Aesthetics and the Revolutionary City engages in alternative ways of reading foreign visual representations of Havana through analysis of advertising images, documentary films, and photographic texts. It explores key narratives relating to the projection of different Havana imaginaries and focuses on a range of themes including: pre-revolutionary Cuba; the dream of revolution; and the metaphor of the city "frozen-in-time." The book also synthesizes contemporary debates regarding the notion of Havana as a real and imagined city space and fleshes out its theoretical insights with a series of stand-alone, important case studies linked to the representation of the Cuban capital in the Western imaginary. The interpretations in the book bring into focus a range of critical historical moments in Cuban history (including the Cuban Revolution and the "Special Period") and consider the ways in which they have been projected in advertising, documentary film and photography outside the island.

The International Workshop on Temporal Databases held in Zurich, Switzerland, 17-18 September 1995 brought together researchers from academic and industrial institutions with database practitioners interested in keeping up with the state-of-the-art developments in the management of temporal data. A previous workshop in Arlington, Texas in June 1993 focused on the development of an infrastructure that would spur the development of commercial implementations of many of the generally agreed-upon features of temporal database management that have emerged from the temporal database research community over more than a decade of research. This ARP AlNSF-sponsored Arlington workshop saw the formation of the TSQL2 Language Design Committee, which led to the development of the recently completed TSQL2 Language Specification, and also created a "consensus" glossary of temporal database terminology and a test suite of temporal database queries. The Zurich workshop was conceived from the outset to be universal in scope, and international in participation. The Call for Papers sought to evoke the highest quality and most up-to-date temporal database research from around the world. Mindful of the important work accomplished by the previous workshop, the Call also specifically sought out research papers and panels that would comment and build upon the widely publicized results from Arlington. These proceedings contain the papers that were selected for presentation at the International Workshop, on Temporal Databases held in Zurich, Switzerland on 17-18 September 1995.

Aesthetics and the Revolutionary City engages in alternative ways of reading foreign visual representations of Havana through analysis of advertising images, documentary films, and photographic texts. It explores key narratives relating to the projection of different Havana imaginaries and focuses on a range of themes including: pre-revolutionary Cuba; the dream of revolution; and the metaphor of the city "frozen-in-time." The book also synthesizes contemporary debates regarding the notion of Havana as a real and imagined city space and fleshes out its theoretical insights with a series of stand-alone, important case studies linked to the representation of the Cuban capital in the Western imaginary. The interpretations in the book bring into focus a range of critical historical moments in Cuban history (including the Cuban Revolution and the "Special Period") and consider the ways in which they have been projected in advertising, documentary film and photography outside the island.

This book discusses the connection between two areas of semantics, namely the semantics of databases and the semantics of natural language, and links them via a common view of the semantics of time. It is argued that a coherent theory of the semantics of time is an essential ingredient for the success of efforts to incorporate more 'real world' semantics into database models. This idea is a relatively recent concern of database research but it is receiving growing interest. The book begins with a discussion of database querying which motivates the use of the paradigm of Montague Semantics and discusses the details of the intensional logic ILs. This is followed by a description of the author's own model, the Historical Relational Data Model (HRDM) which extends the RDM to include a temporal dimension. Finally the database querying language QEHIII is defined and examples illustrate its use. A formal model for the interpretation of questions is presented in this work which will form the basis for much further research.

When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn't stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marketplace and the museum. In this collage of essays, meditations, poems, and travel reports, Clifford takes travel and its difficult companion, translation, as openings into a complex modernity. He contemplates a world ever more connected yet not homogeneous, a global history proceeding from the fraught legacies of exploration, colonization, capitalist expansion, immigration, labor mobility, and tourism. Ranging from Highland New Guinea to northern California, from Vancouver to London, he probes current approaches to the interpretation and display of non-Western arts and cultures. Wherever people and things cross paths and where institutional forces work to discipline unruly encounters, Clifford's concern is with struggles to displace stereotypes, to recognize divergent histories, to sustain "postcolonial" and "tribal" identities in contexts of domination and globalization. Travel, diaspora, border crossing, self-location, the making of homes away from home: these are transcultural predicaments for the late twentieth century. The map that might account for them, the history of an entangled modernity, emerges here as an unfinished series of paths and negotiations, leading in many directions while returning again and again to the struggles and arts of cultural encounter, the impossible, inescapable tasks of translation.

This seminal collection of essays critiquing ethnography as literature is augmented with a new foreword by Kim Fortun, exploring the ways in which "Writing Culture" has changed the face of ethnography over the last 25 years.

Returns explores homecomings--the ways people recover and renew their roots. Engaging with indigenous histories of survival and transformation, James Clifford opens fundamental questions about where we are going, separately and together, in a globalizing, but not homogenizing, world. It was once widely assumed that native, or tribal, societies were destined to disappear. Sooner or later, irresistible economic and political forces would complete the work of destruction set in motion by culture contact and colonialism. But many aboriginal groups persist, a reality that complicates familiar narratives of modernization and progress. History, Clifford invites us to observe, is a multidirectional process, and the word "indigenous," long associated with primitivism and localism, is taking on new, unexpected meanings. In these probing and evocative essays, native people in California, Alaska, and Oceania are understood to be participants in a still-unfolding process of transformation. This involves ambivalent struggle, acting within and against dominant forms of cultural identity and economic power. Returns to ancestral land, performances of heritage, and maintenance of diasporic ties are strategies for moving forward, ways to articulate what can paradoxically be called "traditional futures." With inventiveness and pragmatism, often against the odds, indigenous people today are forging original pathways in a tangled, open-ended modernity. The third in a series that includes The Predicament of Culture (1988) and Routes (1997), this volume continues Clifford's signature exploration of late-twentieth-century intercultural representations, travels, and now returns.

James Clifford Swisher offers us insight into another chapter of The Greatest Generation. ...I became involved with the techniques of gunnery, fire control instruments, communications and survey...Unknown to me at the time was that this experience was preparing the way for later assignments and an introduction of greater things... ...I looked up and saw the winking wing guns firing at us, the strike of bullets in the water kicking up showers, and yet not a single drum or person was hit... ...I was sure we had sustained casualties and I approached the truck that had been fired upon when the driver, unscathed, crawled out from under the rear if the truck. I couldn't believe it. The windshield was smashed out of the truck. The entire dashboard was in shambles... Foreword Having concluded a major portion of a family genealogy also entitled ..".Just a Matter of Time.." it seemed appropriate to also write my personal story consisting of reminiscences of my childhood and my growing up years in Champlin and Anoka, expanded to include my High School years leading to my joining the Minnesota National Guard at age 17 which four years later resulted in five years and ten days of service in WWII. The first part of this story ends with my college years. The second part of the story, "Epilogue" continues with the brief life of Electronics Services, my rejoining the National Guard only to be recalled to active duty during the Korean War. Thence followed my adventures with the Mechanical Division of General Mills Corporation, following which I abruptly changed careers and joined Mutual Service Insurance Companies of St. Paul. My military career ended with my retirement in August of 1969 after 32 years of NGUAS service having attained the rank of Lt. Colonel, Field Artillery and I retired from Mutual Service Insurance Companies, December of 1984. The Epilogue ends with my joining Mutual Service Insurance Companies, October, 1962. I'll leave it to others to continue the narrative beyond that point. Postscript On March 19, 2011 James Clifford Swisher passed away without completing his remarkable life story, Just a Matter of Time. In the Foreword section of his book he wrote that he had planned on ending the telling of his life story in 1962 when he began working at Mutual Service Insurance Companies (MSI) of St. Paul. Although he ran out of time and was unable to complete that portion of his story, the Epilogue completes this unique period of time allowing his book to be published. We are provided with a satisfying finish as exemplified in a long life well lived in service to his country, community, friends, and family. In his writings he has provided another authentic primary source documenting one life lived as a part of the Greatest Generation.

Title: A Description of Westfield, Ryde, Isle of Wight.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Clifford, Augustus William James; 1862. 143 p.; 4 . 10358.g.23.

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Originally published in 1982, James Clifford's analytical biography of Maurice Leenhardt (1878-1954)--missionary, anthropologist, founder of French Oceanic studies, historian of religion, and colonial reformer--received wide critical acclaim for its insight into the colonial history of anthropology. Drawing extensively on unpublished letters and journals, Clifford traces Leenhardt's life from his work as a missionary on the island of New Caledonia (1902-1926) to his subsequent return to Paris where he became an academic anthropologist at the ecole Practique des Hautes etudes, where he followed Marcel Mauss and was succeeded in 1951 by Claude Levi-Strauss. Clifford sees in Leenhardt's career a foreshadowing of contemporary anthropological concerns with reflexivity, cultural hybridity, and colonial and post-colonial entanglements.

Originally published in 1982, James Clifford's analytical biography of Maurice Leenhardt (1878 - 1954) - missionary, anthropologist, founder of French Oceanic studies, historian of religion, and colonial reformer - received wide critical acclaim for its insight into the colonial history of anthropology. Drawing extensively on unpublished letters and journals, Clifford traces Leenhardt's life from his work as a missionary on the island of New Caledonia (1902 - 1926) to his subsequent return to Paris where he became an academic anthropologist at the Ecole pratique des hautes etudes, where he followed Marcel Mauss and was succeeded in 1951 by Claude Levi-Strauss.

The Predicament of Culture is a critical ethnography of the West in its changing relations with other societies. Analyzing cultural practices such as anthropology, travel writing, collecting, and museum displays of tribal art, James Clifford shows authoritative accounts of other ways of life to be contingent fictions, now actively contested in post-colonial contexts. His critique raises questions of global significance: Who has the authority to speak for any group's identity and authenticity? What are the essential elements and boundaries of a culture? How do self and "the other" clash in the encounters of ethnography, travel, and modern interethnic relations? In chapters devoted to the history of anthropology, Clifford discusses the work of Malinowski, Mead, Griaule, Levi-Strauss, Turner, Geertz, and other influential scholars. He also explores the affinity of ethnography with avant-garde art and writing, recovering a subversive, self-reflexive cultural criticism. The surrealists' encounters with Paris or New York, the work of Georges Bataille and Michel Leiris in the College de Sociologie, and the hybrid constructions of recent tribal artists offer provocative ethnographic examples that challenge familiar notions of difference and identity. In an emerging global modernity, the exotic is unexpectedly nearby, the familiar strangely distanced.