Los Angeles. August 4, 1962. The city broils through a mid-summer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker's looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash. The freewheeling Freddy O. Tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim "Opportunity is Love." Freddy gets to work. He dimly perceives Marilyn Monroe's death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the faux-sunshine of Jack and Bobby Kennedy and the shuck of Camelot. We are with him as he falters, and grasps for love beyond opportunity. We are with him as he tracks Marilyn Monroe's horrific last charade through a nightmare L.A. that he served to create - and as he confronts his complicity and his own raging madness. It's the Summer of '62, baby. Freddy O.'s got a hot date with history. The savage Sixties are ready to pop. The Rolling Stones proclaim it best: We're just a shout away. The Enchanters is a transcendent work of American popular fiction. It is James Ellroy at his most crazed, brilliant, provocative, profanely hilarious, and stop-your-heart tender. It is a luminous psychological drama. It is an unparalleled thrill ride. It is resoundingly the great American crime novel.

Woody Harrelson stars in this drama co-written by James Ellroy, telling the story of a corrupt cop whose destructive streak is wreaking havoc in both his personal and professional life. The film tracks the downward spiral of Dave 'Date Rape' Brown (Harrelson), a veteran police officer who has become infamous for his repeated misconduct while working for the LAPD's infamous Rampart Division. But despite being proud of his reputation as a compulsive womaniser, alcoholic, racist and all-round manipulator and bully, Dave does show a flicker of humanity when it comes to his two daughters, who live in the house next door with his two ex-wives (Anne Heche and Cynthia Nixon).

The Classic Crime Novel Now a Major Motion Picture from Warner Bros.

Starring Kevin Spacey, Russell Crowe, Guy Pearce, with Kim Basinger and Danny DeVito

Los Angeles in the 1950s: from its fabulous mansions to its sizzling nightclubs, it is a sprawling center of corruption and dangerous passions. Now a horrific mass murder invades the bleak cityscape. And caught in the nightmare are three cops bound by honor, sin, and blood...

Ed Exley wants to eclipse his policeman father's success. Bud White watched his own mother's murder -- and is now a time bomb with a badge. Jack Vincennes shakes down movie stars for a scandal magazine.

From the Master of Post-Modern Crime Fiction, James Ellroy, bestselling author of The Black Dahlia, The Big Nowhere, and My Dark Places, comes his epic masterpiece L.A. Confidential.

A Mysterious Press Book

"Nobody in this generation matches the breadth and depth of James Ellroy's way with noir."
-Detroit News

"Ellroy spares no sensibilities."
-Los Angeles Times

"Always a master at painting the dark portrait, Ellroy put down his broad brush for a sharp pen...He's stripped down the language to a hard, cutting tool."
-Associated Press

"Brutal and at the same time believable."
-New York Times

"An undeniably artful frenzy of violence, guilt, and unappeased self-loathing. Ellroy's crime fiction represents a high mark in the genre."
-New York Newsday

"Ellroy has shifted the margins...these operatic historical novels of postwar Los Angeles are evolutionary advances in crime fiction."
-L.A. Weekly

From The Modern Master of Noir comes a novel about the malevolent monarch of the 1950s Hollywood underground - a tale of pervasive paranoia teeming with communist conspiracies, FBI finks, celebrity smut films and strange bedfellows. Freddy Otash is the man in the know and the man to know in '50s L.A. He operates with two simple rules - he'll do anything but commit murder and he'll never work with the commies. Freddy is an ex-L.A. cop on the skids. He snuffed a cop killer in cold blood - and it got to him bad. So Chief William H. Parker canned him. Now he's a sleazoid private eye, a shakedown artist, a pimp - and, most notably, the head strongarm goon for Confidential magazine. Confidential presaged the idiot internet - and delivered the dirt, the dish, the insidious ink and the scurrilous skank on the feckless foibles of misanthropic movie stars, sex-soiled socialites and potzo politicians. Freaky Freddy outs them all! In Widespread Panic, we traverse the depths of '50s L.A. and dig on the inner workings of Confidential. You'll go to Burt Lancaster's lushly appointed torture den ... You'll groove overhyped legend James Dean as Freddy's chief stooge ... You'll be there for Freddy's ring-a-ding rendezvous with Liz Taylor ... You'll be front and centre as Freddy anoints himself the 'Tattle Tyrant Who Held Hollywood Hostage'.

________________________ 'Ellroy writes with raw power ... undeniably one of the most influential crime writers of our time' THE TIMES 'a tangled fever-dream ... Ellroy offers a grandiose, Wagnerian vision of wartime LA' SUNDAY TIMES ________________________ A brilliant historical crime novel, set in Los Angeles and Mexico during the pulse-pounding aftermath of the attack on Pearl Harbor. January, '42. L.A. reels behind the shock of Pearl Harbor. Local Japanese are rounded up and slammed behind bars. Massive thunderstorms hit the city. A body is unearthed in Griffith Park. The cops tag it a routine dead-man job. They're wrong. It's an early-warning signal of Chaos. There's a murderous fire and a gold heist exploding out of the past. There's Fifth Column treason - at this moment, on American soil. There are homegrown Nazis, commies and race racketeers. There's two dead cops in a dive off the jazz-club strip. And three men and one woman have a hot date with History. Elmer Jackson is a corrupt Vice cop. He's a flesh peddler and a bagman for the L.A. Chief of Police. Hideo Ashida is a crime-lab whiz, lashed by anti-Japanese rage. Dudley Smith is a PD hardnose working Army Intelligence. He's gone rogue and gone all-the-way fascist. Joan Conville was born rogue. She's a defrocked Navy lieutenant and a war profiteer to her core. L.A., '42. Homefront madness ascendant. Early-wartime inferno - This Storm is James Ellroy's most audacious novel yet. It is by turns savage, tender, elegiac. It lays bare and celebrates crazed Americans of all stripes. ________________________ 'Epic crime writing from a master' DAILY MAIL 'Ellroy is unique. There is nobody writing this way ... Nobody has done or is doing what he is doing' BOOKMUNCH

"Well worth its impressive weight in gold, it would be a crime not to have this seminal masterpiece in your collection."--"New York Journal of Books"
In his introduction to "The Best American Noir of the Century," James Ellroy writes, "Noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.
James Ellroy and Otto Penzler mined writings of the past century to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's "Pastorale," and its postwar heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing from the past decade.
"Delightfully devilish . . . A strange trek through the years that includes stories from household names in the hard-boiled genre to lesser-known authors who nonetheless can hold their own with the legends."--Associated Press

James Ellroy is the author of the Underworld U.S.A. trilogy--"American Tabloid," "The Cold Six Thousand," and "Blood's a Rover"--and the L.A. Quartet novels, "The Black Dahlia," "The Big Nowhere," "L.A. Confidential," and "White Jazz." His most recent book is "The Hillicker Curse," a memoir.
Otto Penzler is the founder of the Mysterious Bookshop and Mysterious Press, has won two Edgar Allan Poe Awards (most recently for "The Lineup"), and is series editor of "The Best American Mystery Stories."

America's greatest crime writer investigates his mother's murder. On 21 June 1958, Geneva Hilliker Ellroy left her home in California. She was found strangled the next day. Her ten year-old son James had been with her estranged husband all weekend and was informed of her death on his return. Her murderer was never found, but her death had an enduring effect on her son - he spent his teens and early adult years as a wino, petty burglar and derelict. Only later, through his obsession with crime fiction, triggered by his mother's murder, did Ellroy begin to delve into his past. Shortly after the publication of his groundbreaking novel WHITE JAZZ, he determined to return to Los Angeles and, with the help of veteran detective Bill Stoner, attempt to solve the 38-year-old killing. The result is one of the few classics of crime non-fiction and autobiography to appear in the last few decades; a hypnotic trip to America's underbelly and one man's tortured soul.

Los Angeles, 15th January 1947. A beautiful young woman walks into the night and meets a horrific destiny. Five days later, her tortured body is found drained of blood and cut in half. The newspapers call her 'The Black Dahlia'. For two cops, what begins as an investigation becomes a hellish journey that takes them to the core of the dead girl's twisted life. And soon professional curiosity spirals into obsession... __________ 'A mesmerising study of the psycho-sexual obsession... extraordinarily well written' - The Times 'The outstanding crime writer of his generation' - The Independent 'A wonderful tale of ambition, insanity, passion and deceit' - Publishers Weekly

'There has never been a writer like James Ellroy.' Telegraph Los Angeles, December 6, 1941. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. War fever and race hate grip the city and the internment of Japanese-Americans begins. Following the hellish murder of a Japanese family, three men and one woman are summoned. William H. Parker is a captain on the Los Angeles Police. He's superbly gifted, corrosively ambitious and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith - Irish emigre, ex-IRA killer and fledgling war profiteer. Kay Lake is a 21-year-old dilettante looking for adventure. Hideo Ashida is a brilliant police chemist and the only Japanese on the payroll. Four driven souls - rivals, lovers, history's pawns - thrown into an investigation which will not only rip them apart but take America to the edge of the abyss at a crucial moment in its history.

Los Angeles, 1950 Red crosscurrents: the Commie Scare and a string of brutal mutilation killings. Gangland intrigue and Hollywood sleaze. Three cops caught in a hellish web of ambition, perversion, and deceit. Danny Upshaw is a Sheriff's deputy stuck with a bunch of snuffs nobody cares about; they're his chance to make his name as a cop...and to sate his darkest curiosities. Mal Considine is D.A.'s Bureau brass. He's climbing on the Red Scare bandwagon to advance his career and to gain custody of his adopted son, a child he saved from the horror of postwar Europe. Buzz Meeks-bagman, ex-Narco goon, and pimp for Howard Hughes-is fighting communism for the money. All three men have purchased tickets to a nightmare.

The first novel in Ellroy's extraordinary Underworld USA Trilogy as featured on BBC Radio 4's A Good Read. 1958. America is about to emerge into a bright new age - an age that will last until the 1000 days of John F Kennedy's presidency. Three men move beneath the glossy surface of power, men allied to the makers and shakers of the era. Pete Bondurant - Howard Hughes's right-hand man, Jimmy Hoffa's hitman. Kemper Boyd - employed by J Edgar Hoover to infiltrate the Kennedy clan. Ward Littell - a man seeking redemption in Bobby Kennedy's drive against organised crime. The festering discount of the age that burns brightly in these men's hearts will go into supernova as the Bay of Pigs ends in calamity, the Mob clamours for payback and the 1000 days ends in brutal quietus in 1963.

Ellroy's back with the third of his LA Quartet! Christmas 1951, Los Angeles: a city where the police are as crooked as the criminals. Six prisoners are beaten senseless in their cells by cops crazed on alcohol. For the three L.A.P.D. detectives involved, it will expose the guilty secrets on which they have built their corrupt and violent careers...The novel takes these cops on a sprawling epic of brutal violence and the murderous seedy side of Hollywood. One of the best (and longest) crime novels ever written, it is the heart of Ellroy's four-novel masterpiece, the LA Quartet, and an example of crime writing at its most powerful.

THREE OF ELLROY'S MOST COMPELLING NOVELS FEATURING DETECTIVE SERGEANT LLOYD HOPKINS IN ONE VOLUME. BLOOD ON THE MOON:20 random killings of women are unconnected in police files. But Det.Sgt. Lloyd Hopkins sees a pattern. As he is drawn to the murderer, the two men face a confrontation pitting icy intelligence and white-heated madness... BECAUSE THE NIGHT:Jacob Herzog, hero cop, has disappeared. A multiple murder committed with a pre-Civil War revolver remains unsolved. Are the two cases interlinked? As Det. Sgt. Lloyd Hopkins pieces the puzzle together he discovers the darker threat of John Haviland, a psychiatrist whose pleasure comes from the manipulation of the weak and lonely. SUICIDE HILL:Duane Rice leaves jail with good news and bad news:Two adulterous bank managers are ripe for squeezing, but Vandy, who he is obsessed with making a rock star, has disappeared. An orgy of violence erupts as Duane's partner goes beserk and Duane settles scores with knife and bullet. Leading the manhunt Sgt. Lloyd Hopkins stumbles on a horrifying conspiracy of corruption and betrayal- among his own colleagues.

Before Charlie's Angels, Miami Vice, or NYPD Blue, there was Dragnet. From 1951 to 1959, Jack Webb starred as Sergeant Joe Friday in the most successful police drama in television history. Webb ("Just the facts, ma'am") was also the creator of Dragnet, and what made the show so revolutionary was its documentary-style format and the fact that each episode was "ripped" from the files of the LAPD. But 1950s television censors deemed many of the stories in the LAPD's files too violent or sensational for the airwaves. The Badge is Webb's collection of stories that could not be presented on TV: untold, behind-the-scenes accounts of the Black Dahlia murder, the Brenda Allen confessions, Stephen Nash's "thrill murders," and Donald Bashor's "sleeping lady murders," to name just a few. Case by case, The Badge takes readers on a spine chilling police tour through the dark, shadowy world of Los Angeles crime. It is a journey that, even four decades after it originally appeared in print, no reader is likely to forget.

Dig. The Demon Dog gets down with a new book of scenes from America's capital of kink: Los Angeles. Fourteen pieces, some fiction, some nonfiction, all true enough to be admissible as state's evidence, and half of it in print for the first time. And every one of them bearing the James Ellroy brand of mayhem, machismo, and hollow-nose prose.
Here are Mexican featherweights and unsolved-murder vics, crooked cops and a very clean D.A. Here is a profile of Hollywood's latest celebrity perp-walker, Robert Blake, and three new novellas featuring a demented detective with an obsession with a Hollywood actress. And, oh yes, just maybe the last appearance of Hush-Hush sleaze-monger Danny Getchell. Here's Ellroy himself, shining a 500-watt Mag light into all the dark places of his life and imagination. Destination: Morgue! puts the reader's attention in a hammerlock and refuses to let go.
Praise for James Ellroy:

Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. In his introduction to this year's collection, James Ellroy explores the differences between the novel and the short story. Included here are experts at both forms. Featuring renowned novelists like Stuart Kaminsky, Michael Connelly, Joe Gores, and Robert B. Parker, as well as veterans of this series like Brendan DuBois, Michael Downs, Joyce Carol Oates, and Clark Howard, this edition will delight readers with its wide variety and peerless quality.

Blood's a Rover takes us into the 70s. RFK and MLK are dead. A kid private eye clashes with a mob goon and an enforcer for FBI director Edgar Hoover in L.A. There's an armoured-car heist and a cache of missing emeralds. Revolution brews in Haiti and the Dominican Republic. Amidst all this, all three anti-heros fall for Red revolutionary Joan Rosen Klein. Each will pay 'a dear and savage price to live History'.

Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."

From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag Hush-Hush magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, Crime Wave is Ellroy at his best.

It's 1968. Bobby Kennedy and Martin Luther King are dead. The Mob, Howard Hughes and J Edgar Hoover are in a struggle for America's soul, drawing into their murderous conspiracies the damned and the soon-to-be damned. WAYNE TEDROW JR: parricide, assassin, dope cooker, mouthpiece for all sides, loyal to none. His journey will take him deeper into the darkness. DWIGHT HOLLY: Hoover's enforcer and hellish conspirator in terrible crimes. As Hoover's power wanes, his destiny lurches towards Richard Nixon and self-annihilation. DON CRUTCHFIELD: a kid, a nobody, a wheelman and a private detective who stumbles upon an ungodly conspiracy from which he and the country may never recover. All three men are drawn to women on the opposite side of the political and moral spectrum; all are compromised and ripe for destruction. Blood's a Rover is an incandescent fusion of fact and fiction, and is James Ellroy's greatest masterpiece.

We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination--in the underworld that connects Miami, Los Angeles, Chicago, D.C. . . .

Where the CIA, the Mob, J. Edgar Hoover, Howard Hughes, Jimmy Hoffa, Cuban political exiles, and various loose cannons conspire in a covert anarchy . . .

Where the right drugs, the right amount of cash, the right murder, buys a moment of a man's loyalty . . .

Where three renegade law-enforcement officers--a former L.A. cop and two FBI agents--are shaping events with the virulence of their greed and hatred, riding full-blast shotgun into history. . . .

James Ellroy's trademark nothing-spared rendering of reality, blistering language, and relentless narrative pace are here in electrifying abundance, put to work in a novel as shocking and daring as anything he's written: a secret history that zeroes in on a time still shrouded in secrets and blows it wide open.

American Tabloid gives us John F. Kennedy's rise and fall from an insider's perspective. We're there for the rigged 1960 election and for the Bay of Pigs fiasco. We're the eyes and ears and souls of three rogue cops who've signed on for the ride and come to see Jack as their betrayer. And we're there in Dallas in 1963 where it all comes to a brutal end. The Cold Six Thousand the cover-up for the Kennedy assassination begins. This time the ride takes us from Dallas to Vietnam to Las Vegas to Memphis to Cuba to the kitchen of the Ambassador Hotel in L.A. We're rubbing shoulders Klansmen and mafiosi, killers, hoods and provocateurs. WIth Robert F. Kennedy and Martin Luther King. And of course a lot of corrupt policemen. Blood's a Rover takes us into the 70s. RFK and MLK are dead. A kid private eye clashes with a mob goon and an enforcer for FBI director Edgar Hoover in L.A. There's an armoured-car heist and a cache of missing emeralds. Revolution brews in Haiti and the Dominican Republic. Amidst all this, all three anti-heros fall for Red revolutionary Joan Rosen Klein. Each will pay 'a dear and savage price to live History'. The American dream as Nightmare.

The Black Dahlia depicts the infrastructure of L.A.'s most sensational murder case. A young cop morphs into the obsessed lover and lust-crazed avenger. His rogue investigation is a one-way ticket to hell. The Big Nowhere blends the crime novel with the political novel. It is winter, 1950, and the L.A. authorities are targeting movieland Reds. The three cops assigned to the job are out to grab all the kudos they can. But a series of brutal sex killing intervenes ... L.A. Confidential plumbs the depths: political corruption, scandal-rag journalism, racism and gangland wars, savage slaughter in an all-night hash house. And the inglorious Los Angeles Police Department to disentangle the conspiracy that links it all together. White Jazz gives us the tortured confession of a cop who's gone to the bad - killer, slum landlord and parasitic exploiter. He's also a pawn in a police power struggle and beginning to realize it. But he's just met a woman and wants to claw his way out of the pit. Somehow.