Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

When a woman's voice, pitched to the high note of utter terror, rang out on the late morning quiet of Manniston Road, Lawrence Bristow looked up from his newspaper quickly but vaguely, as if he doubted his own ears. He was reading an account of a murder c

Philip has a rare opportunity: to read the century-old chronicle of a vampire. It's hard to resist such a prospect, but will he regret his decision once it's made? The account was written by a vampire named James. Where many vampires tumble into the darkness of insanity and eventually suicide over the prospect of a lonesome eternity, James always had a purpose. His purpose was not to destroy but, instead, to protect.

When James was turned at the age of eighteen, he made a promise to himself. He would spend his immortal life protecting the woman he loved in his youth, and her lineage for as long as fate allowed. For hundreds of years, his path was simple, set, and never shaken. Then, the unthinkable happened: a member of his beloved's family fell ill-a young woman with such a potential for life.

Will James let her die, and perhaps kill the memory of his lost love with her? Or will he consider doing what he promised never to do: become the Sire to a fledgling vampire? James must consider: will immortality be a blessing for the dying girl, or will it end up a curse, as it has always been for him? Philip will read the chronicle to find out, but does the story end with the last page or live on eternally in the blood of an immortal?

This book offers a major reconceptualization of the term ?audience,? including the landscape of a given audience?the situated and territorializing features of any way of seeing and defining the world. Given de Certeau's hypothesis that listening, watching, and reading all occur in places and result in produce transformed paths or spaces, the contri

Reference MWAPI shows readers how to develop robust Windows applications using the innovative M Windowing Applications Interface (MWAPI). This book uses numerous tables, illustrations, sample programs, images and discussions to demonstrate how high quality graphical user interface applications are created using a technology that insulates the user from the intricacies and complexities of any particular Windows environment. It shows how applications created through the host-independent development environment can be ported to any Windows platform with no change in source code while maintaining the look and feel of event-processing methodology. It examines portability and compact code, some of the traits the MWAPI shares with the Java programming language.
Reference MWAPI includes valuable appendices designed for quick reference, and it is organized with the needs of a developer in mind. The material is structured to serve as a learning tool and resource for applications development. The integration of the MWAPI is divided into seven chapters that focus on particular components of the system. Exercises test the knowledge of the reader on selected highlights of each chapter.
Sample programs walk the user through "how to" demonstrations of Windows development
Presents specific instructions for characterizing objects with helpful notes
Appendices are designed for quick reference during development

This book offers a major reconceptualization of the term ?audience,? including the landscape of a given audience?the situated and territorializing features of any way of seeing and defining the world. Given de Certeau's hypothesis that listening, watching, and reading all occur in places and result in produce transformed paths or spaces, the contributors to this landmark volume have provided innovative essays analyzing the transformations that take place in the geography between sender and receiver. The book acknowledges, in the face of conventional ?discourse analysis,? the contextual features of discourse, to produce a complex and textured understanding of the concept of audience.The Audience and Its Landscape, presents the work of a vital cross-section of international scholars including Sweden's Karl Erik Rosengren, the UK's Jay G. Blumler and Roger Silverstone, Australia's Tony Bennett, Israel's Elihu Katz, Canada's Martin Allor, and the United States's Janice Radway, Byron Reeves, and John Fisk, to name a few. This book is truly groundbreaking in its depth and scope, and will speak to students of rhetoric, mass communication, cultural studies, anthropology, and sociology alike.

While Detective Jefferson Hastings is visiting the home of wealthy and eccentric Arthur Sloane, two guests stumble across a body on the lawn. Only few clues can help Hastings to solve the murder. Reprint of the detective story originally published in 1920.