Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This simple book is full of starter doodles and lots of space, to help children feel calmer and leave their worries on the page. It includes mindfulness tips and reassurance.

This is the first fully comprehensive survey and analysis of masted structures and covers examples that have evolved during the past three decades. Masted Structures are one of the most interesting developments in post-war architecture resulting from a combination of technology, structural engineering theory and a collaboration between architects and engineers. This is an essential guide for architects to the structural and constructional implications of masted forms in relation to space enclosure, patterns of loading and use of differing materials and techniques. This useful volume will enable architects and engineers to understand the origins, development and nature of masted structures and will provide a stimulating basis for future design.

The biscuit factory in Haddie's hometown is absolutely 100% NOT a Super-Secret Science Lab. Or a portal to another dimension. With orange fluffy monsters. OH NO. DEFINITELY NOT. Or ... is it? A laugh-out-loud biscuit-bonkers adventure for fans of My Brother is a Superhero and Kid Normal. *Winner of the Northern Writers' Award* I live near a biscuit factory. Sounds like a dream come true, right? But it's not all fun and jammie dodgers. You see, the biscuit factory is really a Super-Secret Science Lab. Everyone pretends it makes biscuits. It just makes life easier. Until today. Because the biscuit factory tore a hole through dimensions, and now HUGE ORANGE MONSTERS are climbing through. Oh, and if we don't do something, the world is going to go KABLOOEY in the next thirty minutes. NOT ON MY WATCH. You coming? 'So funny you'll snort custard creams out of your nose' Mr J Dodger

For fans of My Brother is a Superhero and The Demon Headmaster comes an outrageously funny story of brain control, friends, enemies and saving the world, even if you don't really want to. *From the award-winning writer of The Unbelievable Biscuit Factory* Leeza's parents are ordinary. Unfit, grumpy, a bit embarrassing. Totally normal, right? Until today. Today they are jogging. Eating salads and enjoying them. Smiling all the time. They're happy. Really, really happy. Who could complain about that? Leeza, that's who. Because it looks like someone's brainwashing everyone in town. Who's going to save the world? Oh no! It looks like it might have to be Leeza. OK then. Let's do this. You coming? By the author of The Unbelievable Biscuit Factory, winner of the Children's Novel category in the Northern Writers' Awards, this book is a must for anyone who wants something to make them snort with laughter.

In pre-modern religions from Asia we encounter unique scripts, number systems, calendars, and naming conventions. These make the Western-built world of consumer technology an ill fit to our needs. Even tools specifically developed for Digital Humanities often do not support our needs. The problems we face are particularly specific, and therefore solutions are not going to come from anyone but ourselves. However, the barrier to entry is still high for graduate students and scholars without prior experience of digital methods. Our volume aims to guide the enthusiastic colleague through the first perilous phases of folding digital tools into their toolset. We shall explain how to set the right expectations, what type of work can be easiest automated or digitized, how you set up and execute a digital project, and what the specific pitfalls are that we need to look out for. We cover five religious domains: 1) Judaism and Christianity, 2) Islam, 3) Hinduism and Jainism, 4) Buddhism, and 5) Shintoism and Daoism. Concomitantly we have identified eight topical domains: 1) mapping, 2) databases, 3) cataloging, 4) corpus analysis, 5) encoding and editing, 6) online media, 7) manuscript tagging, 8) reflections on the methodological shift.

This is the first fully comprehensive survey and analysis of masted structures and covers examples that have evolved during the past three decades. Masted Structures are one of the most interesting developments in post-war architecture resulting from a combination of technology, structural engineering theory and a collaboration between architects and engineers. This is an essential guide for architects to the structural and constructional implications of masted forms in relation to space enclosure, patterns of loading and use of differing materials and techniques. This useful volume will enable architects and engineers to understand the origins, development and nature of masted structures and will provide a stimulating basis for future design.

Bank-robbers unwittingly let loose a zombie horde onto the streets of London, in this comedy horror from director Matthias Hoene. Andy (Harry Treadaway) and Terry (Rasmus Hardiker) are determined to save their grandad Ray (Alan Ford)'s care home by robbing a bank. But when they break into a 350-year-old underground vault, the gang of robbers realise they've bitten off more than they can chew when they unleash a zombie army. With the undead looking for their next meal, the gang, led by Katy (Michelle Ryan), must rescue the old folks, all the while battling their way to freedom with their hard-earned dosh.