From the early narratives of such colonial writers as Jonathan Edwards to the more recent conversion experiences of Jim Bakker, Jerry Falwell, and Pat Robertson, America is rich in both conversions and autobiographies. This volume provides a sourcebook for the study of American religious conversion narratives. It includes entries providing biographical, bibliographic, and critical commentary on thirty significant writers of conversion narratives. The subjects include writers of early colonial America, such as Mary Rowlandson and John Woolman, nineteenth-century women writers, such as Carry Nation and Ann Eliza Young, and writers from the twentieth-century social gospel movement, such as John Cogley and Dorothy Day. Chapters on subjects such as Jim Bakker give insight into the rise of televangelism. Finally, chapters on such writers as Frederick Douglass, Eldridge Cleaver, and Piri Thomas cover the conversion experiences of those who lived outside mainstream American culture.

The chapters are arranged alphabetically. Each one is divided into sections providing a short biography, discussing the narrative, covering criticism of the narrative, and a bibliography. The work concludes with a bibliographic essay and a full subject index.

From colonial times to the present, traveler and immigrant writers have seen America with new eyes. They have perceived and recorded the American experience as few native-born writers could do, yet their lives and words have often been left out of traditional American studies. This book provides an overview of ethnic-American personal writing with descriptive studies of more than twenty-five major autobiographies. In addition to providing biographical information about the writers, and bibliographical data about their tests, the volume presents both descriptions and analyses of the selected narratives.

Wherever vampires existed in the imaginations of different peoples, they adapted themselves to the customs of the local culture. As a result, vampire lore is extremely diverse. So too, representations of the vampire in creative works have been marked by much originality. In "The Vampyre" (1819), John Polidori introduced Lord Ruthven and established the vampire craze of the 19th century that resulted in a flood of German vampire poetry, French vampire drama, and British vampire fiction. This tradition culminated in Bram Stoker's "Dracula" (1897), which fixed the character of the Transylvanian nobleman as the archetypal vampire firmly in the public imagination. Numerous films drew from Stoker's novel to varying degrees, with each emphasizing different elements of his vampire character. And more recent writers have created works in which vampirism is used to explore contemporary social concerns.

The contributors to this volume discuss representations of the vampire in fiction, folklore, film, and popular culture. The first section includes chapters on Stoker and his works, with attention to such figures as Oscar Wilde and Edvard Munch. The second section explores the vampire in film and popular culture from Bela Lugosi to "Blacula." The volume then looks at such modern writers as Anne Rice and Chelsea Quinn Yarbro who have adapted the vampire legend to meet their artistic needs. A final section studies contemporary issues, such as vampirism as a metaphor for AIDS in ""Killing Zoe."

Shemlan, a small, once unknown village in the hills overlooking Beirut, became notorious throughout the Middle East when Bertram Thomas chose it as the location for the Middle East Centre for Arab Studies (MECAS) in 1947. The knowledge that a western government was taking pains to teach its citizens Arabic and inform them of Arab history, society and religion made the Arabs suspicious. The success of MECAS in producing specialists who were the envy of other governments produced doubt and anxiety. The power of MECAS to attract British but also foreign diplomats and businessmen should have made it a profitable enterprise; instead there was constant penny-pinching and reluctance to invest. In retrospect it looks like an excellent idea developed by improvisation through its early troubles which was then allowed to die in its prime. Was it yet another example of a British invention unexploited?

One hundred years after his creation by Bram Stoker, Dracula is still fascinating us. This study traces the changing nature of film representations of Dracula, from the early silent adaptations to recent popular dramas. Holte suggests that vampire films and Dracula adaptations have become an independent genre, the dark romance, with its own set of narrative conventions and audience expectations combining horror and eroticism. This engaging study provides readers with a natural history of the vampire, an examination of the work of Bram Stoker, a history and analysis of many film adaptations of Dracula, a survey of contemporary criticism and theory, and an extensive annotated bibliography of vampire film, fiction, and criticism.

Britain's emergence as one of Europe's major maritime powers has all too frequently been subsumed by nationalistic narratives that focus on operations and technology. This volume, by contrast, offers a daring new take on Britain's maritime past. It brings together scholars from a range of disciplines to explore the manifold ways in which the sea shaped British history, demonstrating the number of approaches that now have a stake in defining the discipline of maritime history. The chapters analyse the economic, social, and cultural contexts in which English maritime endeavour existed, as well as discussing representations of the sea. The contributors show how people from across the British Isles increasingly engaged with the maritime world, whether through their own lived experiences or through material culture. The volume also includes essays that investigate encounters between English voyagers and indigenous peoples in Africa, and the intellectual foundations of imperial ambition.

Balanced, broad-based, and up to date, this comprehensive text explores the nature and critical issues of earth resources and the impacts that resource usage has on the earth environment. The authors offer full coverage of all major types of earth resources-energy, metallic, nonmetallic, water, soil. A minimal scientific background is assumed.

Victim or assassin - the lines are blurred... A badly beaten woman walks into A&E and is promptly arrested by the Home Office on suspicion of being an illegal alien. However, she is neither illegal, nor a victim. After she escapes detention, the bodies of her attackers start to pile up. Commander Carlyle faces a race against time to find out who she really is - and to stop her from killing again. Praise for James Craig 'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com

An invaluable resource for general readers investigating climate change, this book examines the impact of climate change on popular culture and analyzes how writers and directors treat the disasters caused by climate change in their novels and films. Climate Change in Popular Culture: A Warming World in the American Imagination is the first study that includes analyses of both fiction and popular nonfiction works devoted to climate change. In addition, the book examines a number of classic works from the perspective of the growing field of climate change literature and includes a brief history of climate change science as well basic scientific definitions, all intended for general readers. The text provides an introduction to the science, politics, and economics of climate change. It also includes both historical overviews and potential probable futures projected by leading climate scientists and environmental writers. In addition, the text looks at how such creative writers and directors as Margaret Atwood, John Steinbeck, Paulo Bacigalupi, Kim Stanley Robinson, T. C. Boyle, Michael Crichton, and Octavia Butler, among others, have used the disasters caused by climate change in their work. Provides readers with an overview of the causes and impacts of climate change Examines how authors and directors use a variety of narrative forms to explore the impact of climate change Introduces readers to an overview of the literary and filmic responses to climate change Includes an introduction to climate change science as well as detailed definitions for readers unfamiliar with the subject matter

Awakening the sleeping dragon... Smooth expat Michael Nicholson is a fixer, getting on by doing favours for the rich and powerful in booming China. When he makes the mistake of getting too close to one of his clients, the wife of a leading Communist Party official, the ageing Lothario fears for his life as a vengeful husband decides to put his house in order. So when a domestic dispute from the other side of the world leads to a shoot-out in a luxury penthouse apartment in Chelsea, an ex-cop called Marvin Taylor is one of the casualties. Inspector John Carlyle is little more than a casual onlooker until Taylor's widow turns up, looking for answers. The inspector is drawn into the morass of dealing and double-dealing, much to the dismay of his boss, Carole Simpson, who wants him to focus on Barbara Hutton, a Bloomsbury housewife who may - or may not - be a former German terrorist wanted for a forty-year-old murder... 'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com

Imagining the End provides students and general readers with contextualized examples of how the apocalypse has been imagined across all mediums of American popular culture. Detailed entries analyze the development, influence, and enjoyment of end-times narratives. Imagining the End provides a contextual overview and individual description and analysis of the wide range of depictions of the end of the world that have appeared in American popular culture. American writers, filmmakers, television producers, and game developers inundated the culture with hundreds of imagined apocalyptic scenarios, influenced by the Biblical Book of Revelation, the advent of the end of the second millennium (2000 CE), or predictions of catastrophic events such as nuclear war, climate change, and the spread of AIDS. From being "raptured" to surviving the zombie apocalypse, readers and viewers have been left with an almost endless sequence of disasters to experience. Imagining the End examines this phenomenon and provides a context for understanding, and perhaps appreciating, the end of the world. This title is composed of alphabetized entries covering all topics related to the end times, covering popular culture mediums such as comic books, literature, films, and music.

Who is the man with no head? Commander John Carlyle has enough on his plate with a dead film producer and a runaway actor, not to mention the alcoholic boss who's accused him of harassment. The last thing he needs is a headless corpse in the cells of a recently closed police station. Does the killing have something to do with the station's dark past? It seems more than coincidence but Carlyle has to identify the victim before he can solve the murder... Praise for James Craig: 'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com 'Craig writes like an angel' Crimefictionlover.com

To everyone's surprise, John Carlyle has been promoted to Commander. The new job comes with its own office, a PA, and a diary filled with meetings. Struggling to come to terms with the his new responsibilities, Carlyle finds his position threatened by investigative journalist Bernie Gilmore. Gilmore is digging into Carlyle's relationship with ex-drug dealer Dominic Silver and the pair's involvement in the killing of gangster Tuco Martinez. Carlyle hopes he can put Bernie off the scent but Dom favours more drastic measures. Meanwhile, Carlyle's new boss, Deputy Assistant Commissioner Michelle Mara, wants him to help out mysterious 'security consultant' Gregory Cosneau. Pining for his old job, Carlyle has to try and keep everyone happy, or face losing everything. Praise for James Craig: 'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com 'Craig writes like an angel' Crimefictionlover.com

The classic "Designing with Type" has been completely redesigned, with an updated format and full color throughout. New information and new images make this perennial best-seller an even more valuable tool for anyone interested in learning about typography. The fifth edition has been integrated with a convenient website, www.designingwithtype.com, where students and teachers can examine hundreds of design solutions and explore a world of typographic information. First published more than thirty-five years ago, "Designing with Type" has sold more than 250,000 copies--and this fully updated edition, with its new online resource, will educate and inspire a new generation of designers.

His father is dying. He's stuck in the middle of a gang war. And he has to solve a case with no clues. Welcome to the world of Inspector John Carlyle. Work goes on the backburner for Inspector Carlyle as he tries to manage his father's final days. But when the drug dealer providing the old man's pain relief ends up dead, London's least conventional copper finds himself in the middle of a vicious East London turf war. Meantime, he is supposed to be dealing with the case of a young woman found badly beaten in an alleyway. With no idea who she is, and no clues as to her attacker, he has to get help from some unlikely sources.

Inspector Carlyle has a new partner in crime . . . but for how long? When a fortune in uncut diamonds are nicked by a group of soldiers, Carlyle teams up with Captain Daniel Hunter of the Military Police to hunt them down. But Hunter has come up against this crew before and they are not going to let him stand in their way a second time. The investigation is turned upside down when Hunter's family are kidnapped by the gang. The inspector has to look on helplessly while the military policeman goes off on a personal mission of revenge. As events spiral horribly out of control, Carlyle faces a terrible choice: does he let Hunter take matters into his own hands or should he try and bring his new partner to justice? 'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com

Shemlan, a small, once unknown village in the hills overlooking Beirut, became notorious throughout the Middle East when Bertram Thomas chose it as the location for the Middle East Centre for Arab Studies (MECAS) in 1947. The knowledge that a western government was taking pains to teach its citizens Arabic and inform them of Arab history, society and religion made the Arabs suspicious. The success of MECAS in producing specialists who were the envy of other governments produced doubt and anxiety. The power of MECAS to attract British but also foreign diplomats and businessmen should have made it a profitable enterprise; instead there was constant penny-pinching and reluctance to invest. In retrospect it looks like an excellent idea developed by improvisation through its early troubles which was then allowed to die in its prime. Was it yet another example of a British invention unexploited?

Dying well is an art . . . the rest is just murder Inspector John Carlyle is waiting for his father to die of a terminal illness. Meanwhile, others are dropping like flies. An elderly professor is found dead in his Bloomsbury flat. The verdict is that of heart attack. But who then stuffed the deceased academic in a closet? And who emptied the man's bank account? Across town, Sergeant Alison Roche is back from maternity leave. Struggling to juggle The Job and a new baby, she needs Carlyle's help after a controversial financier is controversially murdered at a charity dinner. Similarities with a previous, unsolved killing, which left a black mark against Carlyle's record, only raise the stakes higher. With problems at work and problems at home, Carlyle just wants to keep his head down but there's little chance of that. Can he do his job, nail a couple of murder cases - and be there for his father at the end?

When French gangster Tuco Martinez threatens Carlyle and his family, the inspector has to call on the resources and skills of Dominic Silver to try and see him off. But Dom won't do all the dirty work and so Carlyle has to go into hiding. Cut off from his home turf, both literally and metaphorically, Carlyle struggles to cope with the situation while meanwhile, back in London, the charismatic major, Christian Holroyd, is finally spiralling completely out of control...