Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously? -- .

The first steps to greatness
The blood tide that swept away the Bourbons in the terror of the French revolution also heralded the Revolutionary Wars in which Republican France not only sought to spread its doctrine through Europe, but also had to initially contend with French Royalist forces who fought to re-establish the old regime. In 1793, the coastal town of Toulon in Southern France lay under siege. Its defenders were French monarchists supported by Spanish, Sardinian and British forces. Outside the defences, among the guns of his beloved artillery, was a 24 year old major in the Republican Army. His genius for war was here given free rein and was instrumental in breaking the siege and bringing about a decisive victory for the cause he espoused. Recognition of his achievement elevated him swiftly to the rank of brigadier general and placed him at the hub of French power in a Europe then seething with unrest and ripe for sweeping change. That young man was, of course, Napoleon Bonaparte. What may have occurred had anyone realised that this single man was capable of overturning regimes and bathing the Continent in fire and bloodshed until his eventual downfall over 20 years in the future we may only speculate. This book explains that pivotal moment in the history of the Western world as the man who would become an emperor took his first steps on the path to greatness. Available in softcover and hardcover with dust jacket.

This text provides a streamlined and accessible introduction to statistics for students in sociology, criminal justice, political science, social work, and other social sciences. This edition of the text offers an essential and accessible overview to the introduction to social statistics. Clearly written with detailed step-by-step illustrations of statistical procedures, the text provides clear and logical explanations for the rationale and use of statistical methods of social research. Numerous end-of-chapter questions in every chapter reinforce key concepts to students.

This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously? -- .