By combining the study of films with the text-based primary sources, "Screening America" gives students clear guidance in studying, interpreting, and understanding the motion picture's significance as a primary source in investigating U.S. History. Students will come to understand history as not only the record of what governments did, but also the way in which people lived their lives, experienced the wider world, and engaged in leisure pursuits, from which we can learn much about the society in which they lived.

In Georgia during the Great Depression, jobless workers united with the urban poor, sharecroppers, and tenant farmers. In a collective effort that cut across race and class boundaries, they confronted an unresponsive political and social system and helped shape government policies. James J. Lorence adds significantly to our understanding of this movement, which took place far from the northeastern and midwestern sites we commonly associate with Depression-era labor struggles.

Drawing on extensive archival research, including newly accessible records of the Communist Party of the United States, Lorence details interactions between various institutional and grassroots players, including organized labor, the Communist Party, the Socialist Party, liberal activists, and officials at every level of government. He shows, for example, how the Communist Party played a more central role than previously understood in the organization of the unemployed and the advancement of labor and working-class interests in Georgia. Communists gained respect among the jobless, especially African Americans, for their willingness to challenge officials, help negotiate the welfare bureaucracy, and gain access to New Deal social programs.

Lorence enhances our understanding of the struggles of the poor and unemployed in a Depression-era southern state. At the same time, we are reminded of their movement's lasting legacy: the shift in popular consciousness that took place as Georgians, "influenced by a new sense of entitlement fostered by the unemployed organizations," began to conceive of new, more-equal relations with the state.

The first comprehensive biography of progressive labor organizer, peace worker, and economist Clinton Jencks (1918-2005), this book explores the life of one of the most important political and social activists to appear in the Southwestern United States in the twentieth century. A key figure in the radical International Union of Mine, Mill, and Smelter Workers (IUMMSW) Local 890 in Grant County, New Mexico, Jencks was involved in organizing not only the mine workers but also their wives in the 1951 strike against the Empire Zinc Company. He was active in the production of the 1954 landmark labor film dramatizing the Empire Zinc strike, Salt of the Earth, which was heavily suppressed during the McCarthy era and led to Jencks's persecution by the federal government. Labor historian James J. Lorence examines the interaction between Jencks's personal experience and the broader forces that marked the world and society in which he worked and lived. Following the work of Jencks and his equally progressive wife, Virginia Derr Jencks, Lorence illuminates the roots and character of Southwestern unionism, the role of radicalism in the Mexican-American civil rights movement, the rise of working-class feminism within Local 890 and the Grant County Mexican American community, and the development of Mexican-American identity in the Southwest. Chronicling Jencks's five-year-long legal battle against charges of perjury, this biography also illustrates how civil liberties and American labor were constrained by the specter of anticommunism during the Cold War. Drawing from extensive research as well as interviews and correspondence, this volume highlights Clinton Jencks's dramatic influence on the history of labor culture in the Southwest through a lifetime devoted to progress and change for the social good.