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Showing 1 - 4 of 4 matches in All Departments
O'Gorman discusses the individual and collective achievement of the
recognized trinity of American architecture: Henry Hobson
Richardson (1838-86), Louis Sullivan (1856-1924), and Frank Lloyd
Wright (1867-1959). He traces the evolution of forms created during
these architects' careers, emphasizing the interrelationships among
them and focusing on the designs and executed buildings that
demonstrate those interrelationships. O'Gorman also shows how each
envisioned the building types demanded by the growth of
nineteenth-century cities and suburbs--the downtown skyscraper and
the single-family home.
A celebration of the American painter's life and work in the region he loved best In 1883 American artist Winslow Homer (1836-1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him. This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings. Published in association with the Portland Museum of Art Exhibition Schedule: Portland Museum of Art(09/22/12-12/30/12)
ABC of Architecture is an accessible, nontechnical introduction to architectural structure, history, and criticism. Author James F. O'Gormon moves seamlessly from a discussion of the most basic inspiration for architecture (the need for shelter from the elements), to an exploration of space, system, and material, and, finally, to an examination of the language and history of architecture. He shows the nonspecialist how to read a design in plans, sections, and elevations, and how architects, like other artists, make creative use of space and light.
When Isaiah Rogers died in 1869, the Cincinnati Daily Times noted that ""in his profession he was, perhaps, better known than any other person in the country."" Yet until now there has been no study that fully examines his remarkable, influential, and instructive career. Based largely on Rogers's own diary, this book tells his story and adds much to our understanding of architectural practice in the United States before the Civil War. In 1944 the distinguished historian Talbot Hamlin wrote of New York's Merchant Exchange (1836--42) that the building had ""been so grandly conceived, so simply and directly planned, and so beautifully detailed... [that] the whole was welded inextricably into one powerful organic conception that shows Rogers as a great architect in the fullest sense of the word."" Rogers's Tremont House in Boston has been called the world's first modern hotel; it spawned many progeny, from his first Astor House in New York to his Burnet House in Cincinnati and beyond. Rogers designed buildings from Maine to Georgia and from Boston to Chicago to New Orleans, supervising their construction while traveling widely to procure materials and workmen for the job. He finished his career as Architect of the Treasury Department during the Civil War. In this richly illustrated volume, James F. O'Gorman offers a deft portrait of an energetic practitioner at a key time in architectural history, the period before the founding of the American Institute of Architects in 1857.
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