak or are flouted regularly by the parties concerned. This volume seeks to address the crucial question of how compliance with these agreements could be encouraged effectively without damaging the fragile political consensus that is emerging on environmental issues. With extensive use of case studies, Improving Compliance will make stimulating reading for all students and researchers working in this area, as well as for anyone concerned about the effectiveness of international environmental measures.

Measures for regulating the behaviour of nation states in relation to the global environment have increasingly taken the form of international treaties and conventions. Many have argued that this has proved to be an ineffective way of halting unsustainable development, for the provisions of these agreements are either too weak or are flouted regularly by the parties concerned. This volume seeks to address the crucial question of how compliance with these agreements could be encouraged effectively without damaging the fragile political consensus that is emerging on environmental issues. With extensive use of case studies, Improving Compliance will make stimulating reading for all students and researchers working in this area, as well as for anyone concerned about the effectiveness of international environmental measures.

Viewed from the perspective of environmental management, this study describes the implications and applications of the precautionary principle - a theory of avoiding risk even when its likelihood seems remote. This principle has been employed in the United Nations Framework Convention on Climate Change and the North Atlantic Convention, yet it is not widely understood. This study examines the history and context of the principle, and its applications to law, governmental policies, business and investment, scientific research and international relations.

Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work. The essays collected here form a tribute to Joanna Cannon, whose scholarship and teaching have done so much to shape the historical study of thirteenth- and fourteenth-century Italian art. Her teaching lies at the heart of this book, as its chapters are all written by those who gained their doctorates under her supervision. The reach of her interests and expertise is also reflected in its range of subjects. The book is unified by its concentration on Italian art, history, and material culture, spanning the thirteenth to the fifteenth centuries; but within that scope the individual essays focus on an impressive variety of subjects, across many media, including panel painting, wall painting, architecture, sculpture, metalwork, manuscripts, and gilded glass. Ranging across Italy, from Bologna, to Siena, to Assisi, to Florence, they address key themes in the field, such as artistic patronage, sainthood and sanctity, the visual culture of the mendicant orders, devotional practice, and civic religion. Some essays bring fresh approaches to familiar material (Ambrogio Lorenzetti's Saint Nicholas panels, the frescoes in Siena's Palazzo Pubblico, Simone Martini's Holy Family), while others illuminate objects and images that are less well known (the central panel of the Santa Chiara triptych in Trieste, and the statue of Saint Francis in San Francesco in Siena). As a collection they combine to make an important contribution to the study of Early Italian art, seeking thereby to echo the extraordinary contribution of Joanna Cannon's own work to that field.

For over 30 years, Stan Winston and his team of artists and technicians have been creating characters, creatures and monsters for the silver screen, from "The Terminator" and the extraterrestrial monstrosities of "Aliens" and "Predator "to the amazing dinosaurs of "Jurassic Park "and the fanciful character of "Edward Scissorhands."
Now, at last, he's opening up the Stan Winston Studio to collaborate on the first-ever book to reveal all the behind-the-scenes secrets of his groundbreaking and hugely influential artistry and effects work.
Featuring an extensive array of sketches, production art, and photographs straight from the studio archives, this is the book his fans have been waiting for!