This book presents new and interdisciplinary approaches to the study of African urban history and culture. Moving between precolonial, colonial, and contemporary urban spaces, it covers the major regions, religions, and urban societies of sub-Saharan Africa. African Urban Spaces in Historical Perspective presents new and interdisciplinary approaches to the study of African urban history and culture. It presents original research and integrates historical methodologies with those of anthropology, geography, literature, art, and architecture. Moving between precolonial, colonial, and contemporary urban spaces, it covers the major regions, religions, and cultural influences of sub-Saharan Africa. The themes include Islam and Christianity, architecture, migration, globalization, social and physical decay, identity, race relations, politics, and development. This book elaborates on not only what makes the study of African urban spaces unique within urban historiography, it also offers an-encompassing and up-to-date study of the subject and inserts Africa into the growing debate on urban history and culture throughout the world. The opportunities provided by the urban milieu are endless and each study opens new potential avenues of research. This book explores some of those avenues and lays the groundwork on which new studies can build. Contributors: Maurice NyamangaAmutabi, Catherine Coquery Vidrovitch, Mark Dike DeLancey, Thomas Ngomba Ekali, Omar A. Eno, Doug T. Feremenga, Laurent Fourchard, James Genova, Fatima Muller-Friedman, Godwin R. Murunga, Kefa M. Otiso, Michael Ralph, Jeremy Rich,Eric Ross, Corinne Sandwith, Wessel Visser. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin; Steven J.Salm is Assistant Professor of History, Xavier University of Louisiana.

While previous EW exploited flaws in the analogue equipment to corrupt or degrade the sensor detection or localisation capabilities, EW is now an information battle. Modern autonomous threat sensors can readily detect and locate targets by incorporating state of the art high speed digital signal processing (DSP) algorithms that focus on the classification of targets via target physical features. As a result the autonomous threat has a significant advantage over attacking forces consisting of armoured vehicles, aircraft or ships. To elucidate the state of EW, this book focuses on the example of autonomous anti ship missiles (ASM) attacking a naval fleet rather than airborne battles, thus filling a significant gap in the EW literature. It describes modern DSP algorithms that have been published by ASM development personnel from several nations, including the People's Republic of China and the Russian federation and outlines instances where it has been successfully used against ships. The book elaborates on the mathematical techniques employed and the advantages of incorporating digital signal processing algorithms into the autonomous sensor. With straight forward DSP algorithms, ASM can rapidly identify and distinguish electronically generated false targets, passive decoys, chaff and true targets. Moreover, special sensor waveforms now proactively probe the targets for enhanced feature measurements, and modern multi-channel optimal DSP readily mitigates noise jamming.

On August 4, 1983, Captain Thomas Sankara led a coalition of radical military officers, communist activists, labor leaders, and militant students to overtake the government of the Republic of Upper Volta. Almost immediately following the coup’s success, the small West African country—renamed Burkina Faso, or Land of the Dignified People—gained international attention as it charted a new path toward social, economic, cultural, and political development based on its people’s needs rather than external pressures and Cold War politics. James E. Genova’s Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983–1987 recounts in detail the revolutionary government’s rise and fall, demonstrating how it embodied the critical transition period in modern African history between the era of decolonization and the dawning of neoliberal capitalism. It also uncovers one of the revolution’s most enduring and significant aspects: its promotion of film as a vehicle for raising the people’s consciousness, inspiring their efforts at social transformation, and articulating a new self-generated image of Africa and Africans. Foregrounding film and drawing evocative connections between Sankara’s political philosophy and Frantz Fanon, Making New People provides a deeply nuanced explanation for the revolution’s lasting influence throughout Africa and the world.