This exciting and practical book for compiler construction combines history and development of several early programming languages together with sufficient theory to develop a compiler for an extensive language. The book reflects the author's views that compiler construction can best be learned by the actual implementation of a compiler. A source language, equivalent to early translating languages, is developed. An object language consisting entirely of numbers is also developed. The student will learn to write programs in the developed source and object language. Using the language C++, the author gently leads the student through the steps which are necessary to complete a working compiler in a one-semester effort. Extensive exercises at the end of each chapter keep the student's focus on the big project - the implementation of a working compiler.

Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. . . . In its sources, in its emotional springs, it comes from America." In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot's early years, showing that the emotional springs of his poetry did indeed come from America.

Miller challenges long-held assumptions about Eliot's poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot's friends and acquaintances, and new scholarship that delves into Eliot's Harvard years. Ultimately, Miller demonstrates that Eliot's poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences.

Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.

This guide contains a comprehensive study of Melville's fiction and poetry. James E. Miller, Jr. in addition to analyzing each of Melville's works, traces this author's principal themes and shows how his art and thought developed. A Reader's Guide to Herman Melville also includes a brief note on Melville's life, an evaluative bibliography, and an index.

Based on extensive new research and a bold interpretation of the man and his texts, "The Passion of Michel Foucault" is a startling look at one of this century's most influential philosophers. It chronicles every stage of Foucault's personal and professional odyssey, from his early interest in dreams to his final preoccupation with sexuality and the nature of personal identity.

This updated introduction to modern numerical analysis is a complete revision of a classic text originally written in Fortran but now featuring the programming language C++. It focuses on a relatively small number of basic concepts and techniques. Many exercises appear throughout the text, most with solutions. An extensive tutorial explains how to solve problems with C++.

A major reinterpretation, T. S. Eliot's Personal Waste Land: Exorcism of the Demons takes Eliot at his word in his reiterated statements that The Waste Land was not a "criticism of the contemporary world" but a personal "grouse against life." It is the first critical work to investigate in depth the sources of the poem in Eliot's life, with particular attention to Eliot's "Calamus"-like attachment to a French youth during Eliot's graduate year in Paris, his subsequent precipitate (and disastrous) marriage following the death of his young French friend in World War I, and his 1921 nervous breakdown (suffering from what he called "an aboulie and emotional derangement which has been a lifelong affliction") that led to the writing of The Waste Land. Yet the main thrust of this work is not on Eliot's life, but on his poetry, exploring ways in which the fragmentary details of his life shape and illuminate the poems.

While some consideration is given to the early, confession-like "Ode" (later suppressed), and to the famous "familiar compound ghost" of the later Four Quartets, primary attention is focused on the original drafts of The Waste Land. The poem emerges from a meticulous and detailed reading of the manuscripts as indeed a kind of elegy for a dead friend, with links to Tennyson's In Memoriam and Whitman's "When Lilacs Last in the Dooryard Bloom'd," and thus not a piece of "social criticism" but an expression of anguish and pain and despair working toward resignation, resolution, and reconciliation.

It becomes clear that this interpretation is not dependent on biographical conjecture and reconstruction, but flows inevitably from simple close scrutiny of the intricate evolution of The Waste Land; therefore the firm establishment of the full facts of Eliot's early life is unnecessary to this "meaning." In following Eliot's own frequent hints, this book offers a vital corrective to all the previous readings (or misreadings) of The Waste Land, and has important implications for the entire Modernist Movement.

Comprised of more than 250 selections from Henry James's stories about writers, his critical and speculative essays, his Notebooks, Prefaces, and letters, this collection brings together for the first time, in a single, systematic volume, all the important passages in James's work which have implications for or ideas about his theory of fiction. The result is the most comprehensive, exhaustive, and innovative volume of fictional theory ever published; in many ways it is the consummation of James's contribution to letters. In a masterful introductory essay, James E. Miller Jr., presents James's theory of fiction in outline; he also contributes brief introductions to each of the seventeen chapters, summarizing the major points. Abundant guides direct the reader to subjects and sources. James E. Miller Jr., a professor of English at the University of Chicago, has written or edited fifteen books. He has served as editor of College English (1960-66) and as president of the National Council of Teachers of English (1969-70), and is a member of the PMLA editorial board.

"J.D. Salinger - American Writers 51 " was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. . . . In its sources, in its emotional springs, it comes from America." In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot's early years, showing that the emotional springs of his poetry did indeed come from America.

Miller challenges long-held assumptions about Eliot's poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot's friends and acquaintances, and new scholarship that delves into Eliot's Harvard years. Ultimately, Miller demonstrates that Eliot's poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences.

Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.

State Department Publication 10644.
Editor: James E. Miller. General editor: Davis S. Patterson.
Provides historical documents concerning the foreign policy of the Johnson Administration. This volume focuses on Cyprus, Greece and Turkey.

Part of a subseries of the State Department's "Foreign Relations of the United States (FRUS) series" that documents the most important issues in the foreign policy of the administrations of Richard M. Nixon and Gerald R. Ford, this volume documents U.S. regional and bilateral relations with Western Europe from January 20, 1969 to January 20, 1973. Edited by James E. Miller and Laurie Van Hook. General Editor: David S. Patterson.The documentation printed in this volume highlights U.S. policy regarding European economic and political integration, U.S. participation in the North Atlantic Treaty Organization (NATO), as well as U.S. bilateral relations with Canada, France, Ireland, Italy, Malta, Portugal, Spain and the United Kingdom.The first chapter focuses on U.S. policy toward Western Europe and Canada as a whole, with a focus on two key issues that faced the Nixon administration: 1) how to maintain the cohesion of the Atlantic Alliance at a time of reduced tensions with the Soviet Union, and 2) how to respond to the emergence of serious economic tensions among the advanced industrialized nations. The country chapters in this volume emphasize the key issues that affected each bilateral relationship.