An End and a Beginning is the final book in James Hanley's five novel sequence, The Furys. All five novels have been reissued in Faber Finds. Young Peter Fury, confused by his mother's ambition for him, was driven to commit a crime for which he was sent to prison for fifteen years. The story opens with his release, and as Peter gropes his way back to normal life we learn the extraordinary circumstances of his past and observe his coming to terms with the future. The Furys sequence is one of the great works of twentieth-century literature, but it has had to wait until now to be made available in its entirety.

Winter Song is the fourth book in the five novel Furys sequence. All five novels have been reissued by Faber Finds. Self-contained, as all the others are, it can be read with satisfaction on its own but if read as part of the continuum an even richer enjoyment is gained.

Our Time is Gone is the third book in the five novel Furys sequence. All five novels have been reissued in Faber Finds. Complete in itself and published in 1940, it is set during the First World War.

'It is refreshing to turn to the really great novel called Our Time is Gone. Here is something worthwhile. The sustained power, the prolific life, with which Mr Hanley has filled these pages are astonishing.' "Evening Standard "

Although admired by fellow writers like E. M. Forster, Henry Green and William Faulkner and winning comparisons with Joseph Conrad and Dostoyevsky, James Hanley is not as well known as he should be. Without doubt, he was one of the major British writers of the twentieth-century. Faber Finds is proud to be reissuing his Furys saga, making all five novels available for the first time. Before writing The Furys, James Hanley outlined his plan to his publisher: 'I want to show the downfall of a whole family excepting one, and that is the woman. That woman is heroic, powerful, exercises a tremendous influence over her family. I shall show her under every light. I cannot attempt to describe in detail the amazing lives of these people, sometimes fantastic, but never, never divorced from reality. Working class lives are full of colour, of poetry, there is the stuff of drama in the most insignificant things.' The Secret Journey is the second in the Furys five volume saga. Again, Fanny Fury, the mother of the Liverpool Irish family, is the dominant character. She has fallen on such hard times she is forced to borrow a few pounds from a moneylender; her debt accumulates, and gradually the whole of the Fury family become caught in the net. This is the main theme of the book but much else happens besides.

Although admired by fellow writers like E. M. Forster, Henry Green and William Faulkner and winning comparisons with Joseph Conrad and Dostoyevsky, James Hanley is not as well known as he should be. Without doubt, he was one of the major British writers of the twentieth-century. Faber Finds is proud to be reissuing his Furys saga, making all five novels available for the first time. Before writing The Furys, James Hanley outlined his plan to his publisher: 'I want to show the downfall of a whole family excepting one, and that is the woman. That woman is heroic, powerful, exercises a tremendous influence over her family. I shall show her under every light. I cannot attempt to describe in detail the amazing lives of these people, sometimes fantastic, but never, never divorced from reality. Working class lives are full of colour, of poetry, there is the stuff of drama in the most insignificant things.' The Furys, the first in the sequence, is set in Liverpool, renamed Gelton, in 1911. Set during the 'Great Liverpool Transport Strike', it centres upon a decisive moment in the lives of the Fury family. Fanny Fury has pinned all her frustrated hopes on her youngest son, Peter. Struggling against poverty and family resentment, she sends Peter to train for the priesthood. Seven years later, and in disgrace, he returns home to face her pain and rage. 'It's great . . . I really think it is different in quality, texture, atmosphere, view-point, art and purpose from any other book I know. It's a wonderful thing to have done. . .The character of the mother is a masterpiece, and so - only second to her - is Mr Fury. I never recall reading of the mysterious and involved link between married people so profoundly and touchingly portrayed.' John Cowper Powys

An elderly farmer dies, following an accident on a remote mid-Wales smallholding, leaving the kingdom he had ruled over so fiercely to his two daughters, Lucy and Cadi. As they prepare for the funeral, the novel charts the courses whereby each sister came to be what she now is; Lucy, the one that got away, fleeing the farm secretly and without warning, never to see the old man again, and Cadi, who promptly gave up her job as a teacher in Manchester to take Lucy's place in her father's lonely, narrow world, beginning a pattern of guilt, self-submission, self-reliance, and occluded rage that would last until his death. A haunting, elegiac evocation of hill-farm life, from its very first line A Kingdom is preoccupied with the connotations surrounding the word 'rooted' and with what it means, for good and ill, to be tied to such a place.

Medicare is arguably Canada's most valued social program. As federally-supported medicare enters its second half-century, Medicare's Histories brings together leading social and health historians to reflect on the origins and evolution of medicare and the missed opportunities characterizing its past and present. Embedding medicare in the diverse constituencies that have given it existence and meaning, contributors inquire into the strengths and weaknesses of publicly insured health care and critically examine medicare's unfinished role in achieving greater health equity for all people in Canada regardless of race, status, gender, class, age, and ability.Fundamental to the stories told in Medicare's Histories is the essential role played by communities - of activists, critics, health professionals, First Nations, patients, families, and survivors - in driving demands for health reform, in identifying particular omissions and inequities exacerbated or even created by medicare, and in responding to the realities of medicare for those who work in and rely on it. Contributors to this volume show how medicare has been shaped by politics (in the broadest sense of that word), identities, professional organizations, and social movements in Canada and abroad. As COVID lays bare social inequities and the inadequacies of health care delivery and public health, this book shows what was excluded and what was - and is - possible in health care.