This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

August Scherneckau's diary is the most important firsthand account of the Civil War by a Nebraska soldier that has yet come to light. A German immigrant, Scherneckau served with the First Nebraska Volunteers from 1862 through 1865. Depicting the unit's service in Missouri, Arkansas, and Nebraska Territory, he offers detail, insight, and literary quality matched by few other accounts of the Civil War in the West. His observations provide new perspective on campaigns, military strategy, leadership, politics, ethnicity, emancipation, and a host of other topics.

Scherneckau takes readers on the march as he and his comrades plod through mud and snow during a grueling winter campaign in the Missouri Ozarks. He served as a provost guard in St. Louis, where he helped save a former slave from kidnappers and observed the construction of Union gunboats. He describes the process of transforming a regiment from infantry to cavalry, and his account of the First Nebraska's pursuit of Freeman's Partisans in Arkansas is an exciting portrayal of mountain fighting.

An annotated edition that brings to bear the editors' and translator's respective expertise in both the Civil War and the German language, Scherneckau's account is an important addition to primary material on the war's forgotten theater. It will be a valued resource for historian and Civil War enthusiast alike.

From a pool of barely nine thousand men of military age, Nebraska--still a territory at the time--sent more than three thousand soldiers to the Civil War. They fought and died for the Union cause, were wounded, taken prisoner, and in some cases deserted. But Nebraska's military contribution is only one part of the more complex and interesting story that James E. Potter tells in "Standing Firmly by the Flag," the first book to fully explore Nebraska's involvement in the Civil War and the war's involvement in Nebraska's evolution from territory to thirty-seventh state on March 1, 1867.

Although distant from the major battlefronts and seats of the warring governments, Nebraskans were aware of the war's issues and subject to its consequences. National debates about the origins of the rebellion, the policies pursued to quell it, and what kind of nation should emerge once it was over echoed throughout Nebraska. Potter explores the war's impact on Nebraskans and shows how, when Nebraska Territory sought admission to the Union at war's end, it was caught up in political struggles over Reconstruction, the fate of the freed slaves, and the relationship between the states and the federal government.

In the Western world the period from the mid-eighteenth through the nineteenth century was a time of expanding historical consciousness, a period that saw the birth of modern historiography, a profusion of historical novels and paintings, and the widespread production of historical plays. Historical buildings, in themselves already of intense interest to people of the day, also found their way into the multiplying cultural forms as concrete presences anchoring a novelist's, poet's, painter's, or, eventually, filmmaker's vision of the past. In recent years a number of blockbuster films have used historically significant buildings as filming locations because buildings can concretely bring a former era or fictional world closer to contemporary viewers. "Conjuring the Real" traces the genealogy of this representational role of architecture, going back through the history of film and then further in literature, art, and theater. The contributors examine the ways in which authors, artists, and stage managers used complex depictions of buildings to feed and shape the audience's historical imagination. How can we understand the significance of architecture, not through its original design and construction but through the ways in which the public experiences, perceives, and understands it? The contributors pursue this question through the ideas of secondary portrayers of historical buildings, such as writers and artists, and then through the responses of those who read and view these creations.