Second big screen outing for the popular cult superhero Hellboy (Ron Perlman), who originally appeared in Mike Mignola's Dark Horse comic series. In this highly acclaimed instalment, the mythical world starts an uprising against humanity in a bid to take over the Earth, and Hellboy and his team are all that stand in their way. Can the superheroic redfaced demon prevent the destruction of mankind once again? Guillermo del Toro writes and directs, and Selma Blair reprises her role as Hellboy's love interest, Liz Sherman.

This book pursues the problem of whether violence can be understood to be constitutive of its own sense or meaning, as opposed to being merely instrumental. Dodd draws on the resources of phenomenological philosophy, and takes the form of a series of dialogues between figures both inside and outside of this tradition. The central figures considered include Carl von Clausewitz, Carl Schmitt, Hannah Arendt, Jean-Paul Sartre, Ernst Junger, and Martin Heidegger, and the study concludes with an analysis of the philosophy of Jan Patocka.

This book pursues the problem of whether violence can be understood to be constitutive of its own sense or meaning, as opposed to being merely instrumental. Dodd draws on the resources of phenomenological philosophy, and takes the form of a series of dialogues between figures both inside and outside of this tradition. The central figures considered include Carl von Clausewitz, Carl Schmitt, Hannah Arendt, Jean-Paul Sartre, Ernst Junger, and Martin Heidegger, and the study concludes with an analysis of the philosophy of Jan Patocka.

Religion, War and the Crisis of Modernity: A Special Issue Dedicated to the Philosophy of Jan Patocka The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer. Contributors: Ivan Chvatik, Nicolas de Warren, James Dodd, Eddo Evink, Ludger Hagedorn, Jean-Luc Marion, Claire Perryman-Holt, Marcia Sa Cavalcante Schuback, Michael Staudigl, Christian Sternad , and Lubica Ucnik.

Following up on his previous book, Violence and Phenomenology, James Dodd presents here an expanded and deepened reflection on the problem of violence. The book's six essays are guided by a skeptical philosophical attitude about the meaning of violence that refuses to conform to the exigencies of essence and the stable patterns of lived experience. Each essay tracks a discoverable, sometimes familiar figure of violence, while at the same time questioning its limits and revealing sites of its resistance to conceptualization. Dodd's essays are readings as much as they are reflections; attempts at interpretation as much as they are attempts to push concepts of violence to their limits. They draw upon a range of different authors-Sartre, Levinas, Schelling, Scheler, and Husserl-and historical moments, but without any attempt to reduce them into a series of examples elucidating a comprehensive theory. The aim is to follow a path of distinctively episodic and provisional modes of thinking and reflection that offers a potential glimpse at how violence can be understood.

"Showcasing 25 residences by today's leading classical architects, this wonderful new book also addresses the fundamental issue of collaboration between architect, decorator, landscaper, and the enormous cast of characters who bring their formidable talents to the realization of every project. An Ideal Collaboration is an important addition to the literature of architecture and design." - Ellie Cullman "An Ideal Collaboration shares a place in my library next to volumes on great 20th century Classicists. It is essential as a visual reference to the continued evolution of timeless style." - Steven Gambrel In the follow-up to the critically acclaimed The Art of Classical Details, Phillip James Dodd continues his look at some of the finest examples of contemporary classical architecture in Great Britain and the United States, while also examining how collaboration is the key to their successful design. In reality, collaborative relationships are rare, especially amongst designers, where each is often focused on their own individual objectives and unable to transcend their own egos. Often used as a catch phase, but not often realised, true collaboration requires an understanding - and an appreciation - of the role that all parties play in the design and construction of a home. An Ideal Collaboration includes the work of some of the most notable names in contemporary residential design. Architects, decorators, landscape designers, consultants, builders, craftsmen, artists and vendors, all address the design process and the pivotal role that collaboration plays in creating cohesive timeless designs.

Following up on his previous book, Violence and Phenomenology, James Dodd presents here an expanded and deepened reflection on the problem of violence. The book's six essays are guided by a skeptical philosophical attitude about the meaning of violence that refuses to conform to the exigencies of essence and the stable patterns of lived experience. Each essay tracks a discoverable, sometimes familiar figure of violence, while at the same time questioning its limits and revealing sites of its resistance to conceptualization. Dodd's essays are readings as much as they are reflections; attempts at interpretation as much as they are attempts to push concepts of violence to their limits. They draw upon a range of different authors-Sartre, Levinas, Schelling, Scheler, and Husserl-and historical moments, but without any attempt to reduce them into a series of examples elucidating a comprehensive theory. The aim is to follow a path of distinctively episodic and provisional modes of thinking and reflection that offers a potential glimpse at how violence can be understood.

Heretical Essays is Patocka's final work, and one of his most exciting and iconoclastic. Patocka begins with prehistory, approached through the "natural world" as conceived by Husserl and Heidegger. According to Patocka, nature is as an alien construct, and history, which began as a quest for higher meaning, ends with life as self-sustaining consumption. Patocka explains how Europe declined from its Greek heritage to seek power rather than truth, splintering into ethnic subdivisions, and then how the Enlightenment moved Europe from an ethical to a material orientation. This book includes a translation of the Preface to the French Edition by Paul Ricoeur.

Patocka's celebrated Introduction is here made available in English for the first time. In addition to introducing Husserl's ideas, this book is also an important work of original philosophy. Patocka ranges over the whole of Husserl's output, from The Philosophy of Arithmetic to The Crisis of the European Sciences, and traces the evolution of all the central issues of Husserlian phenomenology--intentionality, categorial intuition, temporality, the subject-body; the concrete a priori, and transcendental subjectivity. But rather than attempting to give a tour of Husserl's workshop, Patocka is himself hard at work on Husserl's problems.

_Building the Wooden Fighting Ship_ is a fascinating account of the building of an historic ship, as well as a vivid and often surprising account of life and labour in the eighteenth century. In an age before industrialisation, the warship was the most complex object built by man and employed the most advanced technology of its time. Naval vessels of the period were, not surprisingly, so expensive to construct that meticulous records were kept, from the purchasing of timbers to the last details of their furnishings and armament, including even the individual names of some of the shipwrights and craftsmen. By carefully studying these records, the authors have reconstructed, in extraordinary detail, the building of HMS Thunderer -a two-decked, 74-gun ship-of-the-line. In words and specially drawn illustrations, contemporary prints and paintings, the authors show every stage of the building of this ship, from the purchase and cutting of timbers right through to the launch in 1760\. There are descriptions of Woolwich dockyard where she was built and details of all the skills and trades involved in her construction. First published in 1984, this book is a beautiful and highly informative work on a significant aspect of the Royal Navy and will appeal to enthusiasts, modellers, historians and anyone with an interest in traditional crafts.