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This collection of essays by distinguished authors explores the
present-day field of theological aesthetics: from von Balthasar's
contribution and parallel developments to correctives and
alternatives to his approach. A tribute to von Balthasar's own
project expands into a dialogue with ancient and medieval
traditions in search of revelatory aesthetics. The contributors
outline challenges to his approach (including Protestant
perspectives) and introduce new ways of viewing the field of
theological aesthetics, which ultimately opens up to the idea of
concrete cultural contexts and practical human needs determining
the use of the arts and aesthetic sensibilities in theology.
This collection of essays by distinguished authors explores the
present-day field of theological aesthetics: from von Balthasar's
contribution and parallel developments to correctives and
alternatives to his approach. A tribute to von Balthasar's own
project expands into a dialogue with ancient and medieval
traditions in search of revelatory aesthetics. The contributors
outline challenges to his approach (including Protestant
perspectives) and introduce new ways of viewing the field of
theological aesthetics, which ultimately opens up to the idea of
concrete cultural contexts and practical human needs determining
the use of the arts and aesthetic sensibilities in theology.
Paul Ricoeur is one of the most influential philosophers alive
today. This book draws primarily on Ricouer's hermeneutic insights
to address the fundamental question of how reference, truth, and
meaning are related in the discourse of theology. The author
defends the view that theological truth claims cannot be sustained
without some appeal to the referential, or in Ricouer's
terminology, "refigurative" potential intrinsic to our linguistic
practices. What it means for Christians to tell the truth, for
their language and life to display and thus elicit trust, cannot be
understood apart from an appreciation of the refigurative power of
language. By appealing to Aristotle's theory of mimesis (imitation)
and muthos (plot), as well as to the ideas of Augustine and
Heidegger on time, Paul Ricouer offers striking possibilities
whereby theological discourse might renew its task of speaking
truthfully of God, and hence of our relation to God, to one
another, and to the world.
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