Revered as the birthplace of Western thought and democracy, Athens is much more than an open-air museum filled with crumbling monuments to ancient glory. Athens takes readers on a journey from the classical city-state to today's contemporary capital, revealing a world-famous metropolis that has been resurrected and redefined time and again. Although the Acropolis remains the city's anchor, Athens' vibrant culture extends far beyond the Greek city's antique boundaries. James H. S. McGregor points out how the cityscape preserves signs of the many actors who have crossed its historical stage. Alexander the Great incorporated Athens into his empire, as did the Romans. Byzantine Christians repurposed Greek temples, the Parthenon included, into churches. From the thirteenth to fifteenth centuries, the city's language changed from French to Spanish to Italian, as Crusaders and adventurers from different parts of Western Europe took turns sacking and administering the city. An Islamic Athens took root following the Ottoman conquest of 1456 and remained in place for nearly four hundred years, until Greek patriots finally won independence in a blood-drenched revolution. Since then, Athenians have endured many hardships, from Nazi occupation and military coups to famine and economic crisis. Yet, as McGregor shows, the history of Athens is closer to a heroic epic than a Greek tragedy. Richly supplemented with maps and illustrations, Athens paints a portrait of one of the world's great cities, designed for travelers as well as armchair students of urban history.

Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities--architectural, historical, political, and social--that constitute Rome.

A multifaceted historical portrait, this richly illustrated work is as gritty as it is gorgeous, immersing readers in the practical world of each period. James McGregor's explorations afford the pleasures of a novel thick with characters and plot twists: amid the life struggles, hopes, and failures of countless generations, we see how things truly worked, then and now; we learn about the materials of which Rome was built; of the Tiber and its bridges; of roads, aqueducts, and sewers; and, always, of power, especially the power to shape the city and imprint it with a particular personality--like that of Nero or Trajan or Pope Sixtus V--or a particular institution.

McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. And, in archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own beautifully written account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests thatconstitute the myriad Romes of our day and days past.

Paris is the most personal of cities. There is a Paris for the medievalist, and another for the modernist-a Paris for expatriates, philosophers, artists, romantics, and revolutionaries of every stripe. James H. S. McGregor brings these multiple perspectives into focus throughout this concise, unique history of the City of Light. His panorama begins with an ancient Gallic fortress on the Seine, burned to the ground by its own defenders in a vain effort to starve out Caesar's legions. After ninth-century raids by the Vikings ended, Parisians expanded the walls of their tiny sanctuary on the Ile de la Cite, turning the river's right bank into a thriving commercial district and the Rive Gauche into a college town. Gothic spires expressed a taste for architectural novelty, matched only by the palaces and pleasure gardens of successive monarchs whose ingenuity made Paris the epitome of everything French. The fires of Revolution threatened all that had come before, but Baron Haussmann saw opportunity in the wreckage. No planned city in the world is more famous than his. Paris from the Ground Up allows readers to trace the city's evolution in its architecture and art-from the Roman arena to the Musee d'Orsay, from the Louvre's defensive foundations to I. M. Pei's transparent pyramids. Color maps, along with identifying illustrations, make the city accessible to visitors by foot, Metro, or riverboat.

On May 5, 1527 Spanish, German, and Italian troops under the banner of the Holy Roman Emperor swarmed into Rome. Until December, when they were finally dispersed by plague, these troops plundered, tortured, raped, and murdered in the defenseless capital of Christendom. "The sack of Rome in 1527 was an event of tragic and decisive importance. It brought the Renaissance, the greatest period in Italian history, to its sudden and catastrophic end. We are fortunate to possess many eyewitness accounts of this extraordinary event. Only one contemporary account, however, offers an overview of the political and military situation in Italy that culminated in the sack of Rome. That account is here translated for the first time." (Introduction) Illustrated, maps, introduction, glossary, afterword, bibliography.

Venice came to life on spongy mudflats at the edge of the habitable world. Protected in a tidal estuary from barbarian invaders and Byzantine overlords, the fishermen, salt gatherers, and traders who settled there crafted an amphibious way of life unlike anything the Roman Empire had ever known. In an astonishing feat of narrative history, James H. S. McGregor recreates this world-turned-upside-down, with its waterways rather than roads, its boats tethered alongside dwellings, and its livelihood harvested from the sea.

McGregor begins with the river currents that poured into the shallow Lagoon, carving channels in its bed and depositing islands of silt. He then describes the imaginative responses of Venetians to the demands and opportunities of this harsh environment--transforming the channels into canals, reclaiming salt marshes for the construction of massive churches, erecting a thriving marketplace and stately palaces along the Grand Canal. Through McGregor's eyes, we witness the flowering of Venice's restless creativity in the elaborate mosaics of St. Mark's soaring basilica, the expressive paintings in smaller neighborhood churches, and the colorful religious festivals--but also in theatrical productions, gambling casinos, and masked revelry, which reveal the city's less pious and orderly face.

McGregor tells his unique history of Venice by drawing on a crumbling, tide-threatened cityscape and a treasure-trove of art that can still be seen in place today. The narrative follows both a chronological and geographical organization, so that readers can trace the city's evolution chapter by chapter and visitors can explore it district by district on foot and by boat.

A cultural and ecological history of the Mediterranean region and humankind's broken covenant with nature The garden was the cultural foundation of the early Mediterranean peoples; they acknowledged their reliance on and kinship with the land, and they understood nature through the lens of their diversely cultivated landscape. Their image of the garden underwrote the biblical book of Genesis and the region's three religions. For millennia, there was no sharp divide between humankind and the land that was home. To be sure, the elements could be harsh, their origins mysterious, but there was a widespread consensus that presumed a largely harmonious working relationship with Nature. Traditional agriculture in the ancient Mediterranean mimicked the key traits of naturally occurring ecosystems. It was diverse, complex, self-regulating, and resilient. This relationship effectively came to an end in the late eighteenth century, when "nature" was steadily equated with the untamed landscape devoid of human intervention. In the early part of the century, the human world, the agricultural realm, and the province of uncultivated nature were one continuous field with no internal boundaries. By century's end, however, key writers had created a sharp divide within this continuum and separated the agricultural world from the world of nature. This abrupt and dramatic change of sensibility upended ecological understanding and had enormous consequences-consequences with which we are still struggling. In Back to the Garden, James H. S. McGregor argues that the environmental crisis the world faces today is a result of Western society's abandonment of the "First Nature" principle-of the harmonious interrelationship of human communities and the natural world. This essential work offers a new understanding of environmental accountability while proposing that recovering the original vision of ourselves, not as antagonists of nature but as cultivators of a biological world to which we innately belong, is possible through proven techniques of the past. Much has been lost, the landscape has been degraded, and traditional knowledge has died away. But there is still much that can be recovered, studied, and reimagined.

Now at seventy-three volumes, this popular MLA series (ISSN 1059-1133) addresses a broad range of literary texts. Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.